Top 349 Quotes & Sayings by Cate Blanchett - Page 5

My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].

You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?

Film just chews up actors like nobody's business, and I'm not particularly interested in being chewed up. I think the camera can only look at somebody's face for so long. I guess you have to accept the roles you think are right at the time. You can build a career, but these days there doesn't seem to be that much interest in people being actors.

I think we should stop drinking bottled water. There's no need to be drinking it if you're living in western communities. The other thing I would suggest - and I feel it particularly here in Australia, because we have very severe drought - is to be aware of how much you're actually consuming. Right now, it's very rainy, but that doesn't mean we can drink all the water we want. Conserving and constantly thinking, "how much do I really need?" should definitely be part of our vocabulary.

I'm partial to a nice cup of vodka. I normally just drink it really simple with a little bit of lemon.

When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.

I think often women can feel isolated and feel like they get into a rut and don't quite know how to get out of it.

I think the terrifying thing is you see all these people who go to the same cosmetic surgeon, and they end up, after a while, looking like everyone.

I certainly think that when I flick through all the magazines at the hairdresser's I like to see and am drawn to images that have an intelligence and mind at work behind them.

We talked about trying to create an image that would somehow, to an audience, create the sense of awe, wonder and shock that the troops must have felt that their monarch - and a female monarch - went to the frontline of battle and was prepared to lay down her life. This speech is so well known and has been done in virtually every version of the events of Elizabeth's life.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

You can only desire something that you've already had in your life.

No, it’s very comforting actually, to know that you’re sitting in a long legacy of actresses who’ve played the role. I’m absolutely all for absorbing all of those influences, so you understand the pedigree of the part as much as you understand the figure in history… because you are playing the part. You don’t say: “Gosh, I want to play Peter Sellers…” because you can sort of do that in your own bathroom.

I'm not dressing for anyone else. I don't really subscribe to other people's idea of what is beautiful. I just want to feel good.

Everyone gets obsessed with anti-aging but I'd rather look as good as I can at the age I am.

The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.

I'm not a big believer in linear paths. I would always have these sort of five-year plans and think, 'Ok, I wouldn't mind to try to get here in five years.'

Every single pore - not on the men, but on the women - is scrutinized, so I am really grateful that I feel very confident in my own skin.

To become a painter or a sculptor or a graphic designer is quite an isolated way to spend your life.

Lazy thinking is not creative or productive.

I remember when I was 26. My father died when I was young and my mother didn't have a lot of money, so I thought, 'I want to own a flat by the time I'm 26.' So I worked towards that, literally trying to scrimp and save. But sometimes those plans don't go as you expect.

I much prefer a natural approach to beauty. You know, Coco Chanel always said to take one thing off before you leave the house, and I think that also applies to makeup.

I think when you fall in love, whether you're heterosexual, transgender, gay, lesbian, whatever, straight, you feel like it's happening to you for the first time.

Perhaps being a parent has changed career more in that you ask yourself how long you'll be away from home. My eldest child is approaching school age so that becomes more important. They're less portable.

The more you do it, the more you learn to concentrate, as a child does, incredibly intensively and then you sort of have to relax. I remember the first film I did, the lead actor would in between scenes be reading a newspaper or sleeping and I'd think, 'How can you do that?'

If I'm not good at acting, I'm not good at anything else.

I'm old enough to remember the days when you spoke to one person from one outlet and that was the conversation. But now what happens is you speak to people and what you say gets translated into Portuguese, then into Mandarin, through a German prism and then back into English and bears little to no resemblance between - to the exchange or - that you had initially with the journalist or to what you originally said.

You don't fully understand the meaning of a work until the audience responds to it. Because the audience completes the circle, and adds a whole other shade of meaning. Whenever you view something, and this is why great works of art survive decades and centuries, is because there's a door within the work that allows the audience to walk through and complete the meaning of the work. An audience isn't passive, nor are they unintelligent.

The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.

I was quite shocked at the tone I took and the judgements I had of the relationship that she embarked on, you know, sex with a minor. But it's the stuff of great drama.

