Top 79 Quotes & Sayings by Anjelica Huston

Explore popular quotes and sayings by an American actress Anjelica Huston.
Last updated on December 21, 2024.
Anjelica Huston

Anjelica Huston is an American actress, author, director, producer and former fashion model. She is the daughter of director John Huston and granddaughter of actor Walter Huston. After reluctantly making her big screen debut in her father's A Walk with Love and Death (1969), Huston moved from London to New York City, where she worked as a model throughout the 1970s. She decided to actively pursue acting in the early 1980s, and, subsequently, had her breakthrough with her performance in Prizzi's Honor (1985), also directed by her father, for which she became the third generation of her family to receive an Academy Award, when she won Best Supporting Actress, joining both John and Walter Huston in this recognition. With the death of William Hurt she is the last living winning performer from that ceremony.

You have to have patience and confidence that your things will let you know where they need to go. Particularly artwork. Paintings will tell you where they want to be.
I loved working with Stephen Frears. He's a really fantastic director. He knows what he wants and how to get it.
Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic. — © Anjelica Huston
Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic.
I must confess I love female writers: Jane Austen, Isak Dinesen, Colette, Willa Cather, Dawn Powell, Joan Didion. I grew up on the Bronte sisters, and Daphne du Maurier.
When you're in your twenties, you're made of expectations, and when they're shattered, you don't know how to behave. The fact is if you react really outraged, you fear that you'll get dropped and feel even more terrible. But there's only a certain amount you can put up with before you become obnoxious in your own eyes, right?
I'm not all that big on rides. I sort of like bumper cars but I don't really go to Disneyland all that much unless if have nieces and nephews or people to take.
My father, John Marcellus Huston, was a director renowned for his adventurous style and audacious nature.
It's the nature of an actor to have to use sense memory.
I don't believe in privacy. I mean, I like the idea of privacy, but I don't believe that it happens anymore. I think privacy is something, I am afraid, we seem to be waving goodbye to.
It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time.
I'm not really big on slapstick humor. I like gentle humor.
Some people had fathers who were bankers or farmers, my father made films, that's how I saw it. As for the movie stars, they were just around, some of them were friends, others weren't, it was all just a part of my everyday life.
If you're in a situation where someone's mistreating you, I think it's your duty to speak out.
I was an avid reader as a child because we didn't have television in Ireland until the mid-'60s. — © Anjelica Huston
I was an avid reader as a child because we didn't have television in Ireland until the mid-'60s.
Where there is age there is evolution, where there is life there is growth.
People often think that looking in the mirror is about narcissism. Children look at their reflection to see who they are. And they want to see what they can do with it, how plastic they can be, if they can touch their nose with their tongue, or what it looks like when they cross their eyes.
I like it when you read a script and there's the part that you show to the other characters and then there's the part that only the audience knows.
My biggest ambition is never to be bored. I'm not aggressive enough to strongly run after being an actress.
I wanted to be like Jo March in 'Little Women.' I wanted to be married to a man who would give me lots of sons.
There's a moment in one's life when you should really be de-accessorizing instead of making more collections.
I think it is easier to hear my voice than see myself onscreen, particularly as the years progress. Watching myself onscreen becomes less and less enthralling.
I'm very fond of doing movies where men fight over me. I don't get to do enough.
I had one nanny who made me sit in front of a bowl of porridge for three or four days running when I refused to eat it. I remember being very unhappy about that.
The idea that women are actually getting some jobs - whoopee. I can't say that I celebrate it without a hint of cynicism, because I think of how easily things can drop away and go back to the same old routine of being a boys' show. But I think it's a wonderful thing that women are getting to direct more.
I don't think it's necessarily healthy to go into relationships as a needy person. Better to go in with a full deck.
It's still possible to find pockets of old Dublin - but its becoming more and more rarified.
Going back to Ireland involves at least six to seven emotional breakdowns for me per day.
I think most actors like to be liked.
I do like the ocean wave, actually. I'm born under the sign of Cancer - the sign of the crab - so I like coastal areas and sunny beaches and such - although not the wide-open and deep seas.
I think all actors - they'll hate me for saying this - but we are babies. We like to be loved, and we'll do anything if we're loved.
