Top 11 Quotes & Sayings by Ernst Ludwig Kirchner

Explore popular quotes and sayings by a German painter Ernst Ludwig Kirchner.
Last updated on November 24, 2024.
Ernst Ludwig Kirchner

Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed.

You can do anything. Nothing is forbidden.
People become artists out of despair.
They [his 'Street Scene' paintings and drawings,he made in Berlin] originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.
The technical procedures doubtless release energies in the artist that remain unused in the much more lightweight processes of drawing or painting (remark on printmaking). — © Ernst Ludwig Kirchner
The technical procedures doubtless release energies in the artist that remain unused in the much more lightweight processes of drawing or painting (remark on printmaking).
I begin with movement... I believe that all human visual experiences are born from movement..
All art needs this visible world and will always need it. Quite simply because, being accessible to all, it is the key to all other worlds.
A painter paints the appearance of things, not their objective correctness, in fact he creates new appearances of things.
It seems as though the goal of my work has always been to dissolve myself completely into the sensations of the surroundings in order to then integrate this into a coherent painterly form.
If suffering can be transformed into creativity . . . I want to try it.
Anyone who directly and honestly reproduces that force which impels him to create belongs to us.
Every day I studied the nude, and movement in the streets and in the shops [in Berlin]. Out of the naturalistic surface with all its variations I wanted to derive the pictorially determined surface.
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