Top 104 Quotes & Sayings by Chuck Close

Women in general interest me. I like how women are more liable to talk about real things, personal things.

I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.

Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.

It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.

I have a great deal of difficulty recognizing faces, especially if I haven't - if I've just met somebody, it's hopeless.

Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.

Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.

In the 7th grade, I made a 20-foot long mural of the Lewis and Clark Trail while we were studying that in history because I knew I wasn't going to be able to spit back the names and the dates and all that stuff on a test.

I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.

In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.

I think women realise that I love women, and very often women seem to love me.

I only have so much time and energy and money, and I'm going to put it into my work.

I have no intention of flattering people. I like wrinkles and crow's feet and flaws, and somebody should know, if I'm going to photograph them, that's going to show up, you know?

I'm plagued with indecision in my life. I can't figure out what to order in a restaurant.

All the fingerprint paintings are done without a grid.

The reason I don't like realist, photorealist, neorealist, or whatever, is that I am as interested in the artificial as I am in the real.

It's always a pleasure to talk about someone else's work.

I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.

The first thing I do is take Polaroids of the sitter - 10 or 12 color Polaroids and eight or 10 black-and whites.

I think the problem with the arts in America is how unimportant it seems to be in our educational system.

I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.

You don't have to reinvent the wheel every day. Today you will do what you did yesterday, and tomorrow you will do what you did today. Eventually you will get somewhere.

A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.

There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.

I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is.

If the bottom dropped out of the market and the artist was not going to sell anything, he or she will keep working, and the dealer will keep trying to find some way to convince somebody to buy this stuff.

I don't work with inspiration. Inspiration is for amateurs. I just get to work.

Sometimes I really want to paint somebody and I don't get a photograph that I want to work from.

Never let anyone define what you are capable of by using parameters that don't apply to you.

What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.

Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.

I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.

No one was more surprised than me when my paintings started selling, except maybe my dealer.

My mother was a piano teacher, my father an inventor. He invented the reflective paint they still use on airstrips. They had faith in my ambition, and I think that made all the difference.

Painting is a lie. It's the most magic of all media, the most transcendent. It makes space where there is no space.

Painting is the frozen evidence of a performance.

I wanted to translate from one flat surface to another. In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.

Inspiration is highly overrated. If you sit around and wait for the clouds to part, it's not liable to ever happen. More often than not, work is salvation.

I'm poor white trash from the state of Washington.

I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.

I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.

Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow.

Ease is the enemy of the artist. When things get too easy, you're in trouble.

I'm not by nature a terribly intuitive person; I need to build a situation in which I will behave more intuitively, and that has really changed the life of my work - I found a way to trick myself into being intuitive.

You don't have to have a great art idea - just get to work and something will happen. So that's pretty much my modus operandi and pretty much my principal position, such as it is.

There's something Zen-like about the way I work - it's like raking gravel in a Zen Buddhist garden.

I'm very learning-disabled, and I think it drove me to what I'm doing.

Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It's the hardest medium in which to have some sort of personal vision and to have a signature style.

Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.

You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.

Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.

A face is a road map of someone's life. Without any need to amplify that or draw attention to it, there's a great deal that's communicated about who this person is and what their life experiences have been.

Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.

I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.

Every child should have a chance to feel special.

Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.

While photography is the easiest medium in which to be competent, it is the hardest in which to develop an idiosyncratic personal vision.

Never let anyone define what you are capable of by using parameters that don't apply to you. Inspiration is for amateurs, the rest of us just show up and get to work. Every great idea I've ever had grew out of work itself. Sign onto a process and see where it takes you. You don't have to invent the wheel everyday. Today you will do what you did yesterday, tomorrow you will do what you did today. Eventually, you will get somewhere.

If you're overwhelmed by the size of a problem, break it down into smaller pieces.

Never let anyone define what you are capable of by using parameters that don’t apply to you.