Top 50 Quotes & Sayings by Boris Kodjoe
Explore popular quotes and sayings by an Austrian actor Boris Kodjoe.
Last updated on November 3, 2024.
Everybody goes through obstacles and problems and issues and turn their backs on people that we are fond of and love just because we hurt; and everybody goes through that.
I knew immediately that she was going to be in my life forever. I didn't know in what capacity, but I knew that I had found someone who was going to be close to me for a long time. We became great friends fast.
I had to study acting to basically educate myself.
Gospel artists are messengers; they are vessels of a message.
Don't ignore the past, but deal with it, on your own pace. Once you deal with it, you are free of it; and you are free to embrace your life and be a happy loving person because if you don't, the past will come back to haunt and keep coming back to haunt you.
You can be very independent, but admit to wanting somebody close to you and that's what me and my wife have. We don't need each other but we want to be with each other and I think it's important to educate the kids with that.
I don't care if you are religious or not and I think the message is that at the end of the day, everybody has to mature and everybody has to heal and mend their own injuries, emotional injuries, on their own pace.
We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.
I love the fact that we, as black people, carry our faith with us. We share it and embrace it and love it and talk about it because we talk about everything else and why not that and that was the first impression that I had that really touched me.
Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.
The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.
Let's say black, the whole black religious experience, here, is very impressive to me, because when I first arrived I realized that people carry their faith with so much pride.
We have relationships and know the exact outcome with that person because we don't deal with ourselves and don't deal with our issues and end up being attracted to the same person or the person is attracted to our energy.
I know I can act and it doesn't matter where you come from.
I just didn't know who was going to be my partner. I knew that once I had grown to be a man that I was going to attract the person that I deserved to be with, or deserved to be with me.
I'm in the booth and first of all, I'm from Germany and I had never heard a gospel in my life.
I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.
As part of my relationship with my wife and my daughter, and we share everything and talk about everything.
Yet I wanted to have children, and I knew that was my purpose, but I wasn't going to settle.
Sometimes in the black culture, being raised as an independent woman is misconstrued as someone who doesn't need a man. I think that's wrong. I think we all need someone.
There was a certain point in my life where I had to decide that I was going to take my future and Nicole's and not wallow in what happened to me because when you do that, you just keep repeating what's been happening and at some point you have to make a choice.
Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.
I was looking to show people I could act. I was looking for something that would take me away from the whole hunk riding off into the sunset thing that people wanted me to play after Brown Sugar.
The whole time I was modeling, I had a place in Paris, and a place in New York, and I was really single.
Secular artists see themselves with performance; they are more self involved, presentational.
In Vienna, when I was a year-and-a-half or two years-old. I remember it because I remember the little blue raincoat I used to wear, and how the buttons felt. I liked to walk on the street in front of our house when it was raining, and jump into all the puddles. That's weird, but that's my earliest memory.
We shoot 12 to 14 hours a day. To do all that physical stuff yourself, you have to be on a nutritional plan. I have six or seven meals a day. I eat every hour and a half, and make sure it's all clean. I have absolutely no sugar at all.
It was never a goal of mine to become famous. So, I never projected any goals associated with that. But I did have a bunch of goals I wanted to achieve when I was financially able to do so, but they had nothing to do with fame. When I set goals, they're more tangible than becoming famous. You don't build a company or a foundation for fame.
I don't put on a face. I'm the same guy every time you see me. I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
My love for you is past the mind, beyond my heart, and into my soul.
I'm the same person. I don't put on a face. I'm the same guy every time you see me.
I did have a bunch of goals I wanted to achieve when I was financially able to do so, but they had nothing to do with fame.
Usually, when you talk about serialized TV, you're talking about one specific beat that you play, over and over again.
I was a professional tennis player in my teens. I played mostly in Europe. I was top 10 in the world in juniors, and then I messed up my back. I had three herniated discs and that put a stop to it.
It's a tremendous honor to be asked to carry a show.
I'm always an entrepreneur, but I'd probably be a teacher. I like teaching kids, whether that's tennis on the courts or history in the classroom.
I never dealt with fame. It was never a goal of mine to become famous.
After awhile, marriage gets a little stale and you're looking for something to scratch that a little.
I was always interested in medicine and I was actually a pre-med major.
I had to make a decision about whether it would impact how I felt about trusting people, and I decided I wasn't going top allow it to impact my outlook on trust, because I believe trust is a choice. And I've always given people the benefit of the doubt until they prove me otherwise. So, it just made me stronger in my conviction about that, but it also taught me never to put anything past anyone.
I've always given people the benefit of the doubt until they prove me otherwise.
When I set goals, they're more tangible than becoming famous. You don't build a company or a foundation for fame.
Colloquialism is the toughest part of what we do, as foreign actors, because there are certain sayings that you guys have that absolutely don't make any sense.
I came to America because of a tennis scholarship. I really wanted to get away because I was really frustrated about my injury so my mother said, "Go to America for four months and just open your eyes and see that there's more things than tennis." That's what happened.
I believe trust is a choice.
It's so not sexy and intimate. There are 40 people in the room. There's a guy with his belly hanging out, with a boom in your face. It's really very technical. I think doing a love scene is tougher than doing a fight scene. It's so staged and you can't put light on her face and you have to hit the mark.
I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball.
I don't need a gym. You can do a lot without the gym, so that's what I've chosen to do.
When you work as actors in this business, you spend a lot of time apart. That's why a lot of marriages fail. It's not because of Hollywood, it's because you don't spend time together.
We are willing to weather the storm of multiple failures to achieve a goal. We're so convinced in the destination that we are able to let go of the reins and give it to God.
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