Top 100 Quotes & Sayings by Finneas
Explore popular quotes and sayings by an American musician Finneas.
Last updated on December 23, 2024.
All my favorite songs ever are love songs. Probably topped by 'The Luckiest' by Ben Folds.
When I started, I felt that there was this incredible amount of doubt of my ability as a producer.
I think if you're not trying to change things a little bit, you're not evolving.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
Imagine if somebody was like, 'Who's the next Timothee Chalamet?' It's like, he's currently Timothee Chalamet.
The music that I listened to when I was growing up was the most important to me forever.
I think that's probably the number one reason why collaboration is good. You disagree with each other about things and then what we always say is whichever one of us is more passionate about the issue is the winner because if you care about something enough to fight for it, that means it's probably a good thing.
I have nothing against reverb.
In the alternate reality where I wasn't involved at all, and I'd been like, just, sweating my way through, trying to have a music career for years? And then my sibling had one and I wasn't involved at all? I think I'd be very tortured by it. But the fact that we've had one in tandem makes a lot of sense.
We were a very crunchy, sort of hippie-dippy family.
A lot of the time, in pop music especially, there's reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
If I'm writing with or for someone else, it just has to feel true and real for them. It has to feel like they're being honest. If it's for myself, it's the same thing. It has to be something I can mean when I say it.
Love has always been the most important thing to me and the thing by which my life is guided.
I'm just obsessed with music I guess.
Billie doesn't actually like recording sessions at all. We like making music together. She doesn't like going to some big studio and having them pretend to be a therapist for a couple hours. So by default, we always make the good stuff together.
You know, I grew up very self-taught.
Usually, I get bored of my stuff almost immediately.
In my perfect world, I get to be a professional musician and still go to Trader Joe's.
To be honest, I've found so many more friends in the music industry than people I disagree with. I certainly haven't been made to feel like an outsider.
The amount of times I've been told something by artists I'm working with, which I'm sure they haven't told even their significant other or families, is shocking.
To me, my favorite joke on a stand-up special is when someone says something and you go, 'Oh my God, I've been thinking that my whole life, I've just never said it to anyone else.' Those little kinda quiet, personal observations you make that nobody else has talked about yet.
I've learned a lot from my mom and my dad. I learn a lot every time I watch Billie perform.
The first time I ever heard Airborne Toxic Event, my friend was turning 11 or something. And he had a paintball birthday party where him and me and two of our other friends went out to these paintball courses and I got obliterated. I don't think I got one hit.
If you're paying attention and you've been a good listener, you learn every day.
It's important to recognize when a song remains important to you.
When we are making a song for Billie I want it to resonate and speak the truth with her and want it to be a piece of fabric she can wear.
I never get tired of writing about love.
I don't think if you set out to make an album to get a bunch of Grammy nominations... you just have to set out to make an album you'll really love.
Production has always been a fantasy of mine, and I got really lucky and had a sister who put a lot of faith and trust in me, and was very collaborative, and was willing to let me produce her entire album.
I'm not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
I have always loved Ben Folds, he's like an idol of mine, a hero of mine.
What I really didn't want to do is work with other people and have them go, 'Oh, Finneas just does that sound for everybody.' The Billie sound is only Billie - I'll only do that for her.
I don't really have any interest in recording at places that are institutionalized for recording.
I try not to shy away from specificity.
I mainly try to foster long-term collaborative relationships.
I am not a very superstitious person, but I do believe in mental preparation.
I love pop songs so much and I don't put a ton of pressure on myself as a solo artist to always write the most commercial feeling thing, I just want to write things I would love to listen to.
I think we're always looking for ways to inject a sense of humor into our music.
I'm not very interested in fame or notoriety at all - in fact, I'd be pretty bummed out if I woke up one day and I was, like, super, super famous. But the flipside of that is that I'm really passionate about my music, I'm really proud of it and I want it to be heard by as many people as possible, and I'm willing to embrace whatever comes with that.
If I'm making a song with Billie, then it's for Billie... She has to want to wear that song every day. And I think I try to do the same thing when I'm making a song for myself... I try to treat them both that way, like I'm sort of A&R-ing her and then A&R-ing myself.
I'm a big believer in the benefit of a home studio. You're sitting there and maybe you don't know the next line. So you go outside for a second, maybe. Make a sandwich. Play with the dog. Or watch an episode of 'The Office,' whatever. And then it clicks, you run back into the room, and you've got it. It's not like your creativity is on the clock.
People don't come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
If you're thinking about all the possibilities of your life, there are extreme negatives, which you hope don't happen, and extreme positives, which you just aren't willing to think about because you think you'll jinx it.
I think the whole response to our art being so positive is that it rings true and it feels a unique thing and I feel that was the thing that we strive for in the beginning was to not conform to any preconceived notions of what we should be doing.
Working on TV shows was fun, but I felt crazy pressured and stressed.
I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
I always wanted to be on tour or making albums.
Definitely for me and my sister, wherever we are the most comfortable is where the best music's going to be made.
As soon as you make anything that people like, you get all these new artists hitting you up like 'I want to sound just like Billie Eilish.' And I'm always like, 'Absolutely not.'
I don't particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don't want to be bound to a studio to who we'd have to pay untold sums to.
The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.
Obviously I'm very grateful 'Bad Guy' is doing so well - it's shocking and surprising and gratifying - but I do think it's important to try to make the next song that people are gonna be excited about.
Everything sounds better when Billie sings it, so the only ones I'll keep for myself are ones that really feel just super personal to me in their content, like this is my life story and maybe not anybody else's.
Kids have tools to do what I'm doing.
I am just fascinated by music and I want to know how to identify all the things I love about it; to me music theory is like learning another language and then being able to explain how much you love something more clearly.
I was on a TV show called 'Glee.' I mean, I was on the real tail end of that show; it was already way past its peak. But still, for me aged 17 landing something like that was a big deal.
There's always a better word than a swear word.
I don't analyze songs because I think it will make me a better songwriter, I just do it out of sheer curiosity.
When I wrote 'When the Party's Over,' it had a universal quality.
Our mom cooks well, and we cook poorly. We try.
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