Explore popular quotes and sayings by a Finnish architect Alvar Aalto.
Last updated on November 21, 2024.
Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
Nothing is as dangerous in architecture as dealing with separated problems. If we split life into separated problems we split the possibilities to make good building art.
I do not write, I build.
Once I tried to make a standardization of staircases. Probably that is one of the oldest of the standardizations. Of course, we design new staircase steps every day in connection with all our houses, but a standardized step depends on the height of the buildings and on all kinds of things.
The most difficult problems are naturally not involved in the search for forms for contemporary life. It is a question of working our way to forms behind which real human values lie.
Building art is a synthesis of life in materialised form. We should try to bring in under the same hat not a splintered way of thinking, but all in harmony together.
The ultimate goal of the architect...is to create a paradise. Every house, every product of architecture... should be a fruit of our endeavour to build an earthly paradise for people.
God created paper for the purpose of drawing architecture on it. Everything else is, at least for me, an abuse of paper.
Every one of my buildings begins with an Italian journey.
We should work for simple, good, undecorated things, but things which are in harmony with the human being and organically suited to the little man in the street.
Even the smallest daily chore can be humanized with the harmony of culture.
Architecture belongs to culture, not to civilization.
We should concentrate our work not only to a separated housing problem but housing involved in our daily work and all the other functions of the city.
Architecture is not merely national but clearly has local ties in that it is rooted in the earth.
The best standardisation committee in the world is nature herself, but in nature standardisation occurs mainly in connection with the smallest possible units: cells. The result is millions of flexible combinations in which one never encounters the stereotyped.
Just as it takes time for a speck of fish spawn to develop into a fully grown fish, so, too, we need time for everything that develops and crystallizes in the world of ideas. Architecture demands more of this time than other creative work.
Form must have a content, and that content must be linked with nature.
Human life is a combination of tragedy and comedy. The shapes and designs that surround us are the music accompanying this tragedy and this comedy.
I tell you, it is easier to build a grand opera or a city center than to build a personal house.
The tubular steel chair is surely rational from technical and constructive points of view. It is light, suitable for mass production, and so on. But steel and chromium surfaces are not satisfactory from the human point of view.
We have almost a city has probably two or three hundred committees. Every committee is dealing with just one problem and has nothing to do with the other problems.
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture.
Our time is so specialised that we have people who know more and more or less and less.
True architecture exists only where man stands in the center.
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture
Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction.
In almost every task involving form, there are dozens, often hundreds of contradictory elements, which need to be forced to work in harmony by man's will. This harmony can be acheived only through art.
Beauty is the harmony of purpose and form.
We should work for simple, good, undecorated things
Nothing old is ever reborn, but neither does it totally disappear. And that which has once been [born], will always reappear in a new form.
Objects are made to be completed by the human mind.
God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper.
It is the task of the architect to give life a gentler structure.