Top 14 Quotes & Sayings by Diane Johnson

Explore popular quotes and sayings by an American novelist Diane Johnson.
Last updated on November 24, 2024.
Diane Johnson

Diane Johnson, is an American novelist and essayist whose satirical novels often feature American heroines living abroad in contemporary France. She was a finalist for the Pulitzer Prize for her novel Persian Nights in 1988.

But novels are never about what they are about; that is, there is always deeper, or more general, significance. The author may not be aware of this till she is pretty far along with it.
Women have the feeling that since they didn't make the rules, the rules have nothing to do with them.
A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
Not having to own a car has made me realize what a waste of time the automobile is. — © Diane Johnson
Not having to own a car has made me realize what a waste of time the automobile is.
A chaplain's biggest gift is to be present and just listen.
...is this not in fact the purpose of young Americans going abroad? To make them think of things they never thought of?
Laughter is the jam on the toast of life. It adds flavor, keeps it from being too dry, and makes it easier to swallow.
Statuettes of drunken sailors, velvet pictures of island maidens, plastic seashell lamps made in Taiwan. What contempt the people who think up souvenirs have for other people.
The Novelist, afraid his ideas may be foolish, slyly puts them in the mouth of some other fool and reserves the right to disavow them.
Any essayist setting out on a frail apparatus of notings and jottings is a brave person.
Glenda Adams has written a wicked and witty novel.
The whole process of writing a novel is having this great, beautiful idea and then spoiling it.
But novels are never about what they are about; that is, there is always deeper, or more general, significance. The author may not be aware of this till she is pretty far along with it. A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
In what we think of as bad dialogue, the characters talk directly to each other.
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