Top 94 Quotes & Sayings by Dorothy Allison

Explore popular quotes and sayings by an American writer Dorothy Allison.
Last updated on December 21, 2024.
Dorothy Allison

Dorothy Allison is an American writer from South Carolina whose writing focuses on class struggle, sexual abuse, child abuse, feminism and lesbianism. She is a self-identified lesbian femme. Allison has won a number of awards for her writing, including several Lambda Literary Awards. In 2014, Allison was elected to membership in the Fellowship of Southern Writers.

If somebody gave you several thousand dollars and nothin' to do but write, would you be a writer then? Would you tell your stories, your family's stories, then?
Watch out, or I'm liable to put you in a story.
One of the strengths I derive from my class background is that I am accustomed to contempt. — © Dorothy Allison
One of the strengths I derive from my class background is that I am accustomed to contempt.
I'm still very blunt: If you want to be a writer, get a day job. The fact that I have actually been able to make a living at it is astonishing.
I can't write what I don't believe in.
If you write a book that's as powerful and successful as 'Bastard,' there's a strong desire to prove there's something else.
Two or three things I know for sure, and one is that I'd rather go naked than wear the coat the world has made for me.
I think it's wonderful that people in pickup trucks are buying two flats of dog food and a copy of 'Bastard.' I want my view of the world to be right up there next to gallon boxes of Tide.
When I was growing up, I always read horror books, while my sister read romance novels. My sister became unmarried and pregnant during high school, and she kept saying, 'This wasn't supposed to happen! Why is this happening to me?' Someone should have given her another book to read.
My son, Wolf, was born when I was past 40 and the author of a best-selling novel. That means he has grown up a middle-class child - one who sometimes asks me for stories of my childhood but knows nothing of what it means to grow up poor and afraid. I have worked to make sure of that.
Writing is the only way I know to demand justice from an uncaring universe.
I think I would have died if there hadn't been the women's movement. It gave me a vision that I could do something different, and it gave me an understanding that I wasn't a monster, or sport, or a betrayer of my family.
Where story comes from, I don't know. I know that I become obsessed with something. An idea, an image, a person, the way a person talks. And then something starts happening that I can't explain, and it has a lot to do with language.
Every kid I meet who's a reader has got something like that, their fantasy world. And science fiction is the best, especially for girls because it's the one place where you can do the forbidden.
My sisters, we didn't like each other as kids. We were scared of each other, I think, but we've grown to love each other. It was fun to write about these sisters who were supposed to hate each other but really don't.
The hardest thing to teach young writers is that it's wonderful to tell your truth. And that's what you should do. But it damn well better be beautiful. — © Dorothy Allison
The hardest thing to teach young writers is that it's wonderful to tell your truth. And that's what you should do. But it damn well better be beautiful.
My assumption when I began writing was that you were never going to make any money. And you were never going to reach everyone. Therefore you had to do as much as you could in the service of something you genuinely believed in. And if you do that and people get upset, well, there you go.
I have a terrible memory.
It's important to set challenges that you're not sure you're equal to.
I think I would have died if there hadn't been the women's movement.
The bottom line is I'm writing to save the dead. I'm writing to save the people I have lost, some of whose bodies are still walking around.
Teenagers are free verse walking around on two legs.
Class, race, sexuality, gender and all other categories by which we categorize and dismiss each other need to be excavated from the inside.
Gravy is the simplest, tastiest, most memory-laden dish I know how to make: a little flour, salt and pepper, crispy bits of whatever meat anchored the meal, a couple of cups of water or milk and slow stirring to break up lumps.
When I was growing up, I always read horror books, while my sister read romance novels.
I tell my students you have an absolute right to write about people you know and love. You do. But the kicker is you have a responsibility to make the characters large enough that you will not have sinned against them.
And while it is true that I got the best woman in the world, I don't think love saves you.
Change, when it comes, cracks everything open.
I'll tell you the secret. When you begin with a character, you want to begin by creating a villain.
It's fun to tease people about where fiction and life intersect.
I was born in 1949, and by the time I was 10, I figured out that my hope chest was not aimed in the same direction everybody else's was. And that life was going to be very, very complicated. And that I could either be provocative and declamatory, or shy, retiring and scared.
Fiction is a piece of truth that turns lies to meaning.
stories are the one sure way I know to touch the heart and change the world.
I am the only one who can tell the story of my life and say what it means.
