Top 253 Quotes & Sayings by Catherynne M. Valente - Page 4

Explore popular quotes and sayings by an American writer Catherynne M. Valente.
Last updated on December 4, 2024.
Things that are unsightly: birthmarks, infidelity, strangers in one's kitchen. Too much sunlight. Stitches. Missing teeth. Overlong guests.
…everything has a narrative, really, and if you can’t understand a story and relate to it, figure out how you fit inside it, you’re not really alive at all.
Maidens stand still, they are lovely statues and all admire them. Witches do not stand still. I was neither, but better that I err on the side of witchery, witchery that unlocks towers and empties ships.
We all have someone we think shines so much more than we do that we are not even a moon to their sun, but a dead little rock floating in space next to their gold and their blaze. — © Catherynne M. Valente
We all have someone we think shines so much more than we do that we are not even a moon to their sun, but a dead little rock floating in space next to their gold and their blaze.
... relationships required such vigilance, such attention. You had to hold them together by force of will, and other people took up so much space, demanded so much time. It was exhausting.
Never trust anyone under one hundred!
Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.
Well enough. I won't ask you if your love is true or any of that rot—it's not my place to judge. After all, I'm a naked woman chained to a wall; I've no business questioning the lifestyles of wine-makers or anyone else.
You humans, you know, whoever built you sewed irony into your sinews.
I believe we have an utterly unique specimen on our hands: a child who listens.
That’s what a map is, you know. Just a memory.
Hats have power. Hats can change you into someone else.
It is true that novelists are shameless and obey no decent law, and they are not to be trusted on any account, but some Mysteries even they must honor.
Well, very splendid and very frightening. But splendid things are often frightening. Sometimes, it's the fright that makes them splendid at all.
I did not set out to be beloved and just, only strong." 'A King can be better than that," the Prince insisted. "And so we all begin, determined to better our fathers' performances, knowing we can change the very nature of humanity, make it better, cleaner. But then daggers strike in the night, and peasants revolt, and all manner of atrocities become a necessity as breakfast. Only Princes believe in the greater good. Kings know there is only Reign, and all things may be committed in its holy name.
It appeals to the higher nature of the self to put aside food which once lived - I do not consider myself food, why should I ask all other creatures to consider themselves so?
Death stands behind every bride, every groom. — © Catherynne M. Valente
Death stands behind every bride, every groom.
No, not like this, when I have not seen you without your skin on, when I know nothing, when I am not safe. Not you, whose name all my nightmares know.
There's more than one way between your world and ours. There's the changeling road, and there's the Ravishing, and there's those that Stumble through a gap in the hedgerows or a mushroom ring or a tornado or a wardrobe full of winter coats.
Autumn is the very soul of metamorphosis, a time when the world is poised at the door of winter - which is the door of death - but has not yet fallen. It is a world of contradictions: a time of harvest and plenty but also of cold and hardship. Here we dwell in the midst of life, but we know most keenly that all things must pass away and shrivel. Autumn turns the world from one thing into another. The year is seasoned and wise but not yet decrepit or senile.
Men die. It's practically what they're for.
He tried to reconstruct the story in his mind, but it kept getting confused, bleeding into itself like watercolors.
Her heart was bruised by the kiss, smashed and surprised and unsettled by it. September thought kisses were all nice, sweet things asked for gently and given gladly. It had happened so fast and sharp it had taken her breath. Perhaps she had done it wrong, somehow. She put the kiss away firmly to think about later. Instead, she smiled at him and pulled a carefree mask over her face.
She felt as she often did in class when she was nearly sure she had the right answer, but could not always make herself raise her hand.
I perceive that you have a cruel heart, my child. It lies within your breast like a smoldering blade, hissing steam at me.
Love rarely waits for permission.
You know how we can be about things which sparkle and shine. We imagine they will put back something of what has been lost.
Here! 'Not thread nor glue, not nails nor screws, will ever self and shadow wed.' Helpful, those poet-types. Perhaps this one: 'Seek the grimy queen of dread machines, if you your errant shadow miss.' Now that's quite good! As a Prophetic Utterance, Third Class (Vague Hints and Mysterious Signs), you couldn't ask for better. It's downright plain-spoken!
Oh, quit that. Blushing is for virgins and Christians.
