Top 23 Quotes & Sayings by Bill Irwin

Explore popular quotes and sayings by an American entertainer Bill Irwin.
Last updated on April 14, 2025.
Bill Irwin

William Mills Irwin is an American actor, clown, and comedian. He began as a vaudeville-style stage performer and has been noted for his contribution to the renaissance of American circus during the 1970s. He has made a number of appearances on film and television, and he won a Tony Award for his role in Who's Afraid of Virginia Woolf? on Broadway. He is also known as Mr. Noodle on the Sesame Street segment Elmo's World, has appeared in the Sesame Street film short Does Air Move Things?, regularly appeared as a therapist on Law & Order: Special Victims Unit, and had a recurring role as "The Dick & Jane Killer" on CSI: Crime Scene Investigation. From 2017 to 2019, he appeared as Cary Loudermilk on the FX television series Legion.

You may work under incredible pressure over two hours in a day, but you're often around that studio 14 to 16 hours of that day.
We used to have a photo of me in full clown makeup taken when my son was 5. And when he was 17 or 18, he said, 'Yeah, that thing used to scare me. I hated that photo.' So it is scary; clowning is scary to people.
Edward Albee, the premier dark playwright of the American theater, would show up at rehearsal and quote his favorite lines from 'Auntie Mame'. He would stand at the back of the theater, not facing the stage, and sort of conduct the music of his play.
I used to watch the 'Jackie Gleason Show' and Phil Silvers, those early TV things. And a lot of them were patterned on the silent comedies of the '20s. — © Bill Irwin
I used to watch the 'Jackie Gleason Show' and Phil Silvers, those early TV things. And a lot of them were patterned on the silent comedies of the '20s.
It's an exhilarating play, and you come off tired, but thrilled.
We constantly run lines together before every show too, and then there's a long, traditionally long, story to tell the audience every show. Today, we're doing it twice.
People keep telling us, that they didn't know when they were booking tickets for it, but afterwards they say that they've had no sense that they were watching an old fashioned play.
This play is truly a great invention, and we're having a great time doing it eight times a week.
We want to be able to fly. We want to be able to sear somebody with lightning from across the room. Those are primal desires, to shoot somebody with energy.
I was a shy kid, wasn't necessarily an extrovert, but I couldn't help doing voices.
What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
I do love the musical form, although it's often disappointing.
The fact is that we like each other very much, and we of course see each other on stage all the time, but this means more time to spend together, and that's great. We couldn't be happier.
I am the oldest of three. I was in charge of making sure my brother and sister were OK and also entertained so they didn't bother my mother, who had a job at home.
From the earliest memories I have, I liked physical, funny things.
I used to be called a post-modern clown. But now, post-modernism is a quaint notion, too.
Being nominated is a great thrill, and we like to say that all four of us were nominated, which means that our director, Anthony Page was nominated four times.
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
It's shocking to think of the universe now without Robin Williams' energy, even muted.
Competition between men is a fuel that's useful to us. We have to be careful that it doesn't tell the same story over too many times, but it's amazing how durable that story is.
Here's my story: My mother and I were at Cirque du Soleil, looking down on Shiner doing his act. She was always tolerant of my being a clown, but I don't remember her rolling with laughter. But with Shiner, she could not sit up straight!
People ask me, 'Have you done much drag?' And I say, 'I don't think of it as drag. I'm playing a woman!' — © Bill Irwin
People ask me, 'Have you done much drag?' And I say, 'I don't think of it as drag. I'm playing a woman!'
The physical language of the body is so much more powerful than words.
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