Top 68 Quotes & Sayings by Denis Johnson

Explore popular quotes and sayings by a German writer Denis Johnson.
Last updated on September 18, 2024.
Denis Johnson

Denis Hale Johnson was an American writer best known for his short story collection Jesus' Son (1992) and his novel Tree of Smoke (2007), which won the National Book Award for Fiction. He also wrote plays, poetry, journalism, and non-fiction.

In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.
I didn't finish the stories until we went to the Philippines and I got malaria. I couldn't work and I didn't have any money, but I had seven stories. So I wrote three or four more.
You're under pressure when you produce facts. You're working with facts in journalism, but you're under all kinds of formal constraints; there are expectations.
If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down. — © Denis Johnson
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.
All the modern verse plays, they're terrible; they're mostly about the poetry. It's more important that the play is first.
I really enjoy writing novels. It's like the ocean. You can just build a boat and take off.
I'd met a woman and I got married, but the money ran out right away. I hadn't had a job for seven months, and it just came over me that I was never going to work again. It hit me.
If you take a lie and allow your desire for the truth, you'll end up with some truth - not fact, but something that gets you closer to the truth. That's what we want. When we go to a play, we need to be assured that the experience we're having.
When I'm writing for Esquire, my conscious thought is, I'm not writing for American Scholar.
After the film it was raining, a light steady rain. Ruthless neon on the wet streets like busted candy.
And with each step my heart broke for the person I would never find, the person who'd love me. And then I would remember I had a wife at home who loved me, or later that my wife had left me and I was terrirfied, or again later that I had a beautiful alcoholic girlfriend who would make me happy forever. But every time I entered the place there were veiled faces promising everything and then clarifying quickly into the dull, the usual, looking up at me and making the same mistake.
With each step my heart broke for the person I would never find, the person who'd love me.
The traveling salesmen fed me pills that made the lining of my veins feel scraped out, my jaw ached... I knew every raindrop by its name, I sensed everything before it happened. Like I knew a certain oldsmobile would stop even before it slowed, and by the sweet voices of the family inside, I knew we'd have an accident in the rain. I didn't care. They said they'd take me all the way.
And you, you ridiculous people, you expect me to help you. — © Denis Johnson
And you, you ridiculous people, you expect me to help you.
And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me what he was dreaming, and I couldn’t tell him what was real.
Talk into my bullet hole. Tell me I'm fine.
It was only when you left it alone that a tree might treat you as a friend. After the blade bit in, you had yourself a war.
Its always been my tendency to lie to doctors, as if good health consisted only of the ability to fool them.
All his life Robert Grainier would remember vividly the burned valley at sundown, the most dreamlike business he’d ever witnessed waking—the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world.
Will you believe me when I tell you there was kindness in his heart? His left hand didn't know what his right hand was doing. It was only that certain important connections had been burned through. If I opened up your head and ran a hot soldering iron around in your brain, I might turn you into someone like that.
Memories assailed him of how gently she had spoken, touched, and moved; of how she'd loved him fiercely despite his mistakes and obsessions and weaknesses. And the conviction descended on him that love like theirs couldn't possibly suffer any change.
We can’t always tell the whole story about ourselves.
Write the unpublishable.. .and then publish it.
The abyss is full of reality, the abyss experiences itself, the abyss is alive.
There was a part of her she hadn’t yet allowed to be born because it was too beautiful for this place
How could I do it, how could a person go that low? And I understand your question, to which I reply, Are you kidding? That's nothing. I'd been much lower than that. And I expected to see myself do worse.
There were many moments in the Vine like that one--where you might think today was yesterday, and yesterday was tomorrow, and so on. Because we all believed we were tragic, and we drank. We had that helpless, destined feeling. We would die with handcuffs on. We would be put a stop to, and it wouldn't be our fault. So we imagined. And yet we were always being found innocent for ridiculous reasons.
Sometimes I heard voices muttering in my head, and a lot of the time the world seemed to smolder around its edges. but I was in a little better physical shape every day, I was getting my looks back, and my spirits were rising, and this was all in all a happy time for me. All these weirdos, and me getting a little better right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.
The first kiss plummeted him down a hole and popped him out into a world he thought he could get along in—as if he’d been pulling hard the wrong way and was now turned around headed downstream.
This life is but the childhood of our immortality.
What could be lonelier than trying to communicate?
Before this moment I'd lived as a mind. Body, heart, soul, intellect, so we care ourselves into parts. But the whole of us, what can it be?
I make the road. I draw the map. Nothing just happens to me...I'm the one happening.
Everybody’s got a mean side. Just don’t feed it till it grows.
We in Purgatory sing fondly of Hell.
I really enjoy writing novels. Its like the ocean. You can just build a boat and take off.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
I hate two kinds of sentences you hear in workshops, the ones beginning "I really like ..." and the ones beginning "My problem with this poem is ..." — © Denis Johnson
I hate two kinds of sentences you hear in workshops, the ones beginning "I really like ..." and the ones beginning "My problem with this poem is ..."
Death is the mother of beauty.
This wasn't the sea of the inexorable horizon and smashing waves, not the sea of distance and violence, but the sea of the etenally leveling patience and wetness of water. Whether it comes to you in a storm or in a cup, it owns you--we are more water than dust. It is our origin and our destination.
I'll never forget you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
I'd been staying at the Holiday Inn with my girlfriend, honestly the most beautiful woman I'd ever known, for three days under a phony name, shooting heroin. We made love in the bed, ate steaks at the restaurant, shot up in the john, puked, cried, accused one another, begged of one another, forgave, promised, and carried one another to heaven.
I have the belief in boldness. What I generally lack is the boldness itself. Because boldness doesn't feel bold. It feels scared not brave.
Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being incinerated in there. What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere.
When he was dry, he believed it was alcohol he needed, but when he had a few drinks in him, he knew it was something else, possibly a woman; and when he had it all -- cash, booze, and a wife -- he couldn't be distracted from the great emptiness that was always falling through him and never hit the ground.
English words are like prisms. Empty, nothing inside, and still they make rainbows.
Sometimes what I wouldn't give to have us sitting in a bar again at 9:00 a.m. telling lies to one another, far from God.
There's so much goop inside of us, man," he said, "and it all just wants to get out.
We’d torn open our chests and shown our cowardly hearts, and you can never stay friends after something like that — © Denis Johnson
We’d torn open our chests and shown our cowardly hearts, and you can never stay friends after something like that
The movie's not over till everybody's dead.
He got right down in the dark between heartbeats, and rested there. And then he saw that another one wasn't going to come. That's it. That's the last. He looked at the dark. I would like to take this opportunity, he said, to pray for another human being.
I knew every raindrop by its name.
All these weirdos, and me getting a little better every day right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.
She had nothing in this world but her two hands and her crazy love for Jesus, who seemed, for his part, never to have heard of her.
She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
I feel very privileged to hear how somebody used to run around stickin' people up and stealing cars, and now they're gettin' their life back together... I just love the stories. The stories of the fallen world, they excite us. That's the interesting stuff.
That world! These days it's all been erased and they've rolled it up like a scroll and put it away somewhere. Yes, I can touch it with my fingers. But where is it?
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