Top 367 Quotes & Sayings by Doris Lessing - Page 4

Explore popular quotes and sayings by an English novelist Doris Lessing.
Last updated on April 20, 2025.
We've got to believe in our beautiful impossible blueprints.
Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty - and vise versa. Don’t read a book out of its right time for you.
People don't mind immoral messages. They don't mind art which says that murder is good, cruelty is good, sex for sex's sake is good. They like it, provided the message is wrapped up a little. And they like messages saying that murder is bad, cruelty is bad, and love is love is love is love. What they can't stand is to be told it all doesn't matter, they can't stand formlessness.
All things come alike to all; there is one event to the righteous, and to the wicked; to the good and to the clean, and to the unclean; to him that sacrificeth, and to him that sacrificeth not.
At last I understood that the way over, or through this dilemma, the unease at writing about 'petty personal problems' was to recognize that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can't be yours alone. [...] Growing up is after all only the understanding that one's unique and incredible experience is what everyone shares.
The white man has settled like a locust over Africa, and, like the locusts in early morning, cannot take flight for the heaviness of the dew on their wings. But the dew that weights the white man is the money that he makes from our labor.
We are all creatures of the stars. — © Doris Lessing
We are all creatures of the stars.
What I had that others didn't was a capacity for sticking to it.
Nicknames are potent ways of cutting people down to size.
If she had been left alone she would have gone on, in her own way, enjoying herself thoroughly, until people found one day that she had turned imperceptibly into one of those women who have become old without ever having been middle aged: a little withered, a little acid, hard as nails, sentimentally kindhearted, and addicted to religion or small dogs.
What of October, that ambiguous month, the month of tension, the unendurable month?
I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated.
There is a great line of women stretching out behind you into the past, and you have to seek them out and find them in yourself and be conscious of them.
The youth do not see the old. They are not programmed to see the old, who are cancelled, negated, wiped out.
The world is only tolerable because of the empty places in it...when the world's filled up, we'll have to get hold of a star. Any star. Venus, or Mars. Get hold of it and leave it empty. Man needs an empty space somewhere for his spirit to rest in.
Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.
There is a whole generation of women and it was as if their lives came to a stop when they had children. Most of them got pretty neurotic - because, I think, of the contrast between what they were taught at school they were capable of being and what actually happened to them.
There is no doubt fiction makes a better job of the truth. — © Doris Lessing
There is no doubt fiction makes a better job of the truth.
I hated the 1960's feminists," she says. "They were dogmatists, you see. In comes ideology, and out goes common sense. This is my experience of life.
Everyone knows that where there is something that is capable of giving profit, then exploited it will be.
It is my belief...that the talents every child has, regardless of his official 'I.Q,' could stay with him through life, to enrich him and everybody else, if these talents were not regarded as commodities with a value in the success-stakes.
You remember with what you are at the time you are remembering.
Man who is he? Too bad, to be the work of God: Too good for the work of chance!
Writers brought up in Africa have many advantages - being at the center of a modern battlefield; part of a society in rapid, dramatic change. But in a long run it can also be a handicap: to wake up every morning with one's eyes on a fresh evidence of inhumanity; to be reminded twenty times a day of injustice, and always the same brand of it, can be limiting.
Perhaps it is a fault of the species who thrive in peace, mutual help, aspirations for more of the same -- to forget that outside these borders dwell very different types of mind, feeding on different fuel.
After a certain age - and for some of us that can be very young - there are no new people, beasts, dreams, faces, events: it has all happened before.
One certainty we all accept is the condition of being uncertain and insecure.
How boring these emotions are that we're caught in and can't get free of, no matter how much we want to.
You only learn to be a better writer by actually writing.
Anna was saying to herself: why do I always have this awful need to make other people see things as I do? It's childish, why should they? What it amounts to is that I'm scared of being alone in what I feel.
I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
The human community is evolving... . We can survive anything you care to mention. We are supremely equipped to survive, to adapt and even in the long run to start thinking.
