Top 41 Quotes & Sayings by Edward Burns

Explore popular quotes and sayings by an American actor Edward Burns.
Last updated on November 21, 2024.
Edward Burns

Edward Fitzgerald Burns is an American actor, producer, writer, and director best known for appearing in several films including Saving Private Ryan (1998), 15 Minutes (2001), Life or Something Like It (2002), Confidence (2003), A Sound of Thunder (2005), The Holiday (2006), The Groomsmen (2006), One Missed Call (2008), 27 Dresses (2008), Man on a Ledge (2012), Friends with Kids (2012), and Alex Cross (2012). Burns directed movies such as The Brothers McMullen (1995), She's the One (1996), Sidewalks of New York (2001), Purple Violets (2007), and The Fitzgerald Family Christmas (2012). He also starred as Bugsy Siegel in the TNT crime drama series Mob City and as Terry Muldoon in TNT's Public Morals.

It is a juggling act and I have been in it for 12 years now, which is about 11 years longer than I thought I would be, and then the priority there is thinking how can I stay somewhat irrelevant so that you can continue to survive and can continue to work and put yourself in a position to get to do the work you are truly passionate about.
Look: You're not gonna become a millionaire doing this, but that was never the point. And I think a lot of people in the indie film business kind of took their eye off of that.
I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.
When I was 25 years old and had no money - and didn't know how to make movies and had no experience - I was able to get $25,000 together, and that film was 'The Brothers McMullen.'
I'd been offered TV series over the years and never had any interest in doing television. I'm not a TV guy.
Maybe I should have taken a few chances. That's not to say I want to go make 'Star Wars', but I need to shift my career into the studio world. That's where my head was at when I thought of the original plot.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
Woody Allen would go for seven years without a movie and then make one that makes no money. — © Edward Burns
Woody Allen would go for seven years without a movie and then make one that makes no money.
But the longer I'm in the business, you see a lot of times these screenplays have been rewritten 5 times and you're not really offending an author.
So you got the cool New Yorkers, and then there are the less-than-cool New Yorkers.
People that went to art house theatre have more options, I used to go, but now think any movie can be delivered in a red envelope three months after it's released so why not watch it on my flat screen in the comfort of home.
The con movie is a little bit different where maybe we tell you what we're going to do but it never goes down the way you expect because there's so much double-crossing and cheats and lies going on along the whole way.
The stigma of the straight-to-DVD thing is over.
Actors are con men and con men are actors.
I am a big fan of the old Howard Hawks films from the 30s and 40s, I was a big Hepburn and Tracey fan for a while and Woody Allen films that are a very different kind of romantic comedy.
I mean the cool thing about the movies is that you get to try on these different personalities and different styles.
'Brothers McMullen' would not be picked up for theatrical distribution now.
I feel Irish-Americans are the forgotten minority group. Nobody else is making films about them. — © Edward Burns
I feel Irish-Americans are the forgotten minority group. Nobody else is making films about them.
You make a movie for 9k for the freedom it allows you.
Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.
Spielberg gave us three takes before saying anything to us. Since then, I do that, three takes, to let the actors find their rhythm.
I'm betting that in two years I'll be talking to you about a film that I shot on an iPhone. It's absolutely coming, I have no doubt in my mind.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
The way I see it, when I go out as an actor, it should be on a type of film I'm never going to do as a director. — © Edward Burns
The way I see it, when I go out as an actor, it should be on a type of film I'm never going to do as a director.
Quite honestly, it's too tough to get your movies made and then also to get out there and sell them.
But at a certain point, you have to take your influence and find your own voice if you want to become a relevant artist.
And at no point did making 'Brothers McMullen' feel like work or hardship. It was really just a matter of 11 days of fun over the course of 8 months.
Well, for one thing, you know my dad was a cop.
I'm always aware of who my core audiences are and I serve that niche.
You know, I've certainly gone through periods, once I got into this business, where I tried to adopt maybe a more sophisticated style, 'cause they give you all these free clothes.
That's my advice for indie filmmakers: Marry a supermodel.
I was a kid who went to film school and fell into acting.
I suffer from Irish-Catholic guilt. Guilt is a good reality check. It keeps that 'do what makes you happy' thing in check.
When you work with a DeNiro or Hoffman, they love what they do so much that there's never any competitive vibe. It's more about how do we do this thing together. — © Edward Burns
When you work with a DeNiro or Hoffman, they love what they do so much that there's never any competitive vibe. It's more about how do we do this thing together.
Maybe I should have taken a few chances. That's not to say I want to go make Star Wars, but I need to shift my career into the studio world. That's where my head was at when I thought of the original plot.
It's an enormous wall that's built between you and your dreams. And if every day, you just chip away... It may take ten years, but eventually you just might see some light.
There has been a great proliferation of lawyers in the pat 20 years, just as there has been a proliferation of computers. But unlike computers, lawyers do not get twice as intelligent and half as expensive every two years.
Brothers McMullen' would not be picked up for theatrical distribution now.
I suffer from Irish-Catholic guilt. Guilt is a good reality check. It keeps that ‘do what makes you happy’ thing in check.
I try not to be too plot-heavy and to balance the dramatic with the comedic.
Trust your actors. That's why I work with the same actors time and time again. I encourage them to change the dialogue to achieve one thing: keep the characters honest.
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