Top 208 Quotes & Sayings by Clive Barker - Page 3

Explore popular quotes and sayings by an English writer Clive Barker.
Last updated on November 29, 2024.
I'm a great dog fanatic. My own dog died a little while ago and I take it very personally when things die-it's a major offence.
There’s no conscious thing on the face of the world that doesn’t know dread more intimately than its own heartbeat.
No tears, please. It's a waste of good suffering. — © Clive Barker
No tears, please. It's a waste of good suffering.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
At best you can hold death at bay, you can pretend it isn't there; but to deny it totally is a sickness. And I think that horror fiction is one of the ways to approach these problems, and, perversely perhaps, to enjoy a vicarious confrontation with them.
I'm a poet,' the young man said, 'And it's my job to remember the sadness of things.
I can see in your eyes that there’s no seam of untapped joy left in you. The best of life has come and gone. Those days when sudden epiphanies swept over you, and you had visions of the rightness of all things and of your place amongst them; they’re history. You’re in a darker place now.
You’ve always got me” “Always?” “Didn’t I just say so?” “Yes” “Am I liar? “ “No.” I lied.
We're both thieves, Harvey Swick. I take time. You take lives. But in the end we're the same: both Thieves of Always.
If you want to look like the people next door, you're probably smothering yourself into your dreams.
There is no delight the equal of dread
Have patience; the lovers will suffer lovers always suffer.
The great grey beast February had eaten Harvey Swick alive. — © Clive Barker
The great grey beast February had eaten Harvey Swick alive.
Maybe the man had taken the wrong turning, but at least he'd travelled some extraordinary roads.
O little one, My little one, Come with me, Your life is done. Forget the future, Forget the past. Life is over: Breathe your last.
I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.
Why'd you want to sing about sad things?" Candy had asked him. "Because any fool can be happy," he'd said to her. "It takes a man with real heart" —he'd made a fist and laid it against his chest— "to make beauty out of the stuff that makes us weep.
Sung to the tune of O Christmas Tree O woe is me, O woe is me, I used to have a hamster tree, But it was eaten by a newt, And now I have no cuddly fruit, O woe is me, O woe is me, I used to have a hamster tree!
I really believe that there is an enormous appetite amongst readers for an originality of vision. In other words, be true to your own dreams and there will always be people who want to hear them.
My father used to say: Every bird is one bird, and every book is one book, and every bird and every book is one thing too, under the words and the feathers." He finished with a flourish, as though the meaning of this was self-evident.
I've held a brain in my hands, which is an extraordinary experience.
I've always thought that sex and horror belonged together.
Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.
Midian is where the monsters go.
One man's pornography is another man's theology.
The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.
Often people who are wonderful with animals aren't always terribly good with human beings.
A man kills the thing he loves, and he must die a little himself.
I know that I want to bring sex and horror together as I have been able to in my books.
We burn so hard, but we shed so little light; it makes us crazy and sad.
Walk with care in dark places, and do not put your faith in anyone who promises you the forgiveness of the Lord or a certain place in Paradise.
Always, worlds within worlds.
There are things that are more important than the news and what’s happening today. There are these archetypes which are part of the human imagination since humans were presumably imaginative. And I think that’s what [people] find touching, these eternal ideas. It’s one of the things that makes fantasy something that tends to stand the test of time because we’re reading, 50 years later, The Lord of the Rings.
There is no such thing as originality. It has all been said before, suffered before. If a person knows that, is it any wonder love becomes mechanical and death just a scene to be shunned? There is no absolute knowledge to be gained from either. Just another ride on the merry-go-round, another blurred scene of faces smiling and faces grieved.
There are lives lived for love, and lives lived for art. We, happy band, have chosen the later persuasion.
Life is short And pleasures few And holed the ship And drowned the crew But o! But o! How very blue the sea is.
After all, where can the glorious, the goofy, and the god-like stand shoulder to shoulder?
Perhaps sunlight had always been luminous, and doorways signs of greater passage than that of one room to another. But she’d not noticed it until now. — © Clive Barker
Perhaps sunlight had always been luminous, and doorways signs of greater passage than that of one room to another. But she’d not noticed it until now.
The extraordinary's the norm.
His body and his mind went about their different businesses. The former, freed from conscious instruction, breathed, rolled, sweated, and digested. The latter went dreaming.
Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.
To call you excrement would be an insult to the product of my bowels.
Nothing happens carelessly. We’re not brought into the world without reason, even though we may never understand the reason. An infant that lives an hour, that dies before it can lay eyes on those who made it, even that soul did not live without purpose: this is my sudden certainty.
Behind their eyes the hope was sickening and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been.
I was a weird little kid. I was very irritable, bored, frustrated. I felt my imagination bubbling inside my head without having any way to express itself. Given a crayon and paper, I would not draw a train or a house. I would draw these monsters, beasts and demons.
Of all the rash and midnight promises made in the name of love, none, Boone now knew, was more certain to be broken than "I'll never leave you.
A soul of water a soul of stone. A soul by name a soul unknown. The hours unmake our flesh our bone. The Soul is all and all alone!
Writing a book is like masturbation, and making a movie is like an orgy. — © Clive Barker
Writing a book is like masturbation, and making a movie is like an orgy.
My feet are killing me." "I knew somebody who had feet like that. They'd walk all over him. Archie Kashanian was his name. He used to wake up with footprints all over his chest, all over his face. It was the death of him, finally.
Whatever capacity she possesses to supernaturally beguile a human soul—and she possesses many—she liked his clear-sightedness too well, to blind him that way.
I've never worked where it was hard to be gay. Besides, being gay is a spectacular irrelevance to getting on with your life.
I don't like to make a distinction between the writer and the painter , finally , because I do both things anyway . Everybody's dreaming and trying to put down their dreams in the way that their hand knows best . I feel as much a unity , as much comradeship , with painters as I do writers .
She's...just a girl, you know. Like most girls: something and nothing.
Words are sexier than flesh.
What worth was a man who could not be haunted?
You must be careful with kindness. It's usually mistaken for weakness by stupid people.
Angels have very nasty tempers. Especially when they’re feeling righteous.
Writing about the unholy is one way of writing about what is sacred.
The world had seen so many Ages: the Age of Enlightenment; of Reformation; of Reason. Now, at last, the Age of Desire. And after this, an end to Ages; an end, perhaps, to everything.
If we have nothing to do but service our own pleasure - because society has taught us that's all we're worth and we're exiled from positions of authority from which we could actually shape society - then we just become hedonists. Eventually, despite how great it may look on Saturday night, come Monday morning there's just purposelessness.
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