Top 81 Quotes & Sayings by Carey Mulligan

Explore popular quotes and sayings by an English actress Carey Mulligan.
Last updated on December 21, 2024.
Carey Mulligan

Carey Hannah Mulligan is a British actress. Known for her repertoire of complex female characters, she has received various accolades, including a British Academy Film Award and a Critics' Choice Movie Award, in addition to nominations for two Academy Awards, two Golden Globe Awards and a Tony Award.

It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job. — © Carey Mulligan
My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.
I've always played characters that were younger than myself.
I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.
I am committed to helping Alzheimer's Society in any way I can. My family and I rely on the help of organisations like Alzheimer's Society to help us understand the disease and guide us in the care of my grandmother. It's been a privilege to meet so many people with dementia.
I don't know why people are so down on the Best Western. They have the best sweet potato fries I've ever had.
I have always hated nightclubs, and don't like loud music.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
You can spend an entire day walking around in New York, whereas in L.A., it always ends at some point because you have to find a way to get home.
I love New York - maybe more than Los Angeles or London. I think I'm happiest in New York.
I don't think you should ever damage other people for your art.
In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.
I want to be in 'Glee', but I'm told I'm not famous enough to be a cameo yet. — © Carey Mulligan
I want to be in 'Glee', but I'm told I'm not famous enough to be a cameo yet.
I never get recognised here in London, which I like. Once a year, someone comes up to me and asks if I am 'so-and-so's niece' because they think they recognise me from somewhere. I like that.
'It Girl' is such a weird term. It implies I go to parties and drink champagne.
I don't wear a bikini on the beach. I walk around my house in pyjamas. I haven't seen myself naked in the mirror for probably a decade. I'm very prudish.
We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.
People get married when they're 18 and spend their whole lives together. I think their greatest fear is that someone will see it as a fling because they were young and it didn't mean anything.
Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.
I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?'
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
I'm more the sort of person who doesn't like hugging strangers because we don't know each other, so we shouldn't.
The minute I get into a hotel room, I scatter my stuff everywhere. It's like a bomb site within a minute. So I suppose that means I'm trying to nest.
Sometimes it's so weird just to do an interview. This morning I was back in my parents' house, with my brother, and we went for a jog together, then had breakfast as a family. And a couple of hours later I'm wearing high heels and a dress and makeup, and talking about my job.
If you're walking down the street in L.A., people do sort of look at you like you're a hooker because it's so rare to see someone just walking.
Remakes are a difficult thing 'cause some people feel very protective of the original.
I wanted to be a musical theatre actress - I wanted to play Sally Bowles, forever and ever always.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.
One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.
What doesn't draw you into a Coen Bros. movie. It's amazing. I can't believe it! They're the Coen Bros. It's ridiculous.
When I went to the Oscars - the only time I've ever been to the Oscars - a few years ago, I wore this Prada dress covered in cooking utensils. I got drunk at the end of the night and started ripping them off and giving them as presents to people, so that was fun. I'm pretty sure that was the point of it, that's how Miuccia meant for it to go I'm sure.
I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.
I've always said I prefer theater, but there's only ever been one play that I really loved doing, and that was The Seagull.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
On film sets I can see everyone, and I really still find that so difficult.
It's actually easier to play a leading role than it is to play a supporting role. — © Carey Mulligan
It's actually easier to play a leading role than it is to play a supporting role.
I'm not great at having my picture taken and I don't enjoy that side of it very much but I enjoy being with my friends and it's nice to have a reunion.
Am I reserved? I think I agree with that. I don't think I'm particularly original. I am quite homey, though. But then I'm also quite transient. I quite like being nomadic.
I'm not going to work for the sake of working. I'll work, if I'm extraordinarily lucky enough to continue having the same opportunities, but it will be based on whatever is there. If there's nothing around, then I'll go home and make carrot cake for awhile.
The toughest part of acting is never a single thing. It's more like a whole character. I find film really difficult - trying to make it feel like a consistent character when you're filming everything out of order.
People always say, "You played such a strong character." I remember someone said that to me when I played a role in Shame, and she was a suicidal mess. I said, "She's not strong at all; she's incredibly weak." But "strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.
I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?
When you idolise someone, or you hold someone in such high regard, you just want them to be everything that you think there are - and when they are it's just lovely.
I kind of had an idea that New York would be like Fashion Week, where everyone always looks incredibly chic and cool, and I wouldn't fit in.
I didn't work for a year after Wall Street. I finished that in November, and then it was the following October that I did Drive, so I took a year off. I didn't do anything at all, really. I just hung around.
It's tricky playing people that you don't like and finding a way to empathise with them. It's challenging and very exciting for an actor.
I'd like to do a play, but I can't find the right thing. I don't want it to be a starring role. I just want to play a really interesting character. — © Carey Mulligan
I'd like to do a play, but I can't find the right thing. I don't want it to be a starring role. I just want to play a really interesting character.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
It's funny that you can murder someone horribly and graphically and disturbingly in a horror film, and it's not an NC-17, but if you put a naked man on screen, everyone freaks out.
It's always harder to maintain raw enthusiasm or joy than to go into a really dark place.
I never sit in a cinema and go, "Ah! I want to be in that film!"
I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.
I've never done coke or anything, and I've never played a character who has, so I don't know whether I would actually try coke if I had to play a character who took coke.
I grew up with an older brother, so I'm pretty good at being bashed around.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
People in New York just seem a lot more open than I thought they would be.
I can change my appearance quite easily just by changing my hair. So I can adapt quite well.
I can actually cook one meal now, as opposed to before, when I could cook nothing. My family are very excited.
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