Top 76 Quotes & Sayings by Emmy Rossum

Explore popular quotes and sayings by an American actress Emmy Rossum.
Last updated on September 17, 2024.
Emmy Rossum

Emmanuelle Grey Rossum is an American actress, director, and singer. She is known for her portrayal of Fiona Gallagher in the television series Shameless (2011–2019). Since the mid-2010s, she has also directed and produced television, including the 2022 Peacock series Angelyne in which she also stars.

When I was in school, I got there on the first day and everyone had long, blonde, straight hair, and I had short, dark, curly hair. I immediately felt I didn't fit in and started growing my hair. But I've learned that I'm only happy when I am truly me and feel comfortable and confident in myself.
Everyone messes up in relationships and has peaks and valleys in their personal lives. When I realized it wasn't the end of the world and I would keep on standing, I knew it was going to be OK.
There's something safe about playing a character, but then it's like, 'Who am I underneath it all?' — © Emmy Rossum
There's something safe about playing a character, but then it's like, 'Who am I underneath it all?'
Being yourself is one of the hardest things because it's scary. You always wonder whether you'll be accepted for who you really are. I decided to call my record 'Inside Out' because that's my motto about life. I don't think you ever succeed at trying to be anyone else but who you truly are.
People who take risks like Amy Winehouse and Norah Jones take a second to catch on, but eventually they do because they're different and honest in a musical landscape that's not always like that.
I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.
She's lonely and wounded and very vulnerable and it really is a story about people at the heart of it all.
I had classical training but I don't consider myself an opera singer though.
I've learned to take jobs as an actress that is meaningful to me because I've never taken a job for the money.
I don't really live my life in the media spotlight. People don't know that much really about me or what I think.
I started singing at the Met when I was seven, and the competition was so fierce that it really prepared me.
Music is also a part of who I am so I'm thinking about recording an album. — © Emmy Rossum
Music is also a part of who I am so I'm thinking about recording an album.
It is very grand and sumptuous and awesome to look at but it was really about the characters for me.
I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.
I've been in the studio experimenting on making a CD of my own. I'm trying out different producers, styles, sounds. With music, as opposed to acting, you are not playing a character. You are showing people who you are. I really want to have my spirit in it.
I can put my legs behind my head and sing 'Happy Birthday.' Because that's something that me and my friends used to do when we were in gymnastics class as kids, and I can still do it. I was doing it since I was 8 and 9. They used to call me Gumby. Very bendy.
Here we spent so much time together - eight months of our lives almost - and it was so great because we all got so close and that really made us not afraid to improve with each other.
It wasn't my intention in going after this part but I suppose now I do. The adult roles are a lot meatier - you're not always just the daughter or the girlfriend or whatever.
I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.
I know that I am my worst critic. I know that if I can walk away from the set at the end of the day and feel that I did the best job I could and feel proud, that's what will satisfy me.
If I can't find a project that I'm really interested in, I'll just go back to college where I've been studying art history and French. I'm also going to study English and philosophy - the whole curriculum!
I try to keep myself as sane and as grounded as possible by surrounding myself with normal people, such as all the friends that I've had from when I was little.
I think we're all a lot more like our parents than we want to admit.
I started working when I was seven and I was working for five dollars a night at the Met.
It's the best feeling when you wake up and it's warm and cozy, and you don't have to go to work.
Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
I've never had my brows done - I tweeze them myself. I used to watch my mom pluck her brows, that's how I learned.
I've never had siblings, I didn't grow up in a big family; it was just me and my single mom. And hectic family dysfunction was actually something that I craved.
Guys usually like a very natural look. I think it's bad idea to wear a strong lip on a first date - or for the first few dates. I'm always too nervous he'll kiss it off - if I'm lucky enough to get a kiss! I also think soft, sexy hair is important.
In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.
I went to school on the Internet. I was not a cheerleader.
I think acting is a job where you're always unemployed. You're always looking for the next job, so I assume that it's like other jobs that are with that same kind of setup.
Sometimes I vocalize in the car. It's a good way to multitask. Although fellow drivers on the road think I'm craaaazy.
I always wanted an older brother. That was my thing. My mom would be like, "What do you want for your birthday?" I'd be like, "I want an older brother."
When something looks too good to be true, it usually is.
Life can be very funny and very tragic. Everyone has stuff that they've been through that makes up whatever fire it is that they have in their gut, but nobody goes around wearing that as their outmost exterior, all the time.
I've always loved the fashion of the '30s and everything that came with the Art Deco era - the jewelry and the glamour. — © Emmy Rossum
I've always loved the fashion of the '30s and everything that came with the Art Deco era - the jewelry and the glamour.
Never get your girlfriend a pet that she didn't know she was getting.
When I read the scripts, I'm always so excited to see what's going to happen because it's unpredictable.
I hate cats. But this cancer cat made me feel bad, so I was like, Okay, I'll take her back to L.?A. and give her her last six months of pain-free life.
I've never been a person who focused on trends. I'm influenced and inspired by trends, but I don't always subscribe to them.
A lot of people would wear anger, depression or aggravation as their first layer, and they don't. They very much understand what's really important in life.
We like it to be realistic but not real, but I wear something I call the 'vag pad,' it's kind of a little triangular panty liner that you stick to you.
I loved getting to investigate the grey areas of morality.
I feel like, as an adult, a lot of how you feel about yourself and what your inner workings are can be revealed in a sexual situation.
When a really cute dog shows up on your doorstep, you can't be like, Yeah, no. You're like, Oh, yay, puppy!
I have a dog as well, and I'm not a vegan or anything. But I needlepoint and I have a cat, so it's not boding well. — © Emmy Rossum
I have a dog as well, and I'm not a vegan or anything. But I needlepoint and I have a cat, so it's not boding well.
With social media and advertising and filters and FaceTune-ing it's hard to even to know what's real and what's not. So to see an image of a woman where you can actually see her face and her skin texture and she's still polished and beautiful or even glamorous with a nighttime look, but it still feels like a real person. I feel like that's the kind of beauty I want to applaud and align myself with.
That's my dream to be old enough and mature enough that I won't be considered an "old lady" if I have a house with a barn. Because I already do needlepoint.
I'm an actor, so I love to be degraded!
I think of Gisele Bundchen to get myself on the treadmill
I suppose that it doesn't matter whether a song is written or sung by a man or a woman. If the sentiment is there, it captures the audience.
My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car.
I just really gravitate towards a nostalgia for a time when things were simpler. When beauty was more classical and glamorous.
Being yourself is one of the hardest thing because it's scary you always wonder whether you'll be accepted for who you really are.
All the Hollywood bullshit and accolades and money really doesn't matter. It just gives you a slightly nicer house and slightly nicer food and slightly shinier hair.
I love Judy Garland, I love Doris Day, I love Marilyn Monroe. I love everything that comes from that era. The music is just beautiful and powerful - and simple. That's what makes it so great.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
A friend of mine is in a long-distance relationship. They have dates on Skype. They'll both watch the same movie and...play.
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