Top 8 Quotes & Sayings by Dinty W. Moore

Explore popular quotes and sayings by an American essayist Dinty W. Moore.
Last updated on December 3, 2024.
Dinty W. Moore

Dinty W. Moore is an American essayist and writer of both fiction and non-fiction books. He received the Grub Street National Book Prize for Non-Fiction for his memoir, Between Panic and Desire, in 2008 and is also author of the memoir To Hell With It: Of Sin and Sex, Chicken Wings, and Dante’s Entirely Ridiculous, Needlessly Guilt-Inducing Inferno, the writing guides The Story Cure, Crafting the Personal Essay, and The Mindful Writer, and many other books and edited anthologies.

Floyd Skloot’s Revertigo is a beautifully-written, moving account of one man’s off kilter life. Who would have imaged a memoir exploring months of extreme vertigo and decades of neurological turbulence would be filled with so much joy and optimism? This gentle, wise, and perceptive memoir never fails to surprise.
Kaethe Schwehn's poignant memoir explores longing, both spiritual and physical, community and faith, in prose that is calm, lovely, and filled with clear-eyed honesty and grace. Tailings is simply an exquisite book.
My advice to writers: thank goodness we can revise and adjust and tighten and rethink before going public with our words. Revision is our friend. Our best friend. I love revision.
Exercise the muscles that compassionately open the heart.In your writing and your life. — © Dinty W. Moore
Exercise the muscles that compassionately open the heart.In your writing and your life.
I love the good old book with glue and binding, I really do, but that is just one way of experiencing text, and suddenly we have so many new ways, including our laptops, our phones, our watches. People in my generation agonize over this. People much younger than me don't agonize at all. They just go ahead and find ways to transform publishing.
Words will never fully capture what is alive in our hearts.It would be a shame, though, if we denied our bears their dancing.
Perhaps we can never understand our own children, because there is too much of ourselves inside there, or perhaps we are just blinded by the illusion that there is so much of ourselves inside of them.
Jim Grimsley's unflinching self-examination of his own boyhood racial prejudices during the era of school desegregation is one of the most compelling memoirs of recent years. Vivid, precise, and utterly honest, How I Shed My Skin is a time-machine of sorts, a reminder that our past is every bit as complex as our present, and that broad cultural changes are often intimate, personal, and idiosyncratic.
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