Top 57 Quotes & Sayings by Ashley Jensen

People are always asking me if I work out, but to be honest, I'm doing very little at the moment. The only time I really go to the gym is if I'm staying in a hotel.

I wanted to live where I could pop to the bar that Humphrey Bogart took Lauren Bacall to, or the little restaurant where Charlie Chaplin had a booth.

Nothing is forever, and I do still talk about when I'll come back to Britain. I'd love to come back and do a nice big juicy period drama. I don't understand it when people suddenly turn their back on Britain or Scotland. I'm so aware of it, and it's so much a part of who I am.

The only time I've played a real baddy was when I was Regan in 'King Lear.'

I take my hat off to mums who have lots of kids. Anyone that says being a mum isn't a full-time job has obviously never had any.

Life's too short to worry about injecting botulism into your face to get rid of a tiny line because you've laughed too much. To me, that's a bit warped.

I always felt slightly grubbier than most American people. I was never quite as groomed as everyone else, never quite as fit as anyone else. I didn't have my protein shake and my vitamins.

Mind you, if a blockbuster movie was offered, I wouldn't say no. I can do accents - I don't always have to be Scottish.

When I hear the bagpipes, it makes the hairs on my neck stand on end. It always makes me weep.

I'm not a big one for sitting by the pool doing nothing.

Before I lived in America, my husband and I did a Californian road trip. We took a month, starting off in L.A. I love the landscapes of California: one moment you're in the desert, the next you're up in the Napa Valley or by the water in Big Bear.

I have just been working with Maggie Gyllenhaal, who is also a mum, on a movie called 'Hysteria.' She is everywhere because of the nature of film work. Not that I'm name dropping or anything like that. I have to pinch myself when I remember who I've been working with.

We have a house in Umbria that we bought just before we went to America. That meant we couldn't go there as often as we thought, but now we're back, we're going to start using it more. I love the light, the countryside, the language and the fact that children are accepted everywhere. The Italians get passionate about everything, too.

It means I wake up to sunshine every morning, and I can afford to drink better wine at night. But I haven't completely sold out to Hollywood.

My mother has only just got over the fact that I will never play Shrek's sister - because of the Scottish accent, she thought I'd be perfect.

I've always been quite thrifty. I can't bear to spend hundreds of pounds on designer clothes. I shop in second-hand shops in Portobello Road and go to Sue Ryder.

I do quite like sightseeing. I like churches, museums, galleries and all that stuff. I love the smell of a church in Italy or the smell of an old greasy spoon somewhere. I like markets and little funny shops in the backstreets of Florence.

I was on my own, living in Los Angeles, and I didn't know my way around, so I thought I'd walk everywhere. Well, that certainly got me noticed. Any woman who walks any distance at all is automatically regarded as a hooker!

I always felt slightly grubbier than most American people.

I've reached a point in my life where going to the supermarket is a day out.

L.A. hasn't changed me that much - I've not forgotten where I'm from, you know. And I need to find a haggis, but no-one seems to sell them over here.

To my family and friends, I'm very definitely a clown. But do you know what? Doing a drama would almost seem easy because I wouldn't need to find that gag in a line.

Americans are so direct. They'd ask me, 'What's your five-year plan? Do you have a five-year plan?' I don't know what I'm having for my tea tonight let alone a five-year plan.

I missed Britain. I'm from here and I never aspired to go to L.A. - it sort of happened by default. I loved being there. I found it a little bit difficult at first, but I found my way.

I think that children that are acting are always pretty savvy anyway because you're conducting yourself around adults a lot of the time, aren't you? But there is this worry now that children just want to be famous.

I want to go to Lapland and see Father Christmas, and now I've got a child, so I've got an excuse. Also, I'd like to go to South America especially as I'm now living in that part of the world, in L.A. now. And I must get down to Mexico.

I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.

I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.

As a child, I always chose a false nose and some face paint and a wig for my birthday.

I made some flippant remark about not wanting my son to grow up with an American accent, and the next thing I knew, there were people in America suggesting I head back to Britain if I was unhappy at such a prospect.

I think it's strange when people my age and younger get surgery. Somebody's got to play old people.

I just wanted to be an actress. It never occurred to me that I could become famous, because I'm not one of those people who's automatically going to be the lead. I always saw myself as the mate.

I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.

I think we should be proud of the fact that our face has got lines, because at least that means we have lived.

My mum Margaret was a single parent, but though life was a bit of a struggle she gave me every encouragement.

In a world of iPads and emails, nothing has really changed in the theatre. You still get in an hour early, do your wardrobe, put an old pair of tights under your wig, and you have, 'This is your call, Miss Jensen'. I got exhilarated by that.

I don't read tabloids. I just don't go there.

Everything has happened so fast for me that I sometimes can't take it all in. I'm a huge 'Friends' fan, and meeting Matthew Perry in L.A., where he was as keen to talk to me about 'Extras' as I was to him about 'Friends,' was amazing.

Nobody is more individual than you, so be confident with who you are and what you have to offer because everybody has got things to offer.

Two days before I got the audition for 'Extras,' I was offered a theatre role, and I asked my husband, Terry, whether I should take it or not. He said, 'No, wait and see what else comes in.' Lo and behold, along came 'Extras.' Now that was lucky!

I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.

I still giggle when someone asks for my address and I say, 'Hollywood, Los Angeles.'

To be honest, I probably wouldn't have gone to Hollywood if I hadn't been offered 'Ugly Betty' because I was a wee bit feart. But you have to make yourself frightened. That's what keeps you alive.

I was Lady Gaga way before her time. I had a wee kettle for a handbag. Didn't everyone, at some point? One of the teachers used to call me Dame Flora Robson because I had this big, long Victorian skirt. And I wore a Peruvian hat. It was the 1980s - people were wearing lots of lace.

My husband is always telling me: 'We're on holiday - we don't need to have an itinerary!' But I always want to see as much as I can. Sometimes, I come back from holiday needing a holiday.

I get quite excited about things other people have worn. I went through a phase as a student when I wore a lot of 1940s tea dresses.

There's just no place like Scotland when the sun is out. I just love coming home.

I always knew I wanted to be an actor, certainly from the age of eight or nine. I think when you know what you want to do, you're very lucky because you've got a focus.

I've made this conscious decision to tell people on the street when I think they're wearing something great. If more people did that, the world would be a better place.

I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.

I only do children's films now! I think when you go to LA some people feel you've defected a little bit and that's not really the case. Ideally, I would love to work here and to work in America. That's in an ideal world. In fact, I came back to Britain recently to do an ITV1 drama that will be out in April for a couple of months! But I'm flying back to LA to do a pilot season. So, to work in both places is great.

It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.

Well, I'd never done an animated movie before, which is why I was so excited about doing it. It was one of the little boxes as an actor that I wanted to tick off. I wanted to do an animated film. So, after my mum got over the fact that I was never going to play Shrek's sister, this was the nearest I was going to get!

I'm thinking of Mary Poppins, The Sound of Music... there are too many to name really. And all the old classic ones like Snow White & The Seven Dwarfs and Bambi. That's brutal!

I still giggle when someone asks for my address and I say, Hollywood, Los Angeles.

There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"

Mine would be Your Song, which is just one of his ones that I... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry.