Top 127 Quotes & Sayings by Alan Bennett - Page 2

Explore popular quotes and sayings by an English dramatist Alan Bennett.
Last updated on November 9, 2024.
[B]riefing is not reading. In fact it is the antithesis of reading. Briefing is terse, factual and to the point. Reading is untidy, discursive and perpetually inviting. Briefing closes down a subject, reading opens it up.
An article on playwrights in the Daily Mail , listed according to Hard Left, Soft Left, Hard Right, Soft Right and Centre. I am not listed. I should probably come under Soft Centre.
I don't talk very well. With writing, you've time to get it right. Also I've found the more I talk the less I write, and if I didn't write no one would want me to talk anyway.
Reading is untidy, discursive and perpetually inviting. — © Alan Bennett
Reading is untidy, discursive and perpetually inviting.
I lack what the English call character, by which they mean the power to refrain.
The longer I practise medicine, the more convinced I am there are only two types of cases: those that involve taking the trousers off and those that don't.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
I can walk. It's just that I'm so rich I don't need to.
I'm not "happy" but I'm not unhappy about it.
All the effort went into getting there and then I had nothing left. I thought I'd got somewhere, then I found I had to go on.
I was an only child. I lost both my parents. By the time I was twenty I was bald. I'm homosexual. In the way of circumstances and background to transcend I had everything an artist could possibly want. It was practically a blueprint.
... Once I start a book I finish it. That was the way one was brought up. Books, bread and butter, mashed potato - one finishes what's on one's plate. That's always been my philosophy.
Books are not about passing the time. They're about other lives. Other worlds.
Philip Larkin used to cheer himself up by looking in the mirror and saying the line from Rebecca, 'I am Mrs de Winter now! — © Alan Bennett
Philip Larkin used to cheer himself up by looking in the mirror and saying the line from Rebecca, 'I am Mrs de Winter now!
At the drabber moments of my life (swilling some excrement from the steps, for instance, or rooting with a bent coat-hanger down a blocked sink) thoughts occur like 'I bet Tom Stoppard doesn't have to do this' or There is no doubt David Hare would have deputed this to an underling.'
I'm not good at precise, coherent argument. But plays are suited to incoherent argument, put into the mouths of fallible people.
So boring you fall asleep halfway through her name.
I suppose I'm the only person who remembers one of the most exciting of his ballets-it's the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.
Here I sit, alone at 60, Bald and fat and full of sin Cold the seat, and loud the cistern As I read the (Harpic) (Lysol) tin
One reads for pleasure...it is not a public duty.
There's very little in the substance of [THE LADY IN THE VAN] which is not fact though some adjustments have had to be made. Over the years Miss Shepherd was visited by a succession of social workers so the character in the play is a composite figure. . . . A composite too are the neighbours, Pauline and Rufus, though I have made Rufus a publisher in remembrance of my neighbour, the late Colin Haycraft, the proprietor of Duckworth's.
You always know when you're going to arrive. If you go by car, you don't. Apart from anything else, I prefer cycling. It puts you in a good mood, I find.
My experience came before most of you were born. My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn't normally send them to Oxford or Cambridge. But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge. So, half a dozen of us tried - not all of us in history - and we all eventually got in. So, to that extent, it [The History Boys] comes out of my own experience.
Polly: Education with socialists, it's like sex, all right as long as you don't have to pay for it.
No mention of God. They keep Him up their sleeves for as long as they can, vicars do. They know it puts people off.
Above literature?' said the Queen. 'Who is above literature? You might as well say one was above humanity.
A book is a device to ignite the imagination.
Of course my standards are out of date! That's why they're called standards.
Why is it always the "intelligent" people who are socialists?
We have fish and chips, which W. and I fetch from the shop in Settle market-place. Some local boys come in and there is a bit of chat between them and the fish-fryer about whether the kestrel under the counter is for sale. Only when I mention it to W. does he explain Kestrel is now a lager. I imagine the future is going to contain an increasing number of incidents like this, culminating with a man in a white coat saying to one kindly, "And now can you tell me the name of the Prime Minister?"
Never read the Bible as if it means something. Or at any rate don't try and mean it. Nor prayers. The liturgy is best treated and read as if it's someone announcing the departure of trains.
