Top 52 Quotes & Sayings by David Guterson

Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.

Even though I may not intend it when I set out to write the book, these places just emerge as major players in what I'm doing, almost as if they are insisting on it.

Post-modernism is dead because it didn't address human needs.

I often heard about his cases and I often sat in on his trials. In the late 1960s when I was growing up I wanted to be a crusader like him but I didn't want to wear a suit and commute.

I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.

Cities produce in me melancholy or a tension I don't need.

What some people interpret as brooding melancholy is serenity. I don't feel required to grasp all the time.

Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.

I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world... When I finally could return to writing the novel, it was in fits and starts.

It doesn't matter who you are, how many awards you've won, how popular you are, or how much critical acclaim you've had.

I was aware that there is an expectation that writers inevitably falter at this stage, that they fail to live up to the promise of their first successful book, that the next book never pleases the way the prior one did. It simply increased my sense of being challenged.

The real question is: How do you react? What do you do next? Evade responsibilities? Bury yourself in work? What do you do? All three of my novels take up that question, although none gives an answer.

Everybody has a world, and that world is completely hidden until we begin to inquire. As soon as we do, that entire world opens to us and yields itself. And you see how full and complex it is.

What sustains me is to be with my family and to write.

It's a brooding melancholy that haunts me.

My book is traditional. It runs counter to the post-modern spirit.

Fiction is socially meaningful.

Hemingway said the only way to write about a place is to leave it.

At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.

Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young.

I became paralyzed as an artist with writer's block.

There's a certain nostalgia and romance in a place you left.

I'm interested in themes that endure from generation to generation.

I think of myself as a really happy person.

I was born in Washington State and have lived here for 42 plus years.

I grew up in Seattle, but I always knew I wanted to leave.

When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.

I think you have an obligation to share what you know as a writer.

I have traveled the entire state and spent a lot of time out of doors. So I have known the landscape of the Columbia Basin for quite a while, and I have had this strong feeling about it for many years.

My father is a practicing criminal law attorney in the Seattle area.

I have relaxed into my persona as an author, although I used to fight that.

I'm not an urban person.

When I went to college I took a creative writing class and decided in a week to be a writer.

We should recognize that schools will never solve the bedrock problems of education because the problems are problems of families, of cultural pressures that the schools reflect and thus cannot really remedy.

None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.

I'm a hypocrite, of course, and I live with that, but I live.

Writers shouldn’t underestimate the difficulty of what they’re doing, and they should treat it with great seriousness. You’re doing something that really matters, you’re telling stories that have an impact on other people and on the culture. You should tell the best stories you can possibly tell and put everything you’ve got into it.

There are things in this universe that we cannot control, and then there are the things we can. . . . Let fate, coincidence, and accident conspire; human beings must act on reason.

To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher "reality" of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.

Well, I think it’s extraordinarily fun to write, and I look forward to it every day, but that doesn’t mean I think it’s easy. There’s a difference between the two. It’s fun in the way all worthwhile things are fun – there’s difficulty attached to it. I think that a writer has to accept a certain amount of frustration. It’s inherent in the task, and you have to simply persevere. It’s part of the definition of the work.

How could they say that they truly loved each other? They had simply grown up together, been children together, and the proximity of it, the closeness of it, had produced in them love s illusion. And yet - on the other hand - what was love if it wasn't this instinct she felt.

He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.

To persevere is always a reflection of the state of one's inner life, one's philosophy and one's perspective

accident ruled every corner of the universe except the chambers of the human heart.

A literary achievement of the highest order.

I know you'll think this is crazy, but all I want to do is hold you, and I think that if you'll let me do that just for a few seconds, I can walk away, and never speak to you again.

The strange thing was, he wanted to like everyone. He just couldn't find a way to do it.

He decided then that he would love her forever no matter what came to pass. It was not so much a matter of deciding as accepting the inevitability of it. It made him feel better, though he felt perturbed, too, worried that this kiss was wrong. But from his point of view, at fourteen years old, their love was entirely unavoidable. It had started on the day they'd clung to his glass box and kissed in the sea, and now it must go on forever. He felt certain of this.

You should learn to say nothing that will cause you regret. You should not say what is not in your heart - or what is only in your heart for a moment. But you know this - silence is better.

The best advice on writing I've ever received is to take it seriously, because to do it well is all-consuming.

That the world was silent and cold and bare and that in this lay its terrible beauty

The status quo was rote memorization and recitation in classrooms thronged with passive children who were sternly disciplined when they expressed individual needs.