During the four years I had spent in New York, I had achieved top status as a model and had worked for the best photographers and designers in the world. I had grown used to hearing that I was exotic and high-fashion.
I have two new nephews and a new niece this year, so I have plenty of kids that I can spend time with.
Oh, all kinds of lunacy happens in Ireland, all kinds of lunacy.
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
In 1969, when I was still living in London, I had gone with some friends to see 'Easy Rider' in a movie theater in Piccadilly Circus and had returned alone some days later to see it again. It was Jack's combination of ease and exuberance that had captured me from the moment he had come on-screen.
When you don't have a nine-to-five job, and you're with somebody who gets a tremendous amount of attention, it's not that you resent it - it's that you have all that extra time to think about it.
I am a person whose father had no religion but who went to the nuns for a couple of years. And I think I'm the same: On one hand, I pray; on the other hand, I don't believe. I am constantly between the two.
I don't see myself ever retiring, unless it's for something that I like better, and so far I like directing a lot but I don't see the necessity to retire from anything unless there's a really great alternative.
I think women like to conquer hearts. Men like to conquer countries. — © Anjelica Huston
I think women like to conquer hearts. Men like to conquer countries.
Beautiful things comfort; they bring a real clarity and ease. We have to continue to make our environments beautiful - it's sort of like a prayer. If you surround yourself with beautiful things, you have a better life - one with more oxygen.
I read James Joyce's short story 'The Dead,' and I love that movie for many reasons. It was the last film I made with my father, and it's emotional for me as well as a movie I'm proud of.
I was a lonely child. My brother Tony and I were never very close, neither as children nor as adults, but I was tightly bound to him. We were forced to be together because we were really quite alone. We were in the middle of the Irish countryside, in County Galway, in the West of Ireland, and we didn't see many other kids.
I'm happy to do voice-overs. I always have a good time doing them. I like to explore vocal nuance and accents and different people, different personalities. In a way, it is a lot more freeing than having your face up there.
I spent quite a lot of time in front of the bathroom mirror. Nearby, there was a stack of books. My favorites were 'The Death of Manolete' and the cartoons of Charles Addams. I would pretend to be Morticia Addams. I was drawn to her. I used to pull my eyes back and see how I'd look with slanted eyelids.
I've always thought with relationships, that it's more about what you bring to the table than what you're going to get from it. It's very nice if you sit down and the cake appears. But if you go to the table expecting cake, then it's not so good.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
Being called a person, as such, indicates that one should only have one character and be true to it.
I get irritated when people counsel me on what I should do with my life, or tell me I should get married, or tell me what I should do. I think people have their role models for happiness and it helps if others fit into that.
I have my television, my books and that becomes my little world. — © Anjelica Huston
I have my television, my books and that becomes my little world.
I loved being blonde. It's true, they have more fun, even when they're cannibalising their children.
What I like to think, and perhaps it is an adolescent thought, is that anything can happen. As long as you think that anything can happen, it will. We're all allowed to have our dreams.
It would probably be very sensible to be in love with someone who was not in the arts and who wasn't so prone to ups and downs. When I think of people who aren't in the arts, I immediately think of politicians for some reason, and I would never want to be with a politician.
Of wanting to pay my own way. I never asked my parents for money. I preferred to steal from my parents than ask them for money.
I was always reticent about taking offerings from my father, and I think it was maybe because I felt the caveat was that I had to give something back, and I didn't like that position. But I've never felt incumbent on anyone to kind of keep them lifted or to support them, necessarily. I do that by wish or by option.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
Allen Carr's Easy Way to Stop Smoking Program achieved for me a thing that I thought was not possible - to give up a thirty year smoking habit literally overnight. It was nothing short of a miracle.
I'm a collector - I collect everything. I can't throw things away. For some reason I think I'm going to need tiny wooden teddy bears with their arms hacked off.
What you have to remember is that the great feelings come after the terrible ones.
There have been times when I wanted children and other times I've been grateful not to have them. I am a mess if I have to say goodbye to my dog for longer than five days. I don't know how I would deal with kissing my children as I left for work. I know there are women who are able to do that. I don't know if I could.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
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