Better Counsel comes overnight.
Art is the Mirror of our betrayed ideals.
We always seem to be surprised by events, especially by catastrophes, but also by wonderful events. Look at 1990, the year that the Soviet Union collapsed and apartheid in South Africa collapsed and the Berlin Wall came down. I don't know anyone who foresaw those events. It seems to me that as a species we are constantly trying to adapt ourselves to the unexpected. In the meantime, we talk as if we are in control, and we're not. This seems to me to be the truth about the twentieth century.
You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.
I am interested only in stretching myself, on living as fully as I can.
None of you [men] ask for anything - except everything, but just for so long as you need it.
Women often get dropped from memory, and then history.
If we were to put into practice what we know ... but that is the point.
But it isn't only the terror everywhere, and the fear of being conscious of it, that freezes people. It's more than that. People know they are in a society dead or dying. They are refusing emotion because at the end of very emotion are property, money, power. They work and despise their work, and so freeze themselves. They love but know that it's a half- love or a twisted love, and so they freeze themselves.
This is a catastrophic universe, always; and subject to hidden reversals, upheavals, changes, cataclysms, with joy never anything but the song of substance under pressure forced into new forms and shapes.
I have to conclude that fiction is better at 'the truth' than a factual record. — © Doris Lessing
I have to conclude that fiction is better at 'the truth' than a factual record.
I stood looking down out of the window. The street seemed miles down. Suddenly I felt as if I'd flung myself out of the window. I could see myself lying on the pavement. Then I seemed to be standing by the body on the pavement. I was two people. Blood and brains were scattered everywhere. I knelt down and began licking up the blood and brains
[On her mother:] I was in nervous flight from her ever since I can remember anything, and from the age of fourteen I set myself obdurately against her in a kind of inner emigration from everything she represented. Girls do have to grow up, but has this battle always been so implacable?
Laughter is by definition healthy.
Always, in epochs when the languages and dialects of a culture have become outstripped by development of a practical sort, these languages become repetitive, formalised -- and ridiculous. Phrases, words, associations of sentences spin themselves out automatically, but have no effect: they have lost their power, their energy.
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'
This is an inevitable and easily recognizable stage in every revolutionary movement: reformers must expect to be disowned by those who are only too happy to enjoy what has been won for them.
You are taken, shaken, by moments when the improbability of our lives comes over you like a fever. Everything is remarkable, people, living, events present themselves to you with the immediacy of players in some barbarous and splendid drama that it seems we are part of. You have been given new eyes.
What is terrible is that after every one of the phases of my life is finished, I am left with no more than some banal commonplace that everyone knows.
The first casualty in any war is the truth. In World War II, I was part of a group of people who used to meet once a week with the sole purpose of analyzing the news and trying to work out what we weren't being told. We thought that we were clever, but we had absolutely no idea what was really going on. It was only years later that we learned the true story.
I hate to sound clichéd, but I do see life as a journey. How else can you see it? — © Doris Lessing
I hate to sound clichéd, but I do see life as a journey. How else can you see it?
An interim report - that is what an autobiography is.
Oh cat, I'd say, or pray: be-ootiful cat! Delicious cat! Exquisite cat! Satiny cat! Cat like a soft owl, cat with paws like moths, jewelled cat, miraculous cat! Cat, cat, cat, cat.
The difficulty of writing about sex, for women, is that sex is best when not thought about, not analysed.
In times of war, as everyone knows, who has lived through one, or talked to soldiers when they are allowing themselves to remember the truth, and not the sentimentalities with which we all shield ourselves from the horrors of which we are capable ... in times of war we revert, as a species, to the past, and are permitted to be brutal and cruel. It is for this reason, and of course others, that a great many people enjoy war. But this is one of the facts about war that is not often talked about.
So love is rest? The cosy corner? The little nook? Sometimes it ought to be. Sometimes it is.
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