Top 147 Quotes & Sayings by Edmund White - Page 3

Explore popular quotes and sayings by an American novelist Edmund White.
Last updated on December 3, 2024.
Sharona Muir has written a gripping personal memoir about her odyssey to rediscover and reclaim her father. Along the way she uncovers some hard truths about the heroic founders of Israel and the Beginnings of Israeli science. The Book of Telling keeps in all the fears and resentments and consolations and warmth of such a process-at once her own story and the tale of a nation.
The imagination is not the consolation people pretend. It can even be regarded as the admission of some sort of failure.
In writing one draws in the rest, the forgotten parts. — © Edmund White
In writing one draws in the rest, the forgotten parts.
The school was nothing but reminiscence - of an Italian hill town, a French abbey, an English academy, the different sources improbably but convincingly melded into a fantasy about the classic sites of Europe as imagined by exiles from cold peripheral lands, nostalgia about somebody else's past.
There was something stubborn in me that didn't want to lose weight to attract a man. If the right man came along, he'd be able to see my virtues magically. Once he kissed me, the frog would turn into a prince. I had become a trick question, a heavy disguise, but behind the disobliging exterior was the welcoming child I would always be. Of course, what I'd forgotten was that he was not Parsifal and I was not the Grail; the medievalism of my imagination was not sufficiently up-to-date to recognize that the lover was a shopper and I a product.
The scorn directed against drags is especially virulent; they have become the outcasts of gay life, the "queers" of homosexuality.In fact, they are classic scapegoats. Our old fears about our sissiness, still with us though masked by the new macho fascism, are now located, isolated, quarantined through our persecution of the transvestite.
I felt if I went chronologically, I'd get bogged down in childhood and that's part of our culture of complaint in America. This endless wailing about your childhood.
For most Northerners, Texas is the home of real men. The cowboys, the rednecks, the outspoken self-made right-wing millionaires strike us as either the best or worst examples of American manliness.... The ideal is not an illusion nor is it contemptible, no matter what damage it may have done. Many people who scorn it in conversation want to submit to it in bed. Those who believe machismo reeks of violence alone choose to forget it once stood for honor as well.
The almost Oriental politeness of the West Coast is one of its distinctive regional features, in marked contrast to the contentiousness of the East Coast.... So few human contacts in Los Angeles go unmediated by glass (either a TV screen or an automobile windshield), that the direct confrontation renders the participants docile, stunned, sweet.
Dreadful is a poignant biography of a forgotten man who drank himself to death. It's a brilliant evocation of a self-hating gay novelist in the 1940s whom Gore Vidal once considered a rival.
Psychoanalysis feeds on intensity, as though life were all flame and no ash.
There is an enormous pressure placed on gay novelists because they are the only spokespeople. The novelist's first obligation is to be true to his own vision, not to be some sort of common denominator or public relations man to all gay people.
In our imaginations the adults of our childhood remain extreme, essential - we might say radical since they are the roots that fed luxuriant later systems. Those first bohemians, for instance, stay operatic in memory even though were we to meet them today - well, what would we think, we who've elaborated our eccentricities with a patience, a professionalism they never knew?
Perhaps we'd understood each other too well to be attracted to one another. There were no occlusions in communication, those breaks in understanding that awaken desire.
I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be
Being up on something is a way of dismissing it. To espouse any point of view is a danger - it might leave us stuck with last year's cause. Prized for their novelty alone, ideas, gimmicks, trends become equivalent, interchangeable.
San Francisco is where gay fantasies come true, and the problem the city presents is whether, after all, we wanted these particular dreams to be fulfilled--or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which, vivid and continuous, they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed?
Recognizing that the world is governed by a minority, the sexually active, and that they hold sway of a huge majority of the nonsexual, those people too young or too old or too poor or too homely or sick or crazy or powerless to be able to afford sexual partners (or the luxury of systematic, sustained and shared introspection, so sexual in its own way). All advertisements and films and songs are addressed to sexuals, to their rash whims and finicky tastes.
Someone once remarked that in adolescence pornography is a substitute for sex, whereas in adulthood sex is a substitute for pornography.
All his leisure clothes were absurd - jokes, really - as though leisure itself had to be ridiculed.
At certain crucial moments - an emergency or an opportunity - one must act first and think later.
I saw literature as a fantasy, no less absorbing for all its irrelevance - a parallel life, as dreams shadow waking but never intersect it. — © Edmund White
I saw literature as a fantasy, no less absorbing for all its irrelevance - a parallel life, as dreams shadow waking but never intersect it.
Do we regard language as more public, more ceremonial, than thought? Just as family men condemn the profanity on the stage that they use constantly in conversation, in the same way we may look to written language as an idealization rather than a reflection of ourselves.
What is new about Barthes's posthumous reputation is the view of him as a writer whose books of criticism and personal musings must be admired as serious and beautiful works of the imagination.
The notion that I might have been able to court friends, win attention, conjure it, would have spoiled it for me. Unbidden love was what I wanted.
Hell is God's Absence.
As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together
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