Top 46 Quotes & Sayings by Bernice Johnson Reagon

Explore popular quotes and sayings by an American musician Bernice Johnson Reagon.
Last updated on April 14, 2025.
Bernice Johnson Reagon

Bernice Johnson Reagon is a song leader, composer, scholar, and social activist, who in the early 1960s was a founding member of the Student Non-violent Coordinating Committee's (SNCC) Freedom Singers in the Albany Movement in Georgia. In 1973, she founded the all-black female a cappella ensemble Sweet Honey in the Rock, based in Washington, D.C. Reagon, along with other members of the SNCC Freedom Singers, realized the power of collective singing to unify the disparate groups who began to work together in the 1964 Freedom Summer protests in the South.

“After a song,” Reagon recalled, “the differences between us were not so great. Somehow, making a song required an expression of that which was common to us all.... This music was like an instrument, like holding a tool in your hand.”

Well, the first time I ran into the term religion, people were asking whether you had any. You know, some people had religion and some people didn't have religion.
So one of the things that happened with integration in the South is they found that the black teachers were much more educated than the white teachers.
Life's challenges are not supposed to paralyze you, they're supposed to help you discover who you are. — © Bernice Johnson Reagon
Life's challenges are not supposed to paralyze you, they're supposed to help you discover who you are.
If every moment is sacred, and If you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.
One of the biggest things I understood in a program like that was that it allowed more young African American scholars to do field research in the Caribbean and in Africa than had ever happened before in the history of the country and since.
In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn't convince other people to really do it. And this year, I'm not running it.
When I started graduate school I was interested in the culture of the Civil Rights Movement.
I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
I went to a church where you could not sing out loud in the service until you had been saved.
It makes sense that whatever the topic is, it's more compelling if you can provide the audience with a range of perspectives, and you can cross disciplines. And you don't have to control what people take out of it.
But I'm a historian. I wasn't interested in just being a producer, I was interested in doing research and presenting that research to a general public.
Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.
The first job I had with the Smithsonian was as a field researcher among African American communities in Southwest Louisiana and Arkansas for the festival. — © Bernice Johnson Reagon
The first job I had with the Smithsonian was as a field researcher among African American communities in Southwest Louisiana and Arkansas for the festival.
I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience.
Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, trying to get published. You're scared everybody else is going to do your research and get your topic.
I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.
If I had been at a University I don't think I would have been able to have the experience I had in my Smithsonian work. I don't think I have been as successful.
There is nowhere you can go and only be with people who are like you. Give it up.
When the culture is strong, you've got this consistency where black people can grow up in these places with this voice just resonating about our special-ness in the universe. And I always say you're in trouble if you get too far away from that core that grounds you.
I just don't think one person has that much to contribute to any subject.
I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life.
I learned that if you bring black people together, you bring them together with a song. To this day, I don't understand how people think they can bring anybody together without a song.
The voice I have now, I got the first time I sang in a movement meeting, after I got out of jail... and I'd never heard it before in my life.
And I used to think that proof that I had religion was whether I knew how to sing all of the songs.
At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
I organized Sweet Honey In The Rock in 1973. The music was sanity and balance.
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American.
I just don't think one person has that much to contribute to any subject
If every moment is sacred and if you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American
Mothering/nurturing is a vital force and process establishing relationships throughout the universe. — © Bernice Johnson Reagon
Mothering/nurturing is a vital force and process establishing relationships throughout the universe.
If, in moving through your life, you find yourself lost, go back to the last place where you knew who you were, and what you were doing, and start from there.
I went to a church where you could not sing out loud in the service until you had been saved
If you're in a coalition and you're comfortable, you know it's not a broad enough coalition.
What would you be like if you had white hair and had not given up your principles? It might be wise as you deal with coalition efforts to think about the possibilities of going for fifty years.
Coming up in the African-American culture, we were taught that we belonged to the universe and society was wrong in the way it dealt with us. We had to learn to express and affirm values not from the winning position.
Well, the first time I ran into the term religion, people were asking whether you had any. You know, some people had religion and some people didn't have religion
The Civil Rights Movement also reaffirmed me as a singer. It taught me that singing was not entertainment, it was something else.
I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life
Today whenever women gather together it is not necessarily nurturing. It is coalition building. And if you feel the strain, you may be doing some good work.
I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961
I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience
Welcome to prekindergarten! You will not die if you discover that there are more lines out there than just your own. In fact, you'll discover that you will have an advantage if you know more of them!
If we dwell in a community that is comfortable, then it's probably not broad enough a coalition. — © Bernice Johnson Reagon
If we dwell in a community that is comfortable, then it's probably not broad enough a coalition.
If I had been at a University I don't think I would have been able to have the experience I had in my Smithsonian work. I don't think I have been as successful
But I'm a historian. I wasn't interested in just being a producer, I was interested in doing research and presenting that research to a general public
This site uses cookies to ensure you get the best experience. More info...
Got it!