Women lose their lives not knowing they can do something different..." from Two or Three Things i Know For Sure
Behind my carefully buttoned collar is my nakedness, the struggle to find clean clothes, food, meaning, and money. Behind sex is rage, behind anger is love, behind this moment is silence, years of silence.
Things come apart so easily when they have been held together with lies.
my life has been saved over and over again by picking up a book in which someone captured the whole experience of being despised and not dying. — © Dorothy Allison
my life has been saved over and over again by picking up a book in which someone captured the whole experience of being despised and not dying.
I need you to do more than survive. As writers, as revolutionaries, tell the truth, your truth in your own way. Do not buy into their system of censorship, imagining that if you drop this character or hide that emotion, you can slide through their blockades. Do not eat your heart out in the hope of pleasing them.
Everything that comes to us is a blessing or a test. That’s all you need to know in this life…just the certainty that God’s got His eye on you, that He knows what you are made of, what you need to grow on. Why,questioning’s a sin, it’s pointless. He will show you your path in His own good time. And long as I remember that, I’m fine.
There is a place where we are always alone with our own mortality, where we must simply have something greater than ourselves to hold onto-God or history or politics or literature or a belief in the healing power of love, or even righteous anger.... A reason to believe, a way to take the world by the throat and insist that there is more to this life than we have ever imagined.
... suffering does not ennoble. It destroys. To resist destruction, self-hatred, or lifelong hopelessness, we have to throw off the conditioning of being despised, the fear of becoming the they that is talked about so dismissively, to refuse lying myths and easy moralities, to see ourselves as human, flawed, and extraordinary. All of us extraordinary
Two or three things I know for sure, and one of them is the way you can both hate and love something you are not sure you understand.
Two or three things I know, two or three things I know for sure, and one of them is that to go on living I have to tell stories, that stories are the one sure way I know to touch the heart and change the world
Write the story that you were always afraid to tell. I swear to you that there is magic in it, and if you show yourself naked for me, I'll be naked for you. It will be our covenant.
Women lose their lives not knowing they can do something different. Men eat themselves up believing they have to be the thing they have been made. Children go crazy. Really, even children go crazy, believing the shape of the life they must live is as small and mean and broken as they are told.
If I could have found what I needed at thirteen, I would not have lost so much of my life chasing vindication or death. Give some child, some thirteen-year old, the hope of the remade life. Tell the truth. Write the story that you were always afraid to tell. I swear to you there is magic in it.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
Beauty is a hard thing. Beauty is a mean story. Beauty is slender girls who die young, fine-featured delicate creatures about whom men write poems. Beauty, my first girlfriend said to me, is that inner quality often associated with great amounts of leisure time. And I loved her for that.
she got a reputation for an easy smile and a sharp tongue, and using one to balance the other, she seemed friendly but distant
What's the best thing you can do for your writing? Construct a boring life. — © Dorothy Allison
What's the best thing you can do for your writing? Construct a boring life.
The horror of class stratification, racism, and prejudice is that some people begin to believe that the security of their families and communities depends on the oppression of others, that for some to have good lives there must be others whose lives are truncated and brutal.
I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.
Women lose their lives not knowing they can do something different...I claimed myself and remade my life. Only when I knew I belonged to myself completely did I become capable of giving myself to another, of finding joy in desire, pleasure in our love, power in this body no one else owns.
Delia picked at the raw sores of her conscience...Drunk or sober, Delia lived in the small town in her heart, ignoring the world in which all her love had turned to grief.
I did not begin with craft, I began with strong feelings and worked toward craft.
I have wanted everything as a writer and a woman, but most of all a world changed utterly by my revelations.
Two or three things I know for sure, and one of them is that if we are not beautiful to each other, we cannot know beauty in any form.
The only magic we have is what we make in ourselves, the muscles we build up on the inside, the sense of belief we create from nothing.
Hunger makes you restless. you dream about food - not just any food, but perfect food, the best food, magical meals, famous and awe-inspiring, the one piece of meat, the exact taste of buttery corn, tomatoes so ripe they split and sweeten the air, beans so crisp they snap between the teeth, gravy like mother's milk singing to your bloodstream.
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