Top 8 Quotes & Sayings by Bernd Becher

Explore popular quotes and sayings by a German artist Bernd Becher.
Last updated on December 21, 2024.
Bernd Becher

Bernhard "Bernd" Becher, and Hilla Becher, née Wobeser, were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the ‘Becher school’ or the ‘Düsseldorf School’ they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.

The question if this is a work of art or not is not very interesting for us. Probably it is situated in between the established categories. Anyway the audience which is interested in art would be the most open-minded and willing to think about it.
We don't agree with the depiction of buildings in the '20s and 1930s. Things were seen either from above or below which tended to monumentalize the object. This was exploited in terms of a socialistic view - a fresh view of the world, a new man, a new beginning.
We simply thought that we would be considerably poorer in Europe if we didn't have the sacred buildings of earlier epochs. It's still possible to experience the Gothic period, not to mention the Romantic. Only nothing remains of the industrial age. So we thought that our photos would give the viewer the chance to go back to a time that is gone forever.
Our camera does not produce pretty pictures, but exact duplications that, through our renunciation of photographic effects, turn out to be relatively objective. The photo can optically replace its object to a certain degree. This takes on special meaning if the object cannot be preserved.
As time went by we developed a sort of ideology without ever formulating it as such. I've always said that we are documenting the sacred buildings of Calvinism. Calvinism rejects all forms of art and therefore never developed its own architecture. The buildings we photograph originate directly from this purely economical thinking.
All we did was to turn back the time to a photography of precision which is superior to the human eye.
When someone discovers something in their lives that really interests them, then they should be content with doing that - without having to go and lie on a beach once a year. — © Bernd Becher
When someone discovers something in their lives that really interests them, then they should be content with doing that - without having to go and lie on a beach once a year.
This is about objects, not motifs. The photo is only a substitute for an object; it is unsuitable as a picture in its customary sense.
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