Top 43 Quotes & Sayings by Carter Burwell

Explore popular quotes and sayings by an American composer Carter Burwell.
Last updated on September 17, 2024.
Carter Burwell

Carter Benedict Burwell is an American composer of film scores. He has consistently collaborated with the Coen brothers, having scored most of their films, including Blood Simple, Raising Arizona, Fargo, The Big Lebowski, No Country For Old Men, Burn After Reading, Hail, Caesar! and The Ballad of Buster Scruggs. Burwell has also scored three of Todd Haynes's films, three of Spike Jonze's films, and all the films of Martin McDonagh. He has received Oscar nominations for Best Original Score for Haynes's Carol (2015) and McDonagh's Three Billboards Outside Ebbing, Missouri (2017).

Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
There is not much irony when people are being happy on screen.
I'm one of those people who is actually inspired by a deadline. I might not sleep for many days on end, it may not be good for my health, but it definitely helps. — © Carter Burwell
I'm one of those people who is actually inspired by a deadline. I might not sleep for many days on end, it may not be good for my health, but it definitely helps.
All my music is very simple in that melody is usually clearly stated.
In mainstream romantic comedies, I'm usually tearing my hair out. It's just a devastatingly difficult genre for me.
John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.
A carefree quality is a whole aspect of life that I will never understand. I don't think I have ever been carefree and can't see the pleasure of it.
Most films I work on, the people making the film are constantly second-guessing the executives of the studio, the producer, and the audience. It is very hard to accomplish anything in that situation.
Performing written music, even when I've written it, is not very interesting to me.
Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
Even if I went off to some other career, I hope I would still be doing Coen films.
I think I've only done one horror movie, Psycho III. That was a walk in the park compared to a romantic comedy.
I just love the sheer mess of New York. — © Carter Burwell
I just love the sheer mess of New York.
John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.
I like business and personal life to be distinct.
Death is always around the corner, but often our society gives it inordinate help.
When the systems we expect to help us actually hurt us, we have tragedy.
I like the fact that New York looks a bit backwards, toward the Old World, rather than resolutely forwards.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
New Yorkers may think they're on some cutting edge, but that's not especially true. It is, however, the most exciting heterogeneous mess of a town I've ever seen.
How does my music connect to an audience? That is just a complete mystery to me.
Conducting, I tried it once off the cuff, and quickly realized there were subtle aspects that I was missing. There is a lot more to it that I was able to grasp simply by watching conductors.
If someone suddenly lost their director the day before shooting and wanted me to step in, I'd be willing to. But I'd do brain surgery the same way. I'm always up for something new.
If not bliss, ignorance can at least be fun.
I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.
I have always loved Scottish music - all sorts of Celtic, Gaelic music.
I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.
On Being John Malkovich and the cinema of the absurd, I do enjoy it. I wish there were more like it. The very fact that there can't be more like it is one of the reasons it's admirable.
Learning how to improvise really awakened my interest in music.
I don't find myself lobbying for projects. Filmmakers almost always come to me. — © Carter Burwell
I don't find myself lobbying for projects. Filmmakers almost always come to me.
I had piano lessons when I was a kid, like most people. And hated them, like most people. And quit, like most people.
Los Angeles is an industry town, and it has great facilities and personnel. The disadvantage is that everyone there seems to talk about the same subject matter.
I write music to please myself. Hopefully the director's enjoying it too.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
The jarring change going from an urban environment to an extremely remote natural environment is extremely inspiring. It's constantly stimulating, it's like a slap in the face.
I think being a little nuts is helpful.
Any film which views the darker side of life, which is death with a sense of humor, is very much to my taste.
I don't generally find myself listening to the music of a film unless there's something awfully wrong with it.
I prefer a life in which we don't take ourselves too seriously.
Connection is what one is after in probably most media, but certainly in film, which is an immersive medium. — © Carter Burwell
Connection is what one is after in probably most media, but certainly in film, which is an immersive medium.
The flow of Guiness into the studio was inspirational as well as nutritive.
Big Sur is at the end of the continent. It attracts really crazy people.
I dont find myself lobbying for projects. Filmmakers almost always come to me.
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