Top 73 Quotes & Sayings by Chaim Potok

I'm constantly revising. Once the book is written and typed, I go through the entire draft again.

I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

Every man who has shown the world the way to beauty, to true culture, has been a rebel, a 'universal' without patriotism, without home, who has found his people everywhere.

And yet there are some magnificent things from Freud, profound insights into the nature of man.

Yes, there is some thought about making a film of My Name Is Asher Lev.

To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.

I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.

But today we become aware of other readings of the human experience very quickly because of the media and the speed with which people travel the planet.

All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.

I'm not altogether certain that a fundamentalism of necessity has to argue that it is the only reading of the human experience in order to stay alive.

I don't work on my Sabbath. I write five-and-a-half or six days a week.

A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.

In other words, Judaism is not Calvinism.

There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

Two hundred or more years ago most people on the planet were never aware of any reality other than the one into which they were brought up.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.

Well, in The Chosen, Danny Saunders, from the heart of his religious reading of the world, encounters an element in the very heart of the secular readings of the world - Freudian psychoanalytic theory.

I think that to a very great extent we are partners with the divine in this enterprise called history. That is an ongoing relationship, and there is absolutely no guarantee that things will automatically work out to our best advantage.

If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.

Come, let us have some tea and continue to talk about happy things.

It is inconceivable to me that a million or three million or half a million human beings will think and feel precisely the same way on any single subject.

It is impossible to fuse totally with a culture for which you feel a measure of antagonism.

Well, one hopes that if you're really related to the core of your particular culture, you have profound commitments to it, and that you are aware of how much you can strain it before you do violence to its essential nature.

Each work seems to give me the most trouble at the time I'm working on it.

As a species we are always hungry for new knowledge.

I get up around 6:30. I work from about 8:00 to 1:00, take a break for lunch, work again until about 5:00, and then go for a long walk and have dinner. Then, if my wife and I have no previous plans, we decide what to do for the evening.

He taught them that the purpose of a man is to make his life holy--every aspect of his life: eating, drinking praying, sleeping. God is everywhere, he told them, and if it seems at times that He is hidden from us, it is only because we have not yet learned to seek Him correctly.

Art is a person's private vision expressed in aesthetic forms.

Honest differences of opinion should never be permitted to destroy a friendship.

I do not have many things that are meaningful to me. Except my doubts and my fears. And my art.

We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much, if our lives are nothing more than the blink of an eye?...I learned a long time ago, Reuven, that a blink of an eye in itself is nothing; but the eye that blinks, that is something.

A life is measured by how it is lived for the sake of heaven.

Seeds must be sown everywhere. Only some will bear fruit. But there would not be the fruit from the few had the many not been sown

If a person has a contribution to make, he must make it in public. If learning is not made public, it is a waste.

I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.

Two people who are true friends are like two bodies with one soul

Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.

A word is worth one coin, silence is worth two

Something that is yours forever is never precious

Art begins . . . when someone interprets, when someone sees the world through his own eyes. Art happens when what is seen becomes mixed with the inside of the person who is seeing it.

A man is born into this world with only a tiny spark of goodness in him. The spark is God, it is the soul; the rest is ugliness and evil, a shell. The spark must be guarded like a treasure, it must be nurtured, it must be fanned into flame. It must learn to seek out other sparks, it must dominate the shell. Anything can be a shell, Reuven. Anything. Indifference, laziness, brutality, and genius. Yes, even a great mind can be a shell and choke the spark.

Art is whether or not there is a scream in him wanting to get out in a special way.

A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant.

No one knows he is fortunate until he becomes unfortunate, that's the way the world is.

I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time. The demonic and the divine were two aspects of the same force. Creation was demonic and divine. Creativity was demonic and divine. I was demonic and divine.

Each generation thinks it fights new battles. But the battles are the same. Only the people are different.

All beginnings are hard.

You have to want to listen to it, and then you can hear it. It has a strange, beautiful texture. It doesn't always talk. Sometimes-sometimes it cries, and you can hear the pain of the world in it. It hurts to listen to it then. But you have to.

As you grow older you will discover that the most important things that will happen to you will often come as a result of silly things, as you call them --"ordinary things" is a better expression. That is the way the world is.

… the world will indulge you just so long Asher Lev. Then it will stop. You will simply have to grow accustomed to that truth.

Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.

We need to listen to one another.

A man must fill his life with meaning, meaning is not automatically given to life.

…everything has a past. Everything – a person, an object, a word, everything. If you don’t know the past, you can’t understand the present and plan properly for the future.

I've begun to realize that you can listen to silence and learn from it. It has a quality and a dimension all its own.

A writer is a strange instrument of our species, a harp of sorts, fine-tuned to the dark contradictions of life.

The span of a man's life - that is nothing. But what a man makes of that span - that is something. A man must make his own meaning for life. Meaning is not automatically given to life.

It's always easier to learn something than to use what you've learned. . . . You're alone when you're learning. But you always use it on other people. It's different when there are other people involved.