Top 20 Quotes & Sayings by Alexandre Aja

Explore popular quotes and sayings by a French director Alexandre Aja.
Last updated on December 14, 2024.
Alexandre Aja

Alexandre Jouan-Arcady, known professionally as Alexandre Aja, is a French filmmaker best known for his work in the horror genre. Aja rose to international stardom for his 2003 horror film Haute Tension. He has also directed the films The Hills Have Eyes (2006), Mirrors (2008), Piranha 3D (2010), Horns (2013) and Crawl (2019).

Me, as a moviegoer, before being a filmmaker, I try to think about what movie I would like to see.
When you do a slasher film, you find yourself repeating the same kind of scene, then it becomes not very challenging and not very interesting.
A movie like 'The Last House On The Left' would be very hard to do in Europe. — © Alexandre Aja
A movie like 'The Last House On The Left' would be very hard to do in Europe.
I think the violence in 'The Hills Have Eyes' and 'High Tension' is much more traumatic than 'Piranha.'
I'm a huge fan of movies, and I watch DVDs all day, and I like to be able to watch DVDs that are different from what was in theaters. Whether that's uncut or a director's cut. I think it's an awesome way to rediscover the movie.
Growing up in the eighties, you could go from one style in a movie to another style, and that was okay. In the nineties, you had to obey your niche. You had to follow the code and never step outside of exactly what you're doing.
When I approach a story or movie, the story is the most important thing.
In Europe, there is no horror movie. It's very hard to make a slasher or gory movie. There is no audience for that.
Spring Break is very strange. I grew up in France, so I don't know Spring Break. That doesn't exist in Europe.
The most important thing when you do a movie is that you find an audience that really understands what you want to do and is really supportive of it.
I try to think about me, as an audience member, and it [inspiration for movies] comes from there.
Hollywood changed to become a more marketing-driven Hollywood, where people who are running the studios are more like marketing people, and they need titles.
I'm always on the side of the characters, rather than the side of the people attacking them. I get realistic. It's not gratuitous.
That is the limit of IMDb. You can get into any IMDb page and hack stuff.
It's always very interesting to bet who's going to go first and who is going to have the most unbelievable death. It's always fun to play with that and create more expectation. It's an interesting part of horror movie.
I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.
It's always about trying to do something that's different and not repeating yourself because then you lose your creative stamina. You need to have new challenges.
You have to be realistic in the use of blood in the movies. There is a little bit more than a gallon in a human being. If you have a few thousand people, that makes a lot of blood. I'm very realistic in my use of blood.
Casting is so important in horror. It's so important to have strong actors to tell a story because, if you don't believe in the character, how can you be scared for them? — © Alexandre Aja
Casting is so important in horror. It's so important to have strong actors to tell a story because, if you don't believe in the character, how can you be scared for them?
In the horror genre, unfortunately you sometimes have the studio tell you, "No, go with more unknown people because it's a scary movie," and I disagree.
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