Top 76 Quotes & Sayings by Carol Kane

Explore popular quotes and sayings by an American actress Carol Kane.
Last updated on September 17, 2024.
Carol Kane

Carolyn Laurie Kane is an American actress and comedian. She became known in the 1970s and 1980s in films such as Hester Street, for which she received an Academy Award nomination for Best Actress, Dog Day Afternoon, Annie Hall, and The Princess Bride. She appeared on the television series Taxi in the early 1980s, as Simka Gravas, the wife of Latka, the character played by Andy Kaufman, winning two Emmy Awards for her work. She has played the character of Madame Morrible in the musical Wicked, both in touring productions and on Broadway from 2005 to 2014. From 2015 to 2020, she was a main cast member on the Netflix series Unbreakable Kimmy Schmidt, in which she played Lillian Kaushtupper.

This is a grueling profession. Either you can't get work, or you can't get certain kinds of parts, or you get a part, and it kills you because it's not good enough, or you get successful and feel guilty about it.
I make my relationships at work.
I don't feel that I have any great grasp of technique that I should pass along to people. — © Carol Kane
I don't feel that I have any great grasp of technique that I should pass along to people.
It's totally mystifying to me how anyone could have canceled 'Taxi.' I don't understand it because that stuff is rare.
Work is the most nourishing thing so far in my life.
It's very hard to remain a student in life.
'Taxi' made a big difference because it got me into comedy.
Acting is pretty much my whole life.
I happen to think I look best in black.
For very few people is there a time when you, quote unquote, make it.
My first movie was with Mike Nichols.
It's hard to regulate the speed at which you can achieve something creative and emotional.
I started acting young, and I was a dramatic actress. — © Carol Kane
I started acting young, and I was a dramatic actress.
I don't think, 'Oh, you know, I'm crazy and zany.'
As I get older, I start to look back at the field that I've crossed and realize that it was a mine field.
The Oscar nomination made me a recognizable name to other actors and people in general.
I like the full spectrum of roles.
Life is very cyclical. And my career has been very-high-very-low, very-high-very-low, and I think it'll probably keep on rolling that way.
In high school, I did the 'The Tempest' at Lincoln Center for Joe Papp.
People who are interested in the arts and theater are such a minority.
When you're doing a legitimate play, if you have a company of 12, it's considered a big cast.
I don't regret what I've done but some of the things I didn't do.
An actor really suffers when the director isn't prepared because you start running out of time for the shoot and then have to do it fast.
'Hester Street' was my most complete character study, but 'Annie Hall' and 'The Last Detail' were also great.
I only eat things that you don't have to kill.
All of our ancestors came from somewhere.
I don't like to discuss my work in a lot of detail; I'm afraid of dissecting it in a way that is not good for me.
I know I'll work, but not when or where. I never know what to pack.
I don't put together cars, I put together people.
When I had my dogs, I used to spend a lot of time in Central Park, which is a great place to be alone among a lot of people.
I don't like that I'm my own commodity, that I am what I sell.
My face is my career.
It's like life: you have both comedy and drama. There's a balance, and I'm lucky enough to have it in my work.
I didn't decide to be a character actress.
There is no restaurant anywhere in the world where I have been that I haven't been able to find something to eat.
In my job, I worry a lot and try and stay calm and open. It sometimes works.
There are directors who don't cast you for the way you act but for the way you are, the way you behave around the dinner table.
I know that I'm in the minority to be able to keep working all these years. But I want more! — © Carol Kane
I know that I'm in the minority to be able to keep working all these years. But I want more!
I've been lucky in my career. I've worked with some of the greatest filmmakers and actors around. I'm so proud of some of my work.
I want to be Geraldine Page; I want to be one of the greats.
A goal of mine is to try and be as real as possible. To try and not comment on the work I'm doing but just do it.
If I had not made strategic choices, I would have had far more access to dramatic roles. But the one thing I don't regret, even about bad choices, is that there's always something you can get out of it.
I don't like somebody saying to me in their performance, 'Look at this. Isn't this funny?' I pray that I don't do that. I'm sure I fall off the horse every once in a while, but I try not to.
'Hester Street' was an incredible opportunity for me. That script was such an incredible script.
I am a very simple cook, I just do the minimum amount. I'm mostly a vegetarian, so I just steam a lot of vegetables.
If they give you good words to say, and you don't get in the way of them, you'll be OK.
I took parts that either I was offered or felt I could do a good job with.
I think it's nourishing to do both comedy and drama. — © Carol Kane
I think it's nourishing to do both comedy and drama.
All of my films have changed my life. I've met so many people and broadened my world view.
And my first film was Carnal Knowledge, another amazing experience, largely because of Mike Nichols, who would tell me you can't do anything wrong because you're doing everything right.
I try to construct some kind of backstory for my character so that I have an idea of the life of that character - not just from the moment when the scene starts, but from before.
I'm one of those people that if I go to a party, I can't remember my mother's name because I'm so nervous in a social situation.
I was this extremely dramatic actress. And then, suddenly, I was doing comedy.
Sometimes every single element of a character is a torturous discovery.
If I had the science and math capabilities, I would have liked to be a vet, but I don't! I don't have those capabilities.
While filming 'Annie Hall,' I never really hung out with Woody Allen.
That's when the great stuff happens, when you're not checking yourself all the time, being critical of yourself and what other people are doing.
For me, the most important thing is the writing - and certainly the director. But if the writing isn't there, it doesn't matter who the director is!
I have fun at work.
This profession has no rhythm to it - you're either busy enough to fall down, or nothing's happening!
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