Whenever one does extraordinary things, someone is bound to try to repeat them for themselves. It's the way of the world.
I want to keep on living forever and watching heroes and fools and knights go up and down, into the world and out. I want to keep being myself and mind the work that minds me. Work is not always a hard thing that looms over your years. Sometimes, work is the gift of the world to the wanting.
There is no such thing as a people who are all wicked or even all good. Everyone chooses. But even they, even they looked at people and saw only tools. No one is a cup for another to drink from.
You can never know how your clock runs. But it does run - and always faster than you think.
Snow is the beginning and the end of everything.
As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.
Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.
In both marriage and war you must cut up the things people say like a cake and eat only what you can stomach.
The man who knelt before her would have sprung from her needles, even down the ghostly flecks of silver in his hair. She had not known before that she wanted all these things, that she preferred dark hair and a slightly cruel expression, that she wishes for tallness, or that a man kneeling might thrill her.
Chyerti—that’s us, demons and devils, small and big—are compulsive. We obsess. It’s our nature. We turn on a track, around and around; we march in step; we act out the same tales, over and over, the same sets of motions, while time piles up like yarn under a wheel. We like patterns. They’re comforting. Sometimes little things change—a car instead of a house, a girl not named Yelena. But it’s no different, not really. Not ever.
Respect me. Be proud, and if you love me, a little afraid, because love so often looks like fear. We are alike. We are alike. — © Catherynne M. Valente
Respect me. Be proud, and if you love me, a little afraid, because love so often looks like fear. We are alike. We are alike.
Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.
No one is now what they were before the war. There’s just no getting any of it back.
We like the wrong sorts of girls, they wrote. They are usually the ones worth writing about.
Oh, but Masha, can’t you see? You are. An Ivan has come. That is like saying, Midnight has struck. It is time for bed, little one. You cannot have both. In war you must always choose sides. One or the other. Silver or black. Human or demon. If you try to be a bridge laid down between them, they will tear you in half.
A marriage is a private thing. It has its own wild laws, and secret histories, and savage acts, and what passes between married people is incomprehensible to outsiders. We look terrible to you, and severe, and you see our blood flying, but what we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
You and I, being grown-up and having lost our hearts at least twice or thrice along the way, might shut our eyes and cry out: Not that way, child! But as we have said, September was Somewhat Heartless, and felt herself reasonably safe on that road. Children always do.
You cannot escape where you come from, September. Some part of it remains inside you always, like the slender white heart in the center of the thickest onion.
In his own country, Death can be kind.
At the snowy summit of all these things, however, is the fact that you simply cannot go about locking your siblings in towers when they misbehave. It is unseemly and betrays a sad lack of creativity.
Do you know, Masha, how revelation comes? Like death. So sudden, though you knew all along it must occur. A revelation is always the end of something. It might even be cause for grief.
Then he is a monster!" the Prince crowed, "and I must slay him at once. The Formula works!" "Your Formula must result in a great deal of fighting," I mused. "Oh, yes, when applied correctly mighty and noble battles result! Of course I always win—the value of Prince X is a constant. It cannot be lesser than that of Monster Y—this is the Moral Superiority Hypothesis made famous five hundred years ago by my ancestor Ethelred, the Mathematician-King. We have never seen his equal, in all these centuries.
Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.
I am a practical girl, and a life is only so long. It should be spent in as much peace and good eating and good reading as possible and no undue excitement. That is all I am after.
Don’t worry,” Marya whispered, kissing his forehead. “My old bones will follow yours soon enough. — © Catherynne M. Valente
Don’t worry,” Marya whispered, kissing his forehead. “My old bones will follow yours soon enough.
A labyrinth, when it is big enough, is just the world.
I have all the books I could need, and what more could I need than books?
Living alone,' November whispered, 'is a skill, like running long distance or programming old computers. You have to know parameters, protocols. You have to learn them so well that they become like a language: to have music always so that the silence doesn't overwhelm you, to perform your work exquisitely well so that your time is filled. You have to allow yourself to open up until you are the exact size of the place you live, no more or else you get restless. No less, or else you drown. There are rules; there are ways of being and not being.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
I am the Walker and the Maze.
I hope, in years to come, I shall hold my heart up and it will be a pane of clear glass, through which I see all, but nothing is distorted.
This site uses cookies to ensure you get the best experience. More info...
Got it!