Top 143 Quotes & Sayings by Colin Firth - Page 2

I've gotten involved in producing now, so the kinds of things that are more my own choice are more possible in that field because I don't have to be castable. I can actually get involved in getting stories off the ground that no one would ask me to be in because I'm the wrong age, the wrong sex, the wrong nationality, or whatever.

I was in a lake in 'Love Actually', and I was attacked by some hideous aquatic beast and was rushed to the hospital by a man named Rafael! Something stung my elbow, and it blew up to the size of a tennis ball.

I enjoy playing Mr. Darcy, but I'm not hungry to play Mark Darcy again.

I love 'Manhattan', and I know it's not one of Woody's favorites.

I backpacked through France and Italy in my teens, and then I was at Cannes with the first movie I did in '84.

In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?

I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.

When I look in the mirror, I don't see my Dad, I see my grandmother. For a while it was my mother looking back at me. If only it was my Dad.

It's entirely to do with personality, I think. There are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. It just depends on whether people respond to that personality and whether people have a willingness to do something for them.

Maybe it's shallow of me to have a wife that's so beautiful, but it makes things easier. To me she's the most beautiful woman in the world.

I'm fully aware that if I were to change professions tomorrow, become an astronaut and be the first man to land on Mars, the headlines in the newspapers would read: `Mr. Darcy Lands on Mars.

To work effectively in a film, you have to repeat and work consistently. Basically, you shoot a big master then you do close-ups. You're supposed to be in the same moment, the same 30-second moment, for a day.

Actors are basically drag queens. People will tell you they act because they want to heal mankind or, you know, explore the nature of the human psyche. Yes, maybe. But basically we just want to put on a frock and dance.

There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.

When I visited coffee farms in Ethiopia, the farmers could not believe we spend a week's wages in their country on a cup of coffee in ours, because they see so little of the profits. Oxfam's fair trade campaign helps right this wrong.

Less racist now but it has been. I don't think it's been completely stamped out. There's a class element to it. And who's supposed to do what. You're very unlikely to get a gay grip.

I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!

There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.

'La Dolce Vita' made we want to go to Rome and, if not jump into the Trevi Fountain, at least watch someone else do it. Maybe that's why I married an Italian...!

I do think a good story in a novel is fair game and there's nothing wrong with adapting that. It sometimes gets a bit facile where they think: "Let's get the next best-seller and see if we can turn it into a film."

It didn't have to be a newfound respect for the craft, I knew that it's notoriously difficult and frightens a lot of people off. I don't think anyone knows quite who to attribute it to, but the dying actor who says: "dying is easy, comedy is hard." I hear it.

However good a communicator a director is, unless they've been actors, it's just not the same as the shorthand you get with someone who's been an actor.

And that is a hard route for a woman to come through. There's still a lot of roles that have to be conformed to. It's quite an old fashioned environment in a lot of ways.

What infuriates me is that in America violence is judged in context, whereas language is not. So with language there is an arithmetic that says: one f*** is a PG 13, two f***s is an R. They don't say: one bullet through one head is a PG 13, two bullets through more than two heads is an R.

It's an unknown quantity. It's actually almost a cliché to say it, how hard comedy is. What's that famous quote? "Dying is easy, comedy's hard." I think the broader it gets, if you miss by a millimetre, you've missed completely. It's a very hard thing to do.

I'm just the last English twit, really.

I'll be your friend so long as you're not crap

The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.

It's a very dangerous state. You are inclined to recklessness and kind of tune out the rest of your life and everything that's been important to you. It's actually not all that pleasurable. I don't know who the hell wants to get in a situation where you can't bear an hour without somebody's company.

I don't know if there's a problem with original ideas... I think a healthy film industry should have a good supply of good, original writing.

I love you even when you're sick and look disgusting.

It does help to actually realize that however stunning the person who is, you know, fluttering eyelashes at you, she doesn't do anything to match up to your wife.