If you find yourself born in Barnsley and then set your sights on being Virginia Woolf it is not going to be roses all the way.
The Breed never dies. Sapper, Buchan, Dornford Yates, practitioners in that school of Snobbery withViolence that runs like a thread of good-class tweed through twentieth-century literature.
The days weren't long enough for the reading she wanted to do.
One recipe for happiness is to have to sense of entitlement.' To this she added a star and noted at the bottom of the page: 'This is not a lesson I have ever been in a position to learn.
I have never understood disliking for war. It panders to instincts already catered for within the scope of any respectable domestic establishment.
Have you ever thought, headmaster, that your standards might perhaps be a little out of date? Of course they're out of date. Standards are always out of date. That is what makes them standards.
The thing I think about is that once you've done it, you then start to think about what you're going to do next. It's much easier to follow something that's not been as successful as this.
Cloisters, ancient libraries ... I was confusing learning with the smell of cold stone. — © Alan Bennett
Cloisters, ancient libraries ... I was confusing learning with the smell of cold stone.
...she felt about reading what some writers felt about writing: that it was impossible not to do it and that at this late stage of her life she had been chosen to read as others were chosen to write.
It's the one species I wouldn't mind seeing vanish from the face of the earth. I wish they were like the White Rhinosix of them left in the Serengeti National Park, and all males.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
f they'd been working with Alec Guinness, for instance, they wouldn't have known they were born if they'd not towed the line!
But then books, as I'm sure you know, seldom prompt a course of action. Books generally just confirm you in what you have, perhaps unwittingly, decided to do already. You go to a book to have your convictions corroborated. A book, as it were, closes the book.
I'm for the freedom of expression, given that it will be under strict control.
To read is to withdraw.To make oneself unavailable. One would feel easier about it if the pursuit inself were less...selfish.
It [Cambridge] wasn't a holy grail in the sense that I'd never been to Cambridge. But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.
But most men regard their life as a poem that women threaten. They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury's, emptying the dishwasher or going to the nativity play.
Why do we not care to acknowledge them? The cattle, the body count. We still don't like to admit the war was even partly our fault because so many of our people died. A photograph on every mantlepiece. And all this mourning has veiled the truth. It's not so much lest we forget, as lest we remember. Because you should realise the Cenotaph and the Last Post and all that stuff is concerned, there's no better way of forgetting something than by commemorating it.
One of the hardest things for boys to learn is that a teacher is human. One of the hardest things for a teacher to learn is not to try and tell them. — © Alan Bennett
One of the hardest things for boys to learn is that a teacher is human. One of the hardest things for a teacher to learn is not to try and tell them.
Schweitzer in the Congo did not derive more moral credit than Larkin did for living in Hull.
To begin with, it's true, she read with trepidation and some unease. The sheer endlessness of books outfaced her and she had no idea how to go on; there was no system to her reading, with one book leading to another, and often she had two or three on the go at the same time.
To play Trivial Pursuit with a life like mine could be said to be a form of homeopathy.
I've never forgotten that experience. But I had nobody at school that was either like Hector or Irwin. The masters had no idea what was expected of you in the scholarship exam, so you just had to busk it really.
It was the kind of library he had only read about in books.
Our father the novelist; my husband the poet. He belongs to the ages - just don't catch him at breakfast. Artists, celebrated for their humanity, they turn out to be scarcely human at all.
I had no idea of who could play it, no notion really. Then Richard came to see us but I don't think it was decided at that meeting. The trouble is, as soon as you've chosen somebody it obscures anybody else you might have thought of. It's like going to a place that you've never been to before - you've got a picture of it and then you go there and that picture is totally wiped out by the reality.
Nature played a cruel trick on her by giving her a waxed mustache.
[talking about the Holocaust] 'But to put something in context is a step towards saying it can be understood and that it can be explained. And if it can be explained that it can be explained away.' 'But this is History. Distance yourselves. Our perspective on the past alters. Looking back, immediately in front of us is dead ground. We don't see it, and because we don't see it this means that there is no period so remote as the recent past. And one of the historian's jobs is to anticipate what our perspective of that period will be... even on the Holocaust.
I think the writer's quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I'd have thought, slightly more risky.
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