Top 256 Quotes & Sayings by Edith Wharton - Page 4

Explore popular quotes and sayings by an American novelist Edith Wharton.
Last updated on December 11, 2024.
In all the arts abundance seems to be one of the surest signs of vocation.
The effect produced by a short story depends almost entirely on its form.
..but it seemed to him that the tie between husband and wife, if breakable in prosperity, should be indissoluble in misfortune. — © Edith Wharton
..but it seemed to him that the tie between husband and wife, if breakable in prosperity, should be indissoluble in misfortune.
The value of books is proportionate to what may be called their plasticity -- their quality of being all things to all men, of being diversely moulded by the impact of fresh forms of thought.
The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.
Archer was too intelligent to think that a young woman like Ellen Olenska would necessarily recoil from everything that reminded her of her past. She might believe herself wholly in revolt against it; but what had charmed her in it would still charm her even though it were against her will.
She seemed to melt against him in her terror, and he caught her in his arms, held her fast there, felt her lashes beat his cheek like netted butterflies.
There is someone I must say goodbye to. Oh, not you - we are sure to see each other again - but the Lily Bart you knew. I have kept her with me all this time, but now we are going to part, and I have brought her back to you - I am going to leave her here. When I go out presently she will not go with me. I shall like to think that she has stayed with you.
I'd almost say it's the worries that make married folks sacred to each other.
The moment my eyes fell on him, I was content.
I wonder why rich people always grow fat I suppose it's because there's nothing to worry them.
Do you know-I hardly remembered you? Hardly remembered me? I mean: how shall I explain? I-it's always so. Each time you happen to me all over again.
I can't love you unless I give you up.
I feel as if I could trust my happiness to carry me; as if it had grown out of me like wings.
With a shiver of foreboding he saw his marriage becoming what most of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other.
Little as she was addicted to solitude, there had come to be moments when it seemed a welcome escape from the empty noises of her life. — © Edith Wharton
Little as she was addicted to solitude, there had come to be moments when it seemed a welcome escape from the empty noises of her life.
Damn words; they're just the pots and pans of life, the pails and scrubbing-brushes. I wish I didn't have to think in words.
To visit Morocco is still like turning the pages of some illuminated Persian manuscript all embroidered with bright shapes and subtle lines.
... how I understand that love of living, of being in this wonderful, astounding world even if one can look at it only through theprison bars of illness and suffering! Plus je vois, the more I am thrilled by the spectacle.
Think what stupid things the people must have done with their money who say they're 'happier without'.
[B]ut he had lived in a world in which, as he said, no one who loved ideas need hunger mentally.
Until the raw ingredients of a pudding make a pudding, I shall never believe that the raw material of sensation and thought can make a work of art without the cook's intervening.
...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.
Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving towards the watcher on the shore.
And I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, & consequently suggests more tugging, & pain, & diversified elements of misery, than the marriage tie.
In the dissolution of sentimental partnerships it is seldom that both associates are able to withdraw their funds at the same time.
It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them.
Their long years together had shown him that it did not so much matter if marriage was a dull duty, as long as it kept the dignity of duty: lapsing from that, it became a mere battle of ugly appetites.
Most timidities have such secret compensations and Miss Bart was discerning enough to know that the inner vanity is generally in proportion to the outer self depreciation.
There's nothing grimmer than the tragedy that wears a comic mask.
As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each other’s angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep
Archer reddened to the temples but dared not move or speak: it was as if her words had been some rare butterfly that the least motion might drive off on startled wings, but that might gather a flock if it were left undisturbed.
She would not have put herself out so much to say so little.
It was too late for happiness - but not too late to be helped by the thought of what I had missed. That is all I haved lived on - don't take it from me now
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate.
...It was one of the great livery-stableman's most masterly intuitions to have discovered that Americans want to get away from amusement even more quickly than they want to get to it.
Charity, till then, had been conscious only of a vague self-disgust and a frightening physical distress; now, of a sudden, there came to her the grave surprise of motherhood.
The essence of taste is suitability. Divest the word of its prim and priggish implications, and see how it expresses the mysterious demand of the eye and mind for symmetry, harmony and order.
But marriage is one long sacrifice.... Chapter 21, Medora Manson speaking to Newland Archer — © Edith Wharton
But marriage is one long sacrifice.... Chapter 21, Medora Manson speaking to Newland Archer
One cares so little for the style in which one's praises are written.
Staunch & faithful little lovers that they are, they give back a hundred fold every sign of love one ever gives them — & it mitigates the pang of losing them to know how very happy a little affection has made them .
We shall hurt others less. Isn't it, after all, what you always wanted?
Beauty (was)a gift which, in the eyes of New York, justified every success, and excused a certain number of failings.
Any rapidly enacted episode. . .should be seen through only one pair of eyes.
The very good people didn't convince me; I felt they'd never been tempted. But you knew; you understood; you had felt the world outside tugging at one with all its golden hands — and yet you hated the things it asks of one; you hated happiness bought by disloyalty and cruelty and indifference.
Yes, you have been away a very long time.' 'Oh, centuries and centuries; so long,' she said, 'that I'm sure I'm dead and buried and this dear old place is heaven.
... there are spines to which the immobility of worship is not a strain.
To have you here, you mean-in reach and yet out of reach? To meet you in this way, on the sly? It's the very reverse of what I want.
And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
I have drunk of the wine of life at last, I have known the thing best worth knowing, I have been warmed through and through, never to grow quite cold again till the end. — © Edith Wharton
I have drunk of the wine of life at last, I have known the thing best worth knowing, I have been warmed through and through, never to grow quite cold again till the end.
And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them.
In the summer New York was the only place in which one could escape from New Yorkers.
It was amusement enough to be with a group of fearless and talkative girls, who said new things in a new language, who were ignorant of tradition and unimpressed by distinctions of rank; but it was soon clear that their young hostesses must be treated with the same respect, if not with the same ceremony as English girls of good family.
[I]t's safer to be fond of dangerous people.
For what endless years this life will have to go on! He felt, with a kind of horror, his own strong youth and the bounding blood in his veins.
Presently he rose and approached the case before which she stood. Its glass shelves were crowded with small broken objects —hardly recognisable domestic utensils, ornaments and personal trifles — made of glass, of clay, of discoloured bronze and other time-blurred substances. 'It seems cruel,' she said, 'that after a while nothing matters... any more than these little things, that used to be necessary and important to forgotten people, and now have to be guessed at under a magnifying glass and labeled: "Use unknown".'
Everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.
Make ones center of life inside ones self, not selfishly or excludingly, but with a kind of unassailable serenity.
... naturalness is not always consonant with taste.
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