If you're playing someone who's got marital problems, you have to play someone who's trying not to have marital problems. So, you've got to get into the problem first.

Just driving I just was in a car on flat ground and I couldn't make it go. Having ticked driving and taken three driving lessons, I just was unable to produce any motion whatsoever under perfectly normal circumstances. I think we've all been busted on driving, and riding.

I can't bring you absolute truth in the detailed factual sense. All I can do is bring you an interpretation as I understand it. That's all you can ever get from an actor.

It was mainly to do with Helen Hunt, to be honest. That's what drew my attention to it. I was interested in the fact that she was going to be directing. I'd never met her but she projects a degree of intelligence and it was convincing t me that she'd be able to handle this sort of material very well.

It's hard to get yourself into a position where someone will trust you to direct a film anyway, whatever sex you are. Certainly in England, the film set is a very male preserve. There's a lot of very rough looking men pushing equipment around that don't want the gaffer to be a girl.

I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth. But, one of them was that he doesn't rehearse and another was that he doesn't really direct, if he doesn't like it...he cuts it out of the movie, or even replaces you.

On his fight scene with Hugh Grant in Bridget Jones: It was a delicious experience.

Doing a job, or even watching a film, can make a difference to your life, but I don't think it ever has an explosive impact where your life will never be the same again. It kind of seeps into your life, and perhaps realise you're a little more vigilant about certain things than you might have been.

Nothing brings you closer together than blind terror.

I thought I was managing my expectations, but on hearing the news I discovered new and unfamiliar vocal tones. Perhaps I should do another musical.

I don't know if this qualifies as gentle reassurance, but right now this is all that stands between me and a Harley-Davidson.

I like playing strange characters. Some people might say it has something to do with a hidden part of myself, but I think it's a lot simpler than that: normal people are just not very interesting.

You have to be ill if you want to get better.

When I'm really into a novel, I'm seeing the world differently during that time— not just for the hour or so in the day when I get to read. I'm actually walking around in a haze, spellbound by the book and looking at everything through a different prism.

If you're playing someone who's impeded by fear, or shyness, or has whatever dysfunction your character might have, you have to achieve the dysfunction first, imaginatively, in order to play someone who is trying to negotiate their way out of it.

I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.

So, if you haven't picked up some tips during an apprenticeship like that, you shouldn't be directing. It doesn't mean you can do it, but it loads you up with information.

Whenever you take on playing a villain, he has to cease to be a villain to you. If you judge this man by his time, he's doing very little wrong.

The great thing about dealing with people about whom we have historical resources, is that if the writing needs work, there's everywhere to go to enrich it.

I feel more comfortable in drama. Comedy's is a high-wire act. I find it stressful. It's a precision science, in a way. And when you're filming, the thing comedy depends on becomes a much more difficult commodity. The thing you depend on is spontaneity.

The failure so far of the governments of so many of the worlds most powerful countries in the face of such egregious unfairness ... to make the slightest progress on the issue of fair trade is hard to explain.

Looking in the mirror, staring back at me isn't so much a face as the expression of a predicament.

Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.

Because I am an Englishman I spent most of my life in a state of embarrassment.

I think everyone is throwing happy stuff at you, and that's when you come over all humbug. It's happy stuff in your face, happy stuff is being sold to you.

I think the dictator director is based upon stories from the past. I don't think anyone would put up with it now. There are a lot of people on a film set with egos. So, to be completely authoritarian, you'd probably have to have a reputation like Kurosowa or somebody to get away with it.

No matter how much technique you draw on or how much training you have, acting is a mystery.

If I'd loved my chemistry teacher and my maths teacher, goodness knows what direction my life might have gone in. I remember there was a primary school teacher who really woke me up to the joys of school for about one year when I was ten. He made me interested in things I would otherwise not have been interested in - because he was a brilliant teacher. He was instrumental in making me think learning was quite exciting.