Top 151 Quotes & Sayings by Corey Taylor - Page 3

The goat, for us, is an image that's stuck in our heads since we were kids, coming from Iowa people are like 'Beware the horned goat of satan!' and all that. It's bullshit. It's just an animal.

You ever tasted a smell? It's a very strange feeling. I've done it quite a few times and it still freaks me out.

RADIO IS DEAD. The once-bright star that was public broadcasting has been destroyed by greed and corproate muscle to the point that even the music that is completely repugnant is positioned to be popular.

Now you've got people who don't really have the skills, because technology hides it, going out and putting these crappy singles out, and because that's all there really is, people basically eat it like hamburgers. It's become very, very commercialized. Which wouldn't bother me as much if people actually had talent. When I listen to something and the first thing I notice is that it's been turned into crap, I shut it off and throw it out the window of my car. Like it's the most offensive thing to me.

PETA. I would make everyone eat raw meat. [why] because I could.

It was always a thrill for me, getting out of the cocoon and wandering. I'd let the wind wrap around me like fire and slip into the unknown with a moment's hesitation.

It's one giant Bowflex commercial covered in booze vomit.

I'm not gonna do the same, tired, standard 'I was born in a log cabin' kind of book. There's so much more I want to do.

The first time I can remember being on a stage in front of an audience was one that came with triumph, adrenaline and a childlike tragedy. The first time I was on a stage, it wasn't even a music concert. It was a magic show. That being said, the life I lead now isn't what you would call 'destiny'.

So many people limit themselves by holding onto that baggage. They cut themselves off at the knees. And for me, meeting my father, and seeing how he was, and seeing that other side of where I came from, allowed me to kind of ascend spiritually. Now not to get all hippy or anything, but, you cant realise your potential unless you LET yourself realise your own potential.

I still have night terrors about things happening to my son. The worst things cross your mind when you care so much. I keep them at bay as best I can, and it's a struggle for me not to just do everything for him.

I mean come on. Do you know how easy it is to be famous these days? Do you have any idea? The web has made it plausible to have your very own platform to stand and spew nonsense from on an hourly basis. There's an old saying: when everyone is special, no one will be. These days, everybody thinks they're special, so no one really does anything to be special anymore.

I moved to Des Moines when I was 15. I asked my mother to give up costody and sign parental rights over to my grandmother, who I lived with while I went to school. I was clean and finally starting to figure myself out. I can only say that now without laughing. I was still very out of my own place, and I didn't even know what that place was. All I knew was that I could write music, that I had no idea what that could mean and that I was still surrounded by people I couldn't relate to. I hadn't found my tribe yet.

I'm living on coffee, cigarettes and hospitality food. My bags and things are all over this hotel room in Dallas, but the scene could easily be in London, Paris, New York of LA. My eyes are burning, my knees hurt and I hate to say it, but a certain and vital part of my nether region is beginning to smell like peanut butter. Welcome to life on tour.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.

You gotta remember: we're musicians we're just crazy people who can't get along sometimes. I've definitely come to the table with my knife in my pocket a couple of times; you know how it is. It's part of being human. Now add fame and money and all that rock and roll craziness to it - we're lucky we don't eat each other in this industry!

I think you're always gonna have half the generation that's lazy. But I think it makes the other half work that much harder.

I started to find that music was something that really brought a lot of joy into my life, and it was sort of cool because I discovered that I had a gift for it, too. So the stuff I would listen to I could play along, I could sing along.

Japan is a wonderful country, a strange mixture of ancient mystique and cyberpunk saturation. It's a monolith of society's achievements, yet maintains a foothold in the past, creating an amazing backdrop for tourings and natives alive. Japan captures the imagination like no other. You never feel quite so far from home as you do in Japan, yet there are no other people on the planet that make you feel as comfortable.

But I always kind of knew in the back of my head that I could come back and do Stone Sour.

You can't see California without Marlon Brando's eyes.

When I was a kid, I had THE biggest crush on Helen Reddy. I mean like for REAL crush - like 'spend some time in the bathroom thinking about her' crush. I blme Pete's Dragon. There she was - flushed, singing, clas in a tight wet plaid shirt. Judas Priest she was fabulous.

You need response from the fan to fuel your sense of musical rebellion. It's very symbiotic, it's very cyclic in a way. You can't have one without the other. So I think the rebellion is reflected in the audience, but at the same time, the artist has to have that passion too. And I think once you're a fan for life, you feed each other's sense of passion and rage and whatnot. You really can't have one without the other.

I'm really proud of the fact that anywhere, at any time, I can make music. A lot of people can't do that.

Popular thought appeals to crowds, gatherings and tribes, who use it as a way to guide the herd. It is very evident in protests - sometimes the very people doing the protesting have NO IDEA what they are talking about.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

The '90s were indeed a great time to be alive. There was a sense of optimism that I never felt before that decade and I haven't felt since.

I've got to be honest, and I'm not just saying this because the majority of you reading this live there, but I love the United Kingdom. I just flat-out love it.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

Whether it's the Axis of Evil, or the evils of eating meat, it is a concept that has all but lost the impact it once had, because everyone thinks different things in this world are evil. PETA thinks what we do to animals is evil, but I think their overzealous approach is evil. Evil, in more ways than one, is comparable to the truth: definitions vary from one individual to the next.