Top 11 Quotes & Sayings by Gary Louris

If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.

I'm trying to honestly do what I want to do, in the most honest way, and not worry about the consequences, because what's the worst thing that can happen? People don't like it, I go home. I'm not going to get hung by my thumbs. And as long as I don't read the reviews or care about what people say on a website or worry about those kind of things, then I'll probably be very happy.

I think my music is a reflection of what I think life is. Which is beautiful and sad, you know. I'm a bit of a sad-sack, in a way. I try not to be a mope. But life is hard, you know, and life is weird. Not to get too depressing. But it's also beautiful and gorgeous, and I'm glad I'm here.

As I say to people, never say never.

If anything, my problem is, I'm not a genius, it's just that I can write songs very quick. I have a lot of ideas, let's put it that way - I have too many ideas. And my problem is, I stockpile ideas and I get lazy and I don't finish them, and next thing I know, I'm looking around and I've got a hundred song ideas, but are any of them any good? I don't know.

When you have a lot of time, when you're not working a full-time job, you have a lot of time to question things and think about things. Some of it's about romantic relationships, some of it's about drugs, about religion, about this mass of humanity traveling through life doing all this crazy stuff, not really knowing why or for what.

I just think I just noticed that when I was working on other people's music I found myself missing a bit of the total control I had doing my own.

When you're not working with the same people, you tend to sound different. Even if my personality is the same, it's reflected off different people.

I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.

The lyrics seem to follow the music, and that's usually how I write. I write more about what comes out of my mouth while I'm writing the chords, and that seems to work better than filling up notebooks of what I think is really cool poetry, and try to put it on a song. That usually sounds like it's taped on.

I think my strength is in shaping a song - you know, making it feel like it reaches its peaks and valleys, and ends when it should end.