Top 166 Quotes & Sayings by Alice Sebold - Page 3

Explore popular quotes and sayings by an American writer Alice Sebold.
Last updated on November 22, 2024.
What I think was hardest for me to realize was that he had tried each time to stop himself. He had killed animals, taking lesser lives to keep from killing a child
She was unaware that she was somewhat of a celebrity up in heaven. I had told people about her, what she did, how she observed moments of silence up and down the city and wrote small individual prayers in her journal, and the story had travelled so quickly that women lined up to know she had found where they’d been killed. She had fans in heaven..... Meanwhile, for us, she was doing important work, work that most people on Earth were too frightened even too contemplate.
Murder had a blood red door on the other side of which was everything unimaginable to everyone. — © Alice Sebold
Murder had a blood red door on the other side of which was everything unimaginable to everyone.
As if in the other side of his kiss there could ve a new life
I watched my brother and my father. The truth was very different from what we learned in school. The truth was the line between the living and the dead could be, it seemed, murky and blurred.
I watched my beautiful sister running . . . and I knew she was not running away from me or toward me. Like someone who has survived a gut-shot, the wound had been closing, closing - braiding into a scar for eight long years.
The dead are never exactly seen by the living, but many people seem acutely aware of something changed around them. They speak of a chill in the air. The mates of the deceased wake from dreams and see a figure standing at the end of thier bed, or in a doorway, or boarding, phantomlike, a city bus.
Almost everyone in heaven has someone on Earth they watch, a loved one, a friend or even a stranger who was once kind, who offered warm food or a bright smile when one of us had needed it. And when I wasn’t watching I could hear the others talking to those they loved on Earth: just as fruitlessly as me, I’m afraid. A one-sided card cajoling and coaching of the young, a one way loving and desiring of their mates, a single-sided card that could never get signed.
I wish you all a long and happy life
He would find his Susie,inside his young son. Give that love to the living.
Then a little voice in him said, Let go, let go, let go
He had been my almost. My might-have-been. I was afraid of what I wanted most - His kiss. Still, I collected kiss stories. -Susie Salmon
But she was waiting patiently. She no longer believed in talk. It never rescued anything. At seventy she had come to believe in time alone. ~pg 254
I was in the air around him. I was in the cold mornings he had now. I was in the quiet time he spent alone. I was the girl he had chosen to kiss. He wanted, somehow to set me free. -Susie Salmon
Sometimes you cry, Susie, even when someone you love has been gone a long time. — © Alice Sebold
Sometimes you cry, Susie, even when someone you love has been gone a long time.
My grandmother stepped back into the kitchen to get their drinks. I had come to love her more after death than I ever had on Earth. I wish I could say that in that moment in the kitchen she decided to quit drinking, but I now saw that drinking was a part of what made her who she was. If the worst of what she left on Earth was a legacy of inebriated support, it was a good legacy in my book. ~Susie's grandmother, Lynn pgs 315-316
Please don't let Daddy die Susie," he whispered. "I need him.
There wasn't a lot of bullshit in my heaven.
I couldn't help but think, as I watched him, of the barrels of toxic fluids that had accrued behind Hal's bike shop where the scrub lining the railroad tracks had offered local companies enough cover to dump a stray contaner or two. Everything had been sealed up, but things were beginning to leak out. I had come to both pity and respect Len in the years since my mother left. He followed the physical to try to understand things that were impossible to comphrehend. In that, I could see, he was like me.
I knew something as I watched: almost everyone was saying goodbye to me. I was becoming one of the many little-girl-losts. They would go back to their homes and put me to rest, a letter from the past never to be reopened or reread. And I could say goodbye to them, wish them well, bless them somehow for their good thoughts. A handshake in the street, a dropped item picked up and retrieved and handed back, or a friendly wave from the distant window, a nod, a smile, a moment when the eyes lock over the antics of a child.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything.
The alcohol had the effect of making the black cloth blacker. This amused her; she had noted in her journal: "booze affects material as it does people.
My father had not been outside the house except to drive back and forth to work or sit out in the backyard, for months, nor had he seen his neighbors. Now he looked at them, from face to face, until he realized I had been loved by people he didn't even recognize. His heart filled up, warm again as it had not been in what seemed so long to him- save small forgotten moments with Buckley, the accidents of love that happened with his son. ~pgs 209-210; Buckley, Lindsey and Jack on Susie
I don't do much public speaking. I did a lot of stuff for Bones, and then ended up having said yes to a lot of things that kept me on the road for a while for that, but then I pretty much stopped. I'm touring for this book, but when the tour is done, that'll be the end of it.
A lot of people ask questions that they don't want to answer themselves, and if we're honest about the intimacy that we have with our parents, you wish them the best and you wish them the worst more than anybody else in the world. I think everyone has had a moment in their life where they wished a parent ill, and I think it's perhaps a very romantic idea that that doesn't happen.
Poison and medicine are often the same thing, given in different proportions
I'm just a friendly bystander who they occasionally ask questions of. That's my level of involvement.
I'm not a slash-and-burn kind, and I'm also not a posterity kind. They just kind of exist on my hard drive. It's like walking down the street - what you leave behind is still there, even if you never go back and revisit it.
I mean, if I went into my closet, I could find a previous draft and try to figure that out, but it takes a long time for me to find the voice to tell a story in. I was working from other points of view for a couple years there.
I was like I was in science class: I was curious.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
I had always been in love with him. I counted the lashes of each closed eye. He had been my almost, my might have been, and I did not want to leave him — © Alice Sebold
I had always been in love with him. I counted the lashes of each closed eye. He had been my almost, my might have been, and I did not want to leave him
You're not supposed to look back, you're supposed to keep going.
I think that if you're somebody who's a control freak, the process would make you crazy, but I'm kind of a process freak, so I'm excited to see what he does with it. I know it's not going to be my book, so just starting with that knowledge frees me from having to get all freaked out about it.
but, he also said it because part of him wanted more of her, this cold woman who was not exactly cold, this rock who was not stone.
I'm fine with whatever comes my way, and whatever doesn't come my way I'm fine with too. I have a very laissez-faire attitude with the whole thing.
Books and novels in particular that grapple with quite a few things are difficult to explain, so I think that first line can come in a substitute for trying to form a longer sense of what the book is about.
If I had but an hour of love,if that be all that is given me,an hour of love upon this earth,I would give my love to thee.
But I know I would not go out. I had taken this time to fall in love instead — in love with the sort of helplessness I had not felt in death — the helplessness of being alive, the dark bright pity of being human — feeling as you went, groping in corners and opening your arms to light - all of it part of navigating the unknown.
Every day a question mark.
Well, it's my voice, so it's more accessible that way, and there are also all sorts of things like plot and timelines that are already known entities, so for me, it's very different from writing fiction.
When I was raped I lost my virginity and almost lost my life. I also discarded certain assumptions I had held about how the world worked and about how safe I was.
Like snowflakes,' Franny said,'none of them the same and yet each one, from where we stand, exactly like the one before — © Alice Sebold
Like snowflakes,' Franny said,'none of them the same and yet each one, from where we stand, exactly like the one before
She liked to imagine that when she passed, the world looked after her, but she also knew how anonymous she was. Except when she was at work, no one knew where she was at any time of day and no one waited for her. It was immaculate anonymity.
People grow up by living.
Out loud I said I had two children. Silently I said three. I always felt like apologizing to her for that.
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