Top 20 Quotes & Sayings by Bill Frisell

Explore popular quotes and sayings by an American musician Bill Frisell.
Last updated on December 22, 2024.
Bill Frisell

William Richard Frisell is an American jazz guitarist, composer and arranger. Frisell first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana.

I hate labels; the problem is that if you say you're one thing, it's hard for people to imagine you as something else. Music is way more complicated than that.
First I was a European-style player, then I was a downtown 'noise guy,' and now some people call me an Americana guy.
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There's always this sound out there that's just a little bit beyond my reach and I'm trying to get there and that just sort of keeps me going.
I do know the older I get, the more I'm referencing music I heard as a kid. — © Bill Frisell
I do know the older I get, the more I'm referencing music I heard as a kid.
I've been lucky with the circle of people I'm playing with. We've played enough that there's a language we talk with each other when we play.
I love listening to other musicians and seeing what they do to gain their distinctive respective sounds and edge.
I used to edit myself. If something seemed super-simple I had to make it more complicated. Now I'm trying to let what's in there come out and acknowledge where I come from. I'm trying to make it more. ..true.
To me, jazz is a place where anything is possible.
I can write the stuff and play it myself and have something in my head, but the best feeling is when somebody else plays it and they're hearing something other than what I'm hearing.
I feel so lucky that my high school was right in the middle of Denver, which is one of those sort of segregated towns, with black and white and Hispanic neighborhoods. But the school I went to was right in the middle of the whole thing.
Music doesn't hurt anybody, that's what's amazing. Everything is in there, every kind of human emotion, from the darkest to the lightest. And it has power. Unbelievable power.
It's incredible how one song or even one little phrase or just a few notes, if you really concentrate on it, can be a kaleidoscope of possibility.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
Every time I play with someone, not just a new person, but someone I've been with all along, that's where I really learn.
For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.
There's so much music out there & so many possibilities. I like anyone who plays any instrument.
There's always this sound out there that's just a little beyond my reach & that just sort of keeps me going.
I'm basically a pretty shy person and I don't dance or get into fights. But there are all these things inside me that get out when I perform. It's like a real world when I play, here I can do all the things that I can't do in real life.
I spend a lot of time copying saxophone players and trumpet players. — © Bill Frisell
I spend a lot of time copying saxophone players and trumpet players.
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