Top 100 Quotes & Sayings by Alan Arkin
Explore popular quotes and sayings by an American actor Alan Arkin.
Last updated on September 17, 2024.
I wanted to make it in New York. I thought if I went out to the Midwest, I'd be burying myself. But I was wrong.
A product is most easily sold when it has an identity. So they wrap you all up and put a label on you. And then that's what you have to be. But what I'm looking for is the opportunity to explore what I can do, probing the limits, learning.
A director without a vision is a catastrophe.
I love working if it's with people who are capable of having a good time. People with a little bit of enjoyment of what they do. If it's enormous pressure, and people feel that their lives are at stake, then it's agony. So I try to pick projects where I feel like I'm going to avoid those traps.
I don't mind watching plays once in a while, but as long as I don't have to be in them.
I can't even pretend to play golf.
I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.
I don't know what I'm proudest of. The fact that my kids still talk to me.
I get a little upset, yeah, if a year goes by and I don't get a script. Thank God I have other interests that keep me from becoming a nervous wreck.
I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.
Something I miss terribly from the '60s - the most important phrase in the English language was, 'I got hung up.' Somebody says they got hung up, it's unassailable, you know? You don't go near that. Whoa! I know what that can be like.
What I look for these days is that I don't have long speeches, the characters gets to sit down a lot, I don't have to learn any foreign languages, and it doesn't shoot in Minneapolis in February. That's mainly what I look for.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.
I don't know why we have to put things in boxes of superlatives. That isolates them. Life is fluid, and the minute you start trying to put a line around something, it will deceive you and go away.
I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.
I'm not sure if I've learned anything from show business. Life in general has taught me if you're kind to people, everything gets easier. Being a decent person really smoothes the way for you and everyone else.
I'm as old as I am, and I don't try to hide it. It's not a big deal.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
Over the years, I played with a couple of spectacular guitar players, and playing with them has made me play better than I knew how to play. I hope the same thing is true with acting.
I know that if I can't move people, then I have no business being an actor.
I've always been an improviser. I was one before I knew even what the word was... And acting, that I've been doing since I was 5.
I was terrified of being on stage, and I had to work very hard at a craft to get past that.
I don't sense that I am someone's hero, though I'm happy when people like my work. I've learned how to be gracious about it, but I try to let it go by. I've seen how, if people start taking on those accolades, it can ruin them completely.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.
I gotta keep busy. I'm not happy unless I'm working on two, three things.
It's murder to doubt yourself in life. It took until I was 45 to get to that point. As hard as it is in your work, it's harder in your life. But it can be done.
It's - everybody's looking at the bottom line all the time, and failure doesn't look good on the bottom line, and yet you don't learn anything without failing.
You hit a certain age, and you haven't died yet, and you become an elder statesman. I think I get a lot of applause because I'm not keeling over.
Marriage requires searing honesty at all costs. I learned that from my third wife.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
Education does not mean jamming information into somebody's head. Rather, it's that ancient idea that all knowledge is within us; to teach is to help somebody pull it out of themselves.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
I love doing kids' shows, and I love working with kids. I've done a lot of it. A lot of people don't like working with children, but I love it.
The years I spent paying my dues are in the background, and so are my concerns about whether my performance is good or bad.
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
I'd have to say that my favorite kind of film is serious comedy. Comedy with serious underpinning. 'Little Miss Sunshine' is like that. That's my fave genre, if I had to pick one.
I wrote my epitaph: He started out a particle and ended up a wave.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
If you're playing a negative character, sooner or later it rubs off on you. Some people don't mind living in that state, but I don't want to be there anymore. I don't want to live in a state of depression.
My favorite thing is to be working with people I enjoy working with. I've reached the point where, emotionally, I don't need to act any more. Financially, I do. But emotionally, it wouldn't matter to me if I never acted again.
No matter how much time you spend reading books or following your intuition, you're gonna screw it up. Fifty times. You can't do parenting right.
For everybody, the tide comes in, the tide goes out - if you're an actor, particularly.
That's the privilege of old age: You don't have to remember.
I don't believe there's anything in life you can't go back and fix. The ancient Vedas - the oldest Hindu philosophy - and modern science agree that time is an illusion. If that's true, there's no such thing as a past or a future - it's all one huge now. So what you fix now affects the past and the future.
I used to have a lot of philosophies of acting; they all fell apart over the years.
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
I'm very old. I haven't got time to be charming.
I was a stoopball fan. I played stoopball all the time.
NI love watching science fiction because I feel like when it's done well, it's not just monsters, but philosophy. Really good science fiction like, '2001,' for example, or the first 'Matrix.' But it takes someone who's got a brain and thinks in order to do really good science fiction.
All I can say is if the part doesn't delight me in some way, or I can't feel any compassion for it, I just can't do it.
I never had a better role than I had in 'Little Miss Sunshine.' That was one of my favorite roles ever.
My favorite thing about making movies is that it's the only area of human life that I've ever discovered where I can walk away from somebody in the middle of a conversation with somebody and they won't be offended.
No matter what you do or where you are, you're going to be missing out on something.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
People think that the people in Hollywood have some master plan. They just make the movies that people go to see. I think it's that simple. I promise you if people were lining up around the block to see a Bible movie, they'd make Bible movies from now to the end of time.
I gotta make a living. I make no bones about that. Most actors do. But within that context, I've never not tried to make something as fresh and alive as I possibly could make it.
You have to think of your career the way you look at the ocean, deciding which wave you're gonna take and which waves you're not gonna take. Some of the waves are going to be big, some are gonna be small, sometimes the sea is going to be calm. Your career is not going to be one steady march upward to glory.
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