That's why so many people want to play Hamlet: because it's a completely demarked role, and the actor playing it has to be prepared, through the language, to allow the audience to see into who he is.

When I was younger, I was actually looking forward to getting older, to have more insight, more understanding.

I've reprised roles in the theatre, which is somehow more accepted, and where one can automatically go deeper and further into the role.

The great thing about theater is that when it's great, you'll remember it for the rest of your life. But if you go see ten shows, you'll only get five - if you're lucky - that'll give you that experience. But the rest, at the very least, will be interesting.

I was but three when he passed by, but I shall be grateful until the day I die.

It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!

The lack of racial diversity and gender diversity and the lack of female directors - those are not fashionable issues. And they're not issues that reside solely within the film industry.

With a role like Hedda Gabler, which is incredibly complicated, you often feel that you haven't even scratched the surface the first time around, so you relish the opportunity to do it again, particularly with an ensemble of actors and the company we assembled. But when you do that in films you somehow have to make some attempt to uncross people's arms and you have to justify why you're doing it.

Culture civilizes us, and that's why every single despotic regime has tried to smash [the arts].

Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.

If you over plan New Year's Eve it's going to be a disaster so you have to be alive to changes.

Germany is a country that has absolutely had to since the Second World War ask itself massive moral questions. And it's reforged its identity based on culture. I mean, the amount of artists living and working in Berlin is unparalleled. It's one of the strongest economies, not only in Europe, but globally, and it's because of its understanding of the importance of culture.

I think part of the disappointing failure of the political process in America today is that it's asking us to forget countries' historic connections to other countries, or to the laws that have been made. They're willfully asking people to forget their country's history, and focus only on the present. It's bizarre.

People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.

I think marriage is all about timing. Getting married is insanity; I mean, it's a risk - who knows if you're going to be together forever? But you both say, 'We're going to take this chance, in the same spirit.

I'm not interested in saying what people should and shouldn't do. It depends on how people feel about themselves. I suppose personally if you do anything out of fear or to mask who you are, then that's a bit scary. You've got to work with what you got.

You do get scrutinized in the digital age. You know they're zooming in on every pore, which you've got to forget about.

Women have been doing very, very strange things for centuries. I mean ancient Egyptians were already doing that, but I don't necessarily judge people who do. I don't really think it makes people look better; they just look different.

Of course one worries about getting older - we're all fearful of death, let's not kid ourselves. I'm simply not panicking as my laugh lines grow deeper. Who wants a face with no history, no sense of humor?

It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who has had children and I think, they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is their little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move.

I think we should all feel lucky and blessed that people are still, in this day and age, getting in their cars with other people and driving to a location and paying money to sit in a theater and watch a play.

We have to band together, but the thing in America is that people are terrified of losing their jobs... Maybe California needs to secede. The only thing that'll make any difference is the money... Tax dollars and losing that amount of money. It's one of the most economically powerful states, isn't it? That's where it hurts.

To those who voted for me, thank you. And to those who didn't, better luck next year!

Becoming artistic directors is an enormous responsibility and not one that we take lightly.

Some days I'm very lazy, and some days I'm more inspired. I've got things I've had since I was fifteen - I don't throw anything away. I prefer to give it to a friend so I can wear it again...The way I dress doesn't necessarily have to do with fashion, or what is current, or what is in right now, it's more about rediscovering things.

I think probably winning these things [an Oscar] can be a bit of a curse depending on who you are and how you think. But I haven't been on a journey to get anywhere in particular, so that hasn't changed. And my criteria for choosing projects hasn't changed.

After a run of several night events, you begin to appreciate the solitude and the quiet backstage.

At the moment there are 1 in 8 people who have no access to clear drinking water, about a billion people worldwide, which can make you feel quite overwhelmed.

o matter how much research you do, or invention you do, whether it's a character from a novel, a completely invented character or someone who actually existed, it's a work of faction. By the very fact you only have an hour and a half or two hours to tell a story, you're telescoping events and it is, in the end, a work of imagination.

I think referendums are fantastic as long as the question is phrased in a way which is not meant to deliberately confuse or confound people.