Top 262 Quotes & Sayings by Brad Pitt - Page 5

It is an amazing fact of human nature that one year we can be chopping each other up and the next year we can be sharing a pint. We seem to often devolve into conflict no matter how much we evolve...

I know some of these guys who are in that stalkerazzi world, and you really have to separate them from the paparazzi in our industry. This is another breed. And they have their heroes who got the big scandalous shot, and which just promotes more of that.

I think L.A. is impossible. There's just too much media focus. You can't live a normal live.

I have love in my life, a soul mate u2014u00a0absolutely. When someone asked me why Angie and I don't get married, I replied, 'Maybe we'll get married when it's legal for everyone else.' I stand by that, although I took a lot of flak for saying it u2014u00a0hate mail from religious groups. I believe everyone should have the same rights. They say gay marriage ruins families and hurts kids. Well, I've had the privilege of seeing my gay friends being parents and watching their kids grow up in a loving environment.

[Fatherhood] is everything.... The hardest job in the world, the most rewarding job in the world.... We put in long days. And to go home and have dinner with your kids, and have to discipline one of them who's out of line, and still have the energy for that is.... I can't explain the fulfillment of that, but it is everything.

New Orleans has a real spirit. It's the most authentic of all American cities.

You know I've been in these tabloids for years now. And at some point you just become a Zen master of it all. Most of these stories, you get probably 2 percent real fruit juice and the rest is just garbage with no nutritional value.

[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].

There are certain aspects of celebrity that I understand, although that's not the main point of the story [in Assassination of Jesse James] , but it is one of the by products. I certainly understand what its like to be hunted and have a bounty on my head but at least nobody is pointing guns at me.

We in America have some grand ideals - and some very strong ideals - but a lot of times, those ideals are used for marketing.

Jesse [James] was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James] really takes place at the end of all that, the last year of his life, at the end of all that celebrity.

I dare make those comparisons, but we often said 'the making of' would be as interesting if not more interesting than the film.

I got into [producing] to be part of stories that wouldn't necessarily be right for me as an actor.

I come from the belief that all good films find their time whether it's on opening week or sometime later. That's certainly true with some of my favourite films that might relate to this [The Assassination of Jesse James] film in terms of cadence like Pat Garrett & Billy the Kid, or McCabe & Mrs Miller or Days of Heaven. I found them 10 to 20 years after they were made.

The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].

My main concern is quality and I think there is quality to be found in all categories of filmmaking.

The scouts [in "Moneyball"] could lend an authenticity that's even beyond what we had on the page.

Though 'Moneyball' had the talents of screenwriters Steven Zaillian and Aaron Sorkin going for it, they weren't baseball insiders.

Billy Beane was a guy who had been devalued by the sport as a player and now is working as a GM for a small-market team.There is such a gulf in what these teams have to spend on talent [that] they can never play equally - they can never have a true competition.

I just take credit for being smart enough to find a guy as smart as Benett [Miller] to tell the story [of "Moneyball"].

I had the luxury of working on the script with Andrew [Dominik] for a good year before the film started, so I was already intimate with the story [of The Assassination of Jesse James] and felt quite prepared walking into it.

I am very interested in architecture. I've been asked if I'd ever direct, but me, I'd rather build. It's very similar to directing, because you get to walk among this piece of art, to live in it, be surrounded by it, which is just thrilling.