Top 253 Quotes & Sayings by Catherynne M. Valente - Page 2

Explore popular quotes and sayings by an American writer Catherynne M. Valente.
Last updated on April 21, 2025.
Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.
If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money; and lost, like a memory; and wasted, like a life.
Truly, Autumn is my season,” the scarlet beast chorted. “Spring and Summer and Winter all begin with such late letters! But Autumn and Fall, I have loved best, because they are best to love.
Yes, yes, mistress, I shall go and accomplish your task. Only—I was not only sent to kill the Leucrotta. There is a maiden in a tower—" At this the Witch spat, again rolling her marvelous eyes. "Those revolting creatures are always getting themselves locked up. If only they would stay that way.
But if you must be clever, then be clever. Be brave. Sleep with fists closed and shoot straight. — © Catherynne M. Valente
But if you must be clever, then be clever. Be brave. Sleep with fists closed and shoot straight.
Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.
Just tell yourself a story that'll satisfy you and pretend he told it.
You should always listen to minotaurs. Anybody with four stomachs has to have a firm grip on reality.
It’s been me all along,” said September slowly. “Me who gave up my shadow, me who went down into Fairyland-Below and Fairyland-Lower-Than-That to wake up the Prince. Me who shot the poor Minotaur. You oughtn’t just hand the whole business over the moment a Prince comes on the scene. I’ve got to see it through, don’t you see? The Hollow Queen is hollow because she’s missing the part of her that’s me. We’ve got to come together again. And he can’t do a thing about that.
She who invented words, and yet does not speak; she who brings dreams and visions, yet does not sleep; she who swallows the storm, yet knows nothing of rain or wind. I speak for her; I am her own.
What came before has dissolved from me, lost like milk teeth. But I think, rather, that it has always been as it is, and there was never a beforethis nor will there be an afternow. I am accepting. This is not a thing to be solved, or conquered, or destroyed. It is. I am. We are. We conjugate together in darkness, plotting against each other, the Labyrinth to eat me and I to eat it, each to swallow the hard, black opium of the other. We hold orange petals beneath our tongues and seethe. It has always been so. It grinds against me and I bite into its skin.
You know, in Fairyland-Above they said that the underworld was full of devils and dragons. But it isn’t so at all! Folk are just folk, wherever you go, and it’s only a nasty sort of person who thinks a body’s a devil just because they come from another country and have different notions. It’s wild and quick and bold down here, but I like wild things and quick things and bold things, too.
She did not want to read this book from start to finish, or rather, she thought perhaps it did not want her to. Instead she practiced the art of bibliomancy, trusting the book to show her what it wanted her to know.
When one is traveling, everything looks brighter and lovelier. That does not mean it IS brighter and lovelier; it just means that sweet, kindly home suffers in comparison to tarted-up foreign places with all their jewels on.
Temptation likes best those who think they have a natural immunity, for it may laugh all the harder when they succumb. — © Catherynne M. Valente
Temptation likes best those who think they have a natural immunity, for it may laugh all the harder when they succumb.
Who are you?" "I am Death," said the creature. "I thought that was obvious." "But you're so small!" "Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off-very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me.
All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless at all.
I am a Prince," he replied, being rather dense. "It is the function of a Prince—value A—to kill monsters—value B—for the purpose of establishing order—value C—and maintaining a steady supply of maidens—value D. If one inserts the derivative of value A (Prince) into the equation y equals BC plus CD squared, and sets it equal to zero, giving the apex of the parabola, namely, the point of intersection between A (Prince) and B (Monster), one determines value E—a stable kingdom. It is all very complicated, and if you have a chart handy I can graph it for you.
If I stop, I shall sink and die. That's the way I'm made. I have to keep going always, and even when I get where I'm going, I'll have to keep on. That's living.
We all just keep moving, September. We keep moving until we stop.
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?
All jobs are odd, or they would be games or naps or picnics.
I can't imagine a decent maze that would be caught dead without a minotaur. It's not done! You don't go out of your house without any clothes on, and a minotaur doesn't go into the world without a labyrinth to keep him warm.
I know you loved both he and I, the way a mother can love two sons. And no one should be judged for loving more than they ought, only for loving not enough.
Readers will always insist on adventures, and though you can have grief without adventures, you cannot have adventures without grief.
You were so near death that ghosts crowded around you, weeping silver tears, waiting for you with such smiles. You humans, you know, whoever built you sewed irony into your sinews.
You're not in love if you keep your own heart bricked up behind your bones. You're only playing.
But this is a story, and in a story there is always someone beautiful enough." - 'The Girl with Two Skins' from A Guide to Folktales in Fragile Dialects
Monsters almost always are culture's way of working out their fears.
Just remember that the only question in a house is who is to rule. The rest is only dancing around that, trying not to look it in the eye.
