Top 237 Quotes & Sayings by Denzel Washington - Page 3

What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."

We all are doing the best we can. I would like to say that I'm a walking poster board for feminism and women's liberation, but there are things that I do in my life that deeply, deeply fall short of being a statement for being a strong woman. I am flawed as much as anyone else.

Cats are too independent. They piss me off. They play when they want, and then they turn their back on you. Dogs, you throw the ball, and they bring it back, tongue hanging out, tail wagging. Cats are like "Not right now, too busy." Definitely a dog man. Except when it comes to cleaning up after them! Cats win that!

The only reason I'm acting in films I direct is to get the money to make them, quite frankly, it's not what I'm interested in doing.

There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.

There is nothing good or bad, except by comparison" (209) - "Effort is Everything" by Bud Selig

Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.

I remember my father telling me that just like Troy, he could get me in with the water department where he worked in New York. He talked about how he could get me on the job, and if I stayed 25 years, I could probably work my way up to be a supervisor and how it was a good union and all of the benefits and that I was going to make $20,000 in 50 years or whatever it was. He couldn't see that far.

Viola [Davis] is one of the great actors of her generation. She has one of these moments in the theater that I don't even know how to describe.

We had a guy, a gentlemen by the name of Mr. Greenleaf who lived behind the house we were shooting [Fences], and he was like a part of the movie.He would come downstairs, and he couldn't hear well to say, "Ya'll want some coffee?"

The lessons I learned in Sunday School have kept me on track

Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.

We'll all retire from life at some point. The great thing about acting is you don't necessarily have to retire.

You don't have to kill somebody to play a murderer. You have to read the script and interpret the character.

Cursed be the ground for our sake. Both thorns and thistles it shall bring forth for us. For out of the ground we were taken, for the dust we are and to the dust we shall return.

I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.

Every day, sincerely and without phoniness, Lou demonstrated by his actions how very vital it is - more than anything else - to understand and appreciate the people who work with you...Do your job well, but always remember that the people you work with are your most valuable asset. Embrace them. Honor them. Respect them" (206) - "Prescriptions for Success" by John Schuerholz

A part of me still says, 'Maybe, Denzel, you're supposed to preach. Maybe you're still compromising.' I've had an opportunity to play great men and, through their words, to preach. I take what talent I've been given seriously, and I want to use it for good.

A sociopath will do anything to win. Anything.

You will never see a U-Haul behind a hearse.

It was never my dream to be famous. I didn't start acting to be a movie star. I started in the theater and my desire was to get better at my craft. It's still my desire. I don't consider myself a movie star, nor do I really have the desire to be one. I'm just an entertainer. An actor who works hard at his craft. Whatever labels people give me, that's not really me or part of my process.

I just try to be honest and true to the character and play the part.

I honestly believe, and I've said it many times, that the universal stems from the specific and I can't walk around with a performance and ask everyone how they feel about it, but if noble is an opinion that people have I'll accept that. I've been asked many times why I don't play bad guys, or heavies, and I would do it, absolutely, in a second, just haven't been offered any so... if anybody has a script out there tonight I'm more than willing.

I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.

I love research and being educated. It's a great job being able to step into all kinds of professions and into other people's shoes.

I'm older and wiser. So and now having segued into filmmaking I'm looking at [Ridley Scott ] and what he does in an entirely different way and I have respect for what he does and how he composes shots. So that was what was completely fascinating.

It's not easy for me to admit that I've been standing in the same place for 18 years.

I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.

As an actor, you're a color of paint on someone else's palette. But as a director, it's your canvas and you make the painting you want to make.

I don't feel pressure, because I do what I want to do. I don't feel pressure at all. I've never done any movies because I thought this was what somebody wanted me to do. I'm a bit more, for lack of a better word, selfish than that. But like I say in the movie, you do what you have to do so that you can do what you want to do.

Acting, it's not my life, my children and my family, that's life. I'll get up every morning, God willing, for that.

I try to encourage actors to work harder off screen because that's where you find things.

I remember my mother and father arguing about light bulbs because my father thought he could save money by putting 25-watt bulbs instead of 60-watt bulbs and my mother was trying to explain to him that her children needed to learn to read so that they could go to college. He couldn't see that.

I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me.

When my oldest boy was about 14, I started to talk to him about some of the mistakes I made in life, just to put a few dents in that shiny armor.

I got on my knees and sort of communicated with the spirits. When I came out, I was in charge. I couldn't have acted that, I couldn't have written that.

I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.

Religion to me is when man gets ahold of spirituality: "My god is right, yours is wrong." Religion to me is the human condition. "If you're a Muslim, you can't be a Christian." That to me is religion.

A film is just like a muffin. You make it. You put it on the table. One person might say, 'Oh, I don't like it.' One might say it's the best muffin ever made. One might say it's an awful muffin. It's hard for me to say. It's for me to make the muffin.

As an actor in the theater you're taught that you never play a bad guy. You have to love who you are. You can't say, "Oh, I'm a bad guy." How do you play that?

When you make a movie it's always interesting, because you end up in places you never would as a normal visitor or tourist.

It could be that it's not that different. Circumstances, no matter what the color is, could be similar.

It's important for us to tell our stories.

It's tricky with monologues, and I never like to use that word. Like I told the actors, you are talking to somebody; there is no such thing as a monologue.

I'm a positive person, so I don't get bogged down with it. If you're expecting that, if you wall in that, if you practice that, then you'll attract what you fear.

I'm a parent. I think we're responsible for the problems that young people have. I believe that. I don't blame them for any of it. I blame us for what we haven't done as mothers and fathers, not sticking together as a unit.

Hate put me in prison. Love's gonna bust me out.

I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.

I'm not interested in being a celebrity; I'm interested in being a better actor and a better director.

I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.

In my humble opinion, in the nuclear world, the true enemy is war itself.

Even though the story [Fences] is set during the 1950s, some contemporary women might have trouble understanding her decision.

I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."

When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.

[Martin] Scorsese probably could have directed Schindler's List and [Steven] Spielberg probably could have directed Goodfellas. But it's as much to do with the difference in culture as it is with race.

I've just directed a film called The Great Debaters, which is inspired by a true story about a young college debating team in the thirties and two of those people are still alive and we put them on tape on the film and I'm sure that will be added to the DVD, and to get the opportunity to do that is very cool.

If it ain't on a page, it ain't on a stage.

When you don't understand something, you label it and condemn it" (94) - Danny Glover, "The Fundamental Things

Raising the standard of the work, not complaining about somebody not voting.

I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.