Top 82 Quotes & Sayings by Annaleigh Ashford

Explore popular quotes and sayings by an American actress Annaleigh Ashford.
Last updated on September 17, 2024.
Annaleigh Ashford

Annaleigh Amanda Ashford is an American actress, singer, and dancer. She is known for her work on television as Betty DiMello on the Showtime period drama Masters of Sex, and on Broadway as Lauren in Kinky Boots (2013–14) and her Tony Award–winning performance as Essie Carmichael in You Can't Take it With You (2014–15). In 2017, Ashford starred in the critically acclaimed, limited-run revival of Sunday in the Park with George opposite Jake Gyllenhaal.

Sondheim has been a part of my musical collective since I was eight. I was a dramatic little kid.
We don't often talk about the quarter-life crisis, but it is a real thing.
I'm a modern girl with old-fashioned sensibilities. — © Annaleigh Ashford
I'm a modern girl with old-fashioned sensibilities.
I took obedience, agility, and shepherding with my dog.
I've chosen a career that's quite tricky. You have such high highs and low lows, and it's outrageously inconsistent. But it is what I love, which is so rare, and I'm so grateful for that every day.
I kind of had a quarter-life crisis before I did 'Rent.' I had done Glinda in 'Wicked' for a while. I had worked for Cirque Du Soleil, and then I did 'Hair.' Then I had a real quiet time, not having work, and it was a time of not only self-discovery of me as a person, but also what I wanted as an artist and actor.
I always have multiple ladybugs around because they're lucky, and they're good for flowers and the environment.
I loved reading 'Anne of Green Gables' and 'Little Women' and Jane Austen. Those were times when people really did have only one true love in their life.
I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.
I actually have some family that's from Missouri, and my husband is an outrageous St. Louis Cardinals fan, so we go to St. Louis every once in a while to go see baseball games.
The older I get and the more iconic the piece, I believe that it's wise to watch a bit and become inspired and take moments that feel so connected to the story and also connected to me that I feel like I can make a part of my own performance.
I think there's something beautiful about the art of making art, and it just will live and breathe.
Love is never not going to be a problem.
Donna Summer was one of the strongest female singers in pop music. She was very underrated as a vocalist and a writer, and her songbook is just outrageous. — © Annaleigh Ashford
Donna Summer was one of the strongest female singers in pop music. She was very underrated as a vocalist and a writer, and her songbook is just outrageous.
If you've ever been to a great clown show, there's always a moment where the clown goes into the house and fuses with the audience. There's something fantastic about the improv of it all.
I, for one, have a great momma.
My mom is a gym teacher, and she's not musically inclined, but she always wanted to help me out with music as best she could.
St. Louis is a very interesting city in terms of accents.
I always try to have a positive and warm intention that is not about me. It is easy to make everything about yourself. But you take the weight off when we make it about the audience. It's about the joy you can bring to somebody else instead of the joy that you get from doing it.
Vocally, it's important to sing every day. It's a muscle, and you have to keep it in shape.
It takes skill to sing bad and dance bad, because there's a certain amount of unawareness that people have when they can't sing and they can't dance, so I have to say that it is a challenge!
I grew up listening to cabaret. At 7 and 8 years old, I was already singing like a club performer.
In 'Kinky Boots,' I looked for moments to be bold, showing Lauren's gutsiness and smarts. She's a little bit kooky now, too, and I love me some kooky.
A dog's heart chakra is always open; their aim in life is to please.
I love finding ways to make familiar characters into someone unique.
One of the great things that playwright A.R. Gurney does in 'Sylvia' is he gives language to the emotional gestures and energy that our dogs give to us when they're communicating.
As an actor, I always think that if someone does pick up a phone during a performance, something dire must be happening in their lives that is more important than theatre - some kind of tragedy they were attending to, or something. It's very uncomfortable if you don't know why they would pick up a phone and talk in the middle of a show.
The people I see be the most successful are the people who have an inner confidence and an inner strength that comes from the character they display away from the stage and from what their parents taught them.
I think part of becoming a wonderful actor and part of defining your craft is defining yourself and being confident in yourself, so when the hard knocks come, and you don't get a job for five years, and your ego is being kicked around, you can pull yourself out of it.
There are certain performers that the gay community receives and recognizes with love, and my whole life, I've always responded to those same artists.
I love to share in a scene - I'd rather share than be alone.
I've had such an amazing opportunity to work on so many different types of projects that continued on to Broadway. Unfortunately I didn't always continue on with them. Still, you know, I always had such a great pride in kind of helping the authors and directors create the show.
I am a huge Idina Menzel fan. She's incredible.
My first big show in Denver was 'Ruthless! The Musical.' I played Tina Denmark at the Theatre on Broadway. It was my big break!
I was born and raised in Denver, CO.
I feel that since I was a little, little person, I knew that one of my life goals was to tell stories and bring joy to people.
That's one of the beauties of James Lapine and Stephen Sondheim and their work together. They have such a depth to the emotional exploration of the story that they're telling, but there's always a release, and the release is a laugh.
My go-go dancing was not your typical go-go dancing: I really was doing performance art. I would do dramatic, elaborate lyricals across the bar. I learned a lot, actually, as an artist during that time.
Performing outside, you have to wear sunscreen. — © Annaleigh Ashford
Performing outside, you have to wear sunscreen.
I came out of the womb singing, dancing, and telling awkward jokes.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
I've always felt very attuned to, and at home in, the gay community.
I don't know how to explain it, but ever since I was a little girl, I knew that I wanted to perform.
We had a cabin in the mountains - and I remember, one year around this time, a moose came down the river, and one night he came to our cabin and hung out on the back porch for hours. They're really, really, really big animals. And dangerous, especially if they're a momma.
I'm really excited to share cabaret, the art form, not just with the generations that are above me, but also my generation and the generation under me. I think it's an art form that's incredibly important, and I think that my generation is a little unfamiliar with it.
The cast of 'The Big C' is such an amazing group of people. They're so joyful and just open their arms to you as an actor.
Sometimes in a big theatre, you have about, probably, six yards sometimes between you and the first person in the audience. It's almost like you've got to jump across a little pond to get there and then keep moving.
I've been lucky to play strong women who are trying their hardest to do good.
I'll be, like, grocery shopping or doing something totally mundane, and once a day, you'll hear a Cyndi Lauper song on the radio. It is astounding what an icon she is, not just in popular music but in popular culture.
I think no matter what you are going to pursue, if you pursue it like it's the most important thing, then everything else will be lost. And at the end of the day, when it's time to evaluate the path that you chose for your life, there has to be something more.
I love working in television and film, but it's completely different. The theater will always be my home. So I would love to be a lady who gets to work in all of the mediums and who calls the theater her home.
I did clown training for months. — © Annaleigh Ashford
I did clown training for months.
Since I was a little girl, I've collected ladybugs. Not real ones - I never had a weird ladybug farm!
I started performing non-professionally at birthday parties and family gatherings doing 'Saturday Night Live' impressions at four. Then I started for real at seven.
I'm so not a Bridezilla.
My mom is an elementary school gym teacher and a track and cross-country coach, so she really wanted me to be a runner. But I was not a runner. I was horrible at running.
Animals are completely grounded in their root chakra.
I feel like any actor that has started out in the theater, the theater will always be their home.
This is magic - the people of Broadway. There's nothing better!
I have always known mosquitoes love me, but they really love me in Central Park.
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