Top 59 Quotes & Sayings by Chester Brown

The director is planning on titling the film 'Yummy Fur' so we are probably planning on changing the title of the book to 'Yummy Fur' to match the film.

There I was limited to what happened the same way I am with Riel. It doesn't feel like a great burden to have your story, to some degree, set. I am enjoying figuring out what I think is the most dramatic way of telling this set of historical facts.

With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time.

That's the thing. in medicine, you're used to saying there's a problem within the person, and saying there's a problem within the culture, that's not a medical answer. Medicine has to look in one direction, so there's only one type of answer that they can find.

Alan Moore does have a sheen of class. He's a smart guy, and I'm sure there was a metaphoric level, I'm not denying that, but let's face it. the main reason he was doing a super-hero comic was because he was working for a super-hero comic book company.

It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling.

I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.

There's a bit of debate about that; some say it was really Matthew, but the popular consensus is that Mark was the first one, so that's why I did that one first. And I was planning on doing all four.

I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.

I'm planning on finishing the Gospels at some point.

You kind of hope that the events themselves are interesting. I think that's what you have to hope for, that on a broad level it's an interesting story.

'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.

Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things.

The main problem was a pacing problem. I had wanted the project to be about 20-30 issues, and I should have written it out as a full script beforehand.

They thought they were identifying a set of behaviours, but yeah, they just wanted to have an answer.

We're not very accepting of people who act strangely.

The counter-argument would be, so what if my sexual relationships are superficial, one can still have satisfying and rewarding relationships with friends, or parents, or siblings, or whatever.

I Never Liked You. I think that's my best book. I think it works the best as a story, and I like the drawing. It works on both levels, for me at least.

I think politics is important. It's how we run our society. I think it should be natural to have an interest in the subject, and I almost don't understand why some people don't.

The scientists at the end of the 19th century had people coming to them with this weird behaviour, and they didn't know what was going on but there seemed to be a similarity. They needed an answer, so they made up one.

We couldn't be making as much money, if we had to deal with stranger behaviour. And right now, anybody who slows down our economic productivity, off they go. We have a place for them, the psychiatric institution. That's the main thing, they slow things down.

I consider myself a right-winger and Gray was certainly one.

I was looking to do something non-fiction because I had done a strip, 'My Mom Was a Schizophrenic.' I really enjoyed the process of doing that strip, despite its subject matter. To do it I'd had to do a lot of research and reading and I figured I'd like to do that again.

The whole schizophrenia angle interested me. When I first started working on it, I thought I would play up that angle more than I ended up doing. The religious aspect of the story was also a draw.

When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.

I think people should have the legal right to hurt themselves without fearing that they're going to get locked up for doing so. But on a personal level, if someone I loved was hurting himself or herself in front of me, I would, of course, try to restrain them.

It's because I do see sex as sacred and potentially spiritual that I believe in commercializing it and making this potentially holy experience more easily available to all.

The best paid sex can still be really great and really intense, but, you know, without the emotional passion there, it's not going to be quite at the same level as the best unpaid sex.

Just because a woman has a pimp doesn't necessarily mean that she's being abused by the guy. You can't know for sure.

You know, if a relationship has gone on for five or six years, that couple is not having as much sex as they were at the beginning of the relationship. In a lot of marriages, the sex stops altogether. So that's a very common thing, even if they still like each other.

I don't date civilians. I don't even try. I'm totally out of the game of dating or trying to get a girlfriend or anything like that.

As far as women who are being abused by pimps, I think if you see women who do incalls or outcalls rather than work on the street, they are less likely - from what I've heard - to have pimps. But you can't be sure.

You can't be everything for another person.

Almost every scene, I re-think as Im about to start drawing it, and at least half of the time Im changing dialogue or whatever, or adding scenes or different things.

I don't think of myself as an evil monster and I hope I'm not.

If I can avoid doing freelance work, I prefer to. Not just because it takes me away from drawing comics, but also because it's just annoying having to deal with art editors, and having to read people's articles or books or whatever.

It is easier to live openly when you're not married. Not to get too much into the whole "romantic love" thing, but if you're going to live successfully with another person, there are things you have to keep to yourself. So the guy who lives on his own, I think, is more used to just expressing things openly.

One of the significant reasons why women who are trafficked and forced to work as prostitutes often don't want to come forward is because they're worried they'll be deported. If the police are certain that a woman has been trafficked and forced into prostitution, then perhaps we should automatically allow her citizenship.

Trying to get your sexual partner to make a monogamous commitment to you is not a loving thing to do; it's selfish.

I think most people are motivated to want to do what is best for themselves. People want to avoid STDs. I believe in a system that leaves it up to the individual to protect their own health.

I think the big problem is what I call "possessive monogamy." I think we should have a lot more freedom in our sexual lives. We should stop making monogamous commitments.

If I do need to make money suddenly, I prefer to just draw something I want to draw and have someone else sell it for me on the Internet.

The best unpaid sex, where you and the woman are really into each other, and there's a lot of really intense passion, and things are really hot between you...I've never had that kind of sex when I was paying for it. The best unpaid sex is going to be, I think, more passionate and more hot than the best paid sex.

After my last girlfriend broke up with me, I looked at how our relationship had gone and how my previous relationships had gone, and even though those girlfriends had all been very nice women, I realized that I did not like being a boyfriend. I didn't like that role, so I thought I had to figure out some other way to, you know, have sex. And I much prefer paying for sex to being a boyfriend.

There were a couple of instances where what I'm thinking during sex was relevant, so I might as well show myself having sex. I could have gone from a shot of the bed to just showing the ceiling and my thought bubble. Or maybe just show the feet.

The best blowjobs I've had have been from prostitutes.

I am for decriminalization. The significant aspect of that is that we don't force prostitutes to have to get a license to work. I think the whole idea of licensing consensual sex between adults is offensive.

With each of those projects I wasnt thinking about how the layout would really affect the story I was working on - it wasnt the content that was affecting the layout, it was, how I wanted to draw at that point in time.

I have stuff I'm interested in working on, and I'd rather work on what excites me than complete projects from the past that I've grown bored with.

I was seeing indoor workers as opposed to streetwalkers and from what I hear, drug use is much more prevalent among streetwalkers then it is with girls who are escorting.

Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.

It occurs to me that there's been a relatively recent tendency in the media to see prostitutes as victims and johns as exploiters. I don't think most prostitutes see themselves as victims or see their clients as exploiters, but that way of seeing prostitutes and johns is pretty common now outside of sex-work circles, and it's more shameful to be the exploiter than the exploited.

I don't worry about how accurately I convey my personality. I learned early on that it's almost impossible to accurately portray yourself.

I would prefer not to be living with anyone, really. Like, as much as I care for my special friend, I don't want to live with her.

I don't think our system, where we have one romantic partner, where we get married and we're only supposed to have sex with one person - that doesn't make a lot of sense. Not that polygamy makes any more sense. I've found a system that seems to work for me, and it doesn't require monogamous commitment from anyone.

As far as sex slavery goes, in Canada, if the woman has a Canadian accent, I'm confident that she hasn't been trafficked and forced to work as a prostitute.

When you're in a relationship, the dynamic seems to change over time. I only had two long-term girlfriends, but with both of them, as time went on, the sex tapered off in terms of frequency. We had sex less and less often. And talking with friends or whatever, hearing other people's stories, that seems to be the case with a lot of romantic relationships.

I'm not looking to get married or anything like that. I'm just a john now. I'm going to be paying for sex for the rest of my life.

I'm against government giving money to artists, but I'm not against artists taking money. Just like I don't have a moral problem with people taking healthcare from the government, but I don't think government should give it.