Top 258 Quotes & Sayings by Adrienne Rich - Page 5

Explore popular quotes and sayings by an American poet Adrienne Rich.
Last updated on November 21, 2024.
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
I define "politics" as the on-going collective struggle for liberation and for the power to create - not only works of art, but also just and nonviolent social institutions.
Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother. Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
Mothers and daughters have always exchanged with each other - beyond the verbally transmitted lore of female survival - a knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival. Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society.
I wanted him [my father] to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices. — © Adrienne Rich
I wanted him [my father] to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices.
Go back so far there is another language go back far enough the language is no longer personal.
We assume that politicians are without honor. We read their statements trying to crack the code. The scandals of their politics: not so much that men in high places lie, only that they do so with such indifference, so endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.
War is an absolute failure of imagination, scientific and political.
I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university. — © Adrienne Rich
I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university.
The channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.
Over many years so many poets have touched my imagination and opened paths for me - it hardly makes sense to list them. I have always read a great deal of poetry.
In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
Even where love has run thin the child's soul musters strength... the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
Women's art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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