Top 91 Quotes & Sayings by Antonin Artaud - Page 2

Explore popular quotes and sayings by a French dramatist Antonin Artaud.
Last updated on September 20, 2024.
Poetry is a dissociating and anarchic force which through analogy, associations and imagery, thrives on the destruction of known relationships.
But how is one to make a scientist understand that there is something unalterably deranged about differential calculus, quantum theory, or the obscene and so inanely liturgical ordeals of the precession of the equinoxes.
Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
How hard is it, when everything encourages us to sleep, though we may look about us with conscious, clinging eyes, to wake and yet look about us as in a dream, with eyes that no longer know their function and whose gaze is turned inward.
I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life. — © Antonin Artaud
I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
If I commit suicide, it will not be to destroy myself but to put myself back together again.
It is almost impossible to be a doctor and an honest man, but it is obscenely impossible to be a psychiatrist without at the same time bearing the stamp of the most incontestable madness: that of being unable to resist that old atavistic reflex of the mass of humanity, which makes any man of science who is absorbed by this mass a kind of natural and inborn enemy of all genius.
Cruelty signifies rigor, implacable intention and decision, irreversible and absolute determination.
The fixation of the theater in one language--written words, music, lights, noises--betokens its imminent ruin.
I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
We have the right to lie, but not about the heart of the matter.
A tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
I do not like detached creation. Neither can I conceive of the mind as detached from itself. Each of my works, each diagram of myself, each glacial flowering of my inmost soul dribbles over me.
Not once more will/I be found with beings/who swallowed the rail of life//And one day I found myself with beings/who swallowed the nail of life/-as soon as I lost my matrix mamma,//and the being twisted under him,/and god poured me back to her/(the motherfucker).
By suicide I introduce my design in nature, I shall for the first time give things the shape of my will ... now I choose the direction of my thought and the direction of my faculties, my tendencies, my reality.
However fiercely opposed one may be to the present order, an old respect for the idea of order itself often prevents people from distinguishing between order and those who stand for order, and leads them in practice to respect individuals under the pretext of respecting order itself.
Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
I destroy because for me everything that proceeds from reason is untrustworthy. I believe only in the evidence of what stirs my marrow, not in the evidence of what addresses itself to my reason. I have found levels in the realm of the nerve. I now feel capable of evaluating the evidence. There is for me an evidence in the realm of pure flesh which has nothing to do with the evidence of reason. The eternal conflict between reason and the heart is decided in my very flesh, but in my flesh irrigated by nerves.
The actor is merely a crude empiricist, a practitioner guided by vague instinct.
Enough, I shall be understood in ten years by people who will be doing what you do today. Then my geysers will be known, my ice floes will be seen, the secret of adulterating my poisons will have been learned, the games of my soul will be revealed.
With society and its public, there is no longer any other language than that of bombs, barricades, and all that follows.
You are quite unnecessary, young man!
And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
For the lost are lost by nature, all your ideas of moral regeneration will make no difference, there is AN INNATE DETERMINISM, there is an undeniable incurability in suicide, crime, idiocy, madness, there is an invincible cuckoldry in man, there is a congenital weakness of the character, a castration of the mind.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.
The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it.
[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.
[defines a madman as] a man who preferred to become mad,in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor. — © Antonin Artaud
[defines a madman as] a man who preferred to become mad,in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor.
These terrifying forms which advance on me, I feel that the despair they bring is alive. It slips into this nucleus of life beyond which the paths of eternity extend. It is truly an eternal separation. They slip their knives into this center where I feel myself a man, they sever those vital ties which bind me to the dream of my lucid reality.
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