Top 27 Quotes & Sayings by Dorothy Fields

Explore popular quotes and sayings by an American musician Dorothy Fields.
Last updated on December 21, 2024.
Dorothy Fields

Dorothy Fields was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.

A rhyme doesn't make a song.
Write what you feel. Write because of that need for expression.
Love is the reason you were born. — © Dorothy Fields
Love is the reason you were born.
We've accumulated a lot of things over the years and many things from our grandmother. Hopefully it'll be all right. I really don't want to cry, but I can't help it.
A songwriter should have friends who are similarly interested; should move about in the milieu of work he has chosen for himself.
I don't care how good a song is - if it holds back the storyline, stalls the plot, your audience will reject it.
The man in our society is the breadwinner; the woman has enough to do as the homemaker, wife and mother.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
In a show or a movie, one must work with many people. Many women just don't have the time for it.
My father assigned me to keep his scrapbooks. At first I was interested in reading only his rave notices, but I got interested in reading what the critics were saying about whether the play was good or not.
I do not think men have more talent. There are a great many women in the arts; novelists, painters, sculptors, poets-but the proportion is far lower in the field of song writing.
There aren't more lady songwriters for the same reason that there aren't more lady doctors or lady accountants or lady lawyers; not enough women have the time for careers.
The songwriter mustn't fall in love with his own song. If it doesn't belong, he can't push it into a show. Let him save it; maybe it'll fit in another show.
If you don't have a story that will hold the audience, you won't have a successful show.
A song just doesn't come on. I've always had to tease it out, squeeze it out.
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?
I began to be impressed by what made a good book-how you needed to have a sensible story, a plot that developed, with a beginning, a middle, and an end that would tie everything together.
I'm in the mood for love, simply because you're near me. Funny, but when you're near me I'm in the mood for love.
Love is the reason for it all.
I don't care how good a song is. If it holds back the storyline, stalls the plot, your audience will reject it. — © Dorothy Fields
I don't care how good a song is. If it holds back the storyline, stalls the plot, your audience will reject it.
Grab your coat, and get your hat Leave your worry on the doorstep Just direct your feet To the sunny side of the street.
A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
Pick yourself up, dust yourself off, start all over again.
Just direct your feet to the sunny side of the street.
No matter where I run, I meet myself there.
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