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
I do not tolerate a world emptied of you. I have tried. For a year I have called every black tree Marya Morevna; I have looked for your face in the patterns of the ice. In the dark, I have pored over the loss of you like pale gold.
Love, I've never been anyone's mother; I don't know how to talk to young or old. But don't stop smiling just because I flap my mouth and say something that's not dressed around the edges like a lace tablecloth. Thicken up and we'll get along fine.
Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.
Everyone is afraid of you and when folk are afraid of a person it usually means the person is cruel in some way, and I think you are cruel, Miss Marquess, but please don’t punish me for saying it. I think you know you’re cruel. I think you like being cruel. I think calling you cruel is the same as calling someone else kind. And I don’t want to run errands for someone cruel.
That's Venus, September thought. She was the goddess of love. It's nice that love comes on first thing in the evening, and goes out last in the morning. Love keeps the light on all night.
Children make prayers so thoughtlessly, building them up like sand castles—and they are always surprised when suddenly the castle becomes real, and the iron gate grinds shut.
When little ones say they want to go home, they almost never mean it. They mean they are tired of this particular game and would like to start another.
An equation is a prophecy that always comes true. — © Catherynne M. Valente
An equation is a prophecy that always comes true.
So most people go around with grimy machinery, when all it would take is a bit of spit and polish to make them paladins once more, bold knights and true.
... but as has been said, September read often, and liked it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying.
When I say forever,' Koschei whispered, 'I mean until the black death of the world. An Ivan means just the present moment, the flickering light of it, in a green field, his mouth on yours. He means the stretching of that moment. But forever isn't bright; it isn't like that. Forever is cold and hard and final.
You only had to choose which me to talk to, for, you know, we all change our manners, depending on who has come to chat. One doesn’t behave at all the same way to a grandfather as to a bosom friend, to a professor as to a curious niece.
Perhaps all a Tsaritsa is is a beautiful cold girl in the snow, looking down at someone wretched, and not yielding.
The goblins of the city may hold committees to divide a single potato, but the strong and the cruel still sit on the hill, and drink vodka, and wear black furs, and slurp borscht by the pail, like blood. Children may wear through their socks marching in righteous parades, but Papa never misses his wine with supper. Therefore, it is better to be strong and cruel than to be fair. At least, one eats better that way. And morality is more dependent on the state of one’s stomach than of one’s nation.
It is best in the end to let women see to their own vengeance.
To touch a person...to sleep with a person...is to become a pioneer," she whispered then, "a frontiersman at the edge of their private world, the strange, incomprehensible world of their interior, filled with customs you could never imitate, a language which sounds like your own but is really totally foreign, knowable only to them.
Some girls have to go to college to discover what they are good at; some are born doing what they must without even truly knowing why. I felt a hole in my heart shaped like a dark door I needed to guard.
I have tried to write stories that go into the underworld of myth and bring out life and fire — where the old world looked at a woman alone and immortal and said: she must long to die, I have tried to say: look at her live!
And it's the wonders I'm after, even if I have to bleed for them. — © Catherynne M. Valente
And it's the wonders I'm after, even if I have to bleed for them.
How much better if life were more like books, if life lied a little more, and gave up its stubborn and boring adherence to the way things can be, and thought a little more imaginatively about the way things might be.
Husbands lie, Masha. I should know; I've eaten my share. That's lesson one. Lesson number two: among the topics about which a husband is most likely to lie are money, drink, black eyes, political affiliation, and women who squatted on his lap before and after your sweet self.
We all live inside the terrible engine of authority, and it grinds and shrieks and burns so that no one will say: lines on maps are silly.
She liked anything orange: leaves; some moons; marigolds; chrysanthemums; cheese; pumpkin, both in pie and out; orange juice; marmalade. Orange is bright and demanding. You can't ignore orange things. She once saw an orange parrot in the pet store and had never wanted anything so much in her life. She would have named it Halloween and fed it butterscotch. Her mother said butterscotch would make a bird sick and, besides, the dog would certainly eat it up. September never spoke to the dog again — on principle.
Stories,' the green-eyed Sigrid said, unperturbed, 'are like prayers. It does not matter when you begin, or when you end, only that you bend a knee and say the words.
It is harder, usually, to find a person who wants to walk the streets of me, to taste the teas of my country, to... immigrate, you could say.
Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you never wonder why I gave you so many pots, so many creams, so much perfume?
I don’t want to be a Princess,” she said finally. “You can’t make me be one.” She knew very well what became of Princesses, as Princesses often get books written about them. Either terrible things happened to them, such as kidnappings and curses and pricking fingers and getting poisoned and locked up in towers, or else they just waited around till the Prince finished with the story and got around to marrying her. Either way, September wanted nothing to do with Princessing.
The world is not made of countries and outsiders. We are all just humans, and most of us fools and all of us longing for more than we have, to know more than we know--and yet even that is not enough, for if we knew everything we would only be disappointed that there was not one more secret to uncover.
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