Top 104 Quotes & Sayings by Gary Shteyngart - Page 2

Explore popular quotes and sayings by an American writer Gary Shteyngart.
Last updated on April 21, 2025.
My hair would continue to gray, and then one day, it would fall out entirely, and then, on a day meaninglessly close to the present one, meaninglessly like the present one, I would disappear from the earth. And all these emotions, all these yearnings, all these data, if that helps to clinch the enormity of what I'm talking about, would be gone. And that's what immortality means. It means selfishness. My generations belief that each one of us matters more than you or anyone else would think.
In contravention of my belief that any life ending in death is essentially pointless, I needed my friends to open up that plastic bag and take one last look at me. Someone had to remember me, if only for a few more minutes in the vast silent waiting room of time.
I feel safe with him because he is so not my ideal and I feel like I can be myself because I'm not in love with him. — © Gary Shteyngart
I feel safe with him because he is so not my ideal and I feel like I can be myself because I'm not in love with him.
Also, I've spent an entire week without reading any books or talking about them too loudly. I'm learning to work my apparat's screen, the colourful pulsating mosaic of it, the fact that it knows every last stinking detail about the world, whereas my books only know the minds of their authors.
We know summer is the height of of being alive. We don't believe in God or the prospect of an afterlife mostly, so we know that we're only given eighty summers or so per lifetime, and each one has to be better then the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo's Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived your summertime best? What is you missed out on some morsel of shaded nirvana?
Getting out of Russia was the best thing my parents did. I mean, that country will never amount to anything.
I reveled in the smallness, the coziness of an upstairs bedroom in a traditional American Cape Cod house the half-floor that forces you to duck, to feel small and naive again, ready for anything, dying for love, your body a chimney filled with odd, black smoke. These square, squat, awkward rooms are like a fifty-square-foot paean to teenage-hood, to ripeness, to the first and last taste of youth.
The radio station was playing Tchaikovsky's Swan Lake, a sure sign that things were much worse than they appeared.
freedom is anathema to dreams nurtured in captivity.
I'm the fortieth ugliest man in this bar. But so what! So what!... Isn't this how people used to fall in love?
Russia tried to introduce beer as kind of the new vodka - and it's working with younger people in major cities - but you can have ten shots of vodka and be perfectly okay. If I had ten beers, I would be liquidated.
On that night I was left with only the truth that nothing of our personality survives after death, that in the end all that was Misha Vainberg would evaporate along with the styles and delusions of his epoch, leaving behind not one flutter of his sad heavy brilliance, not one damp spot around which his successors could congregate to appreciate his life and times.
I have my own dying empire to contend with, and I do not wish for any other. — © Gary Shteyngart
I have my own dying empire to contend with, and I do not wish for any other.
Forget the fountain of youth, pal of mine. You can live to be a thousand, and it won't matter. Mediocrities like you deserve immortality.
Summer is a Latvian chicken. We make foolish choices. We think we’re young again. We run with outstretched arms toward an object of love and it pecks us and pecks us until we’re standing there snot-nosed and teary in the middle of Astor Place and the sun sets fire to our Penguin shirts and all that is left to do is go to our air-conditioned homes and ponder the cruelty of our finest season.
One of the goals of analysis is you become your own analyst. You continue the process even if you're not in therapy, whether you continue the process by walking down the street thinking about things or whether you continue the process, as I do, by writing about them.
Vodka has a huge history in Russia, in that it's almost like a currency. It's the one thing that keeps the country in the dark ages and having a rollicking good time.
Then I celebrated my Wall of Books. I counted the volumes on my twenty-foot-long modernist bookshelf to make sure none had been misplaced or used as kindling by my subtenant. “You’re my sacred ones,” I told the books. “No one but me still cares about you. But I’m going to keep you with me forever. And one day I’ll make you important again.” I thought about that terrible calumny of the new generation: that books smell.
Every returning New Yorker asks the question: Is this still my city? I have a ready answer, cloaked in obstinate despair: It is. And if it's not, I will love it all the more. I will love it to the point where it becomes mine again.
Asthmatic immigrant learns to breathe by writing.
By reading this message you are denying its existence and implying consent.
Italy has sun and tomatoes, and Russia just has real problems.
I felt the weakness of these books, their immateriality, how they had failed to change the world, and I didn't want to sully myself with their weakness anymore.
Reading is difficult. People just aren't meant to read anymore. We're in a post-literate age. You know, a visual age. How many years after the fall of Rome did it take for a Dante to appear? Many, many years.
... I'm the fortieth-ugliest man in this bar. But so what! So what! What if someday she lets me kiss each one of her freckles again? She has like a million. But every one of them means something to me. Isn't this how people used to fall in love? I know we're living in Rubenstein's America, like you keep saying. But doesn't that just make us even more responsible for each other's fates? I mean, what if Eunice and I just said no to all this. To this bar. To this FACing. The two of us. What if we just went home and read books to each other?
The love I felt for her on that train ride had a capital and provinces, parishes and a Vatican, an orange planet and many sullen moons -- it was systemic and it was complete.
In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?
The best thing about the iPhone is this that tells me where I am all the time. Theres never a need to feel lost anymore.
A writer or any suffering artist-to-be is just an instrument too finely set to the human condition [...]
My mother cranes her neck. Her ability to be fascinated by things is her best gift to me. — © Gary Shteyngart
My mother cranes her neck. Her ability to be fascinated by things is her best gift to me.
I am born hungry. Ravenous. I want to eat the world, and I can never be satiated.
Let's see if I can write about something other than my heart.
Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can't do that because you sort of know what's going to happen. Because you're the character.
Michigan, with its delicious American name. How lucky one must be to live there.
She was clothed entirely in two large swatches of leather, the leather fake and shiny in a self-mocking way, absolutely correct for 1993, the first year when mocking the mainstream had become the mainstream.
Don't be pretentious is my first advice to young writers. This is the big problem - just because you're getting an MFA doesn't mean you have to write for the Academy. Be true to your personality. Don't temper your personality down with words. Don't build defensive fortresses around yourself with words - words are your friends.
In America, the distance between wanting something and having it delivered to your living room is not terribly great.
I write five, six days a week. The thing is capturing the voice. I feel like I've been perfecting one voice - in different iterations, sure, but the Russian-ness has always been the undercurrent.
My first book really did change my life. It allowed me to fully express myself. There was a sense that I was worth something as an artist.
America should treasure its rare, true original voices and Mark Leyner is one of them. So treasure him already, you bastards! — © Gary Shteyngart
America should treasure its rare, true original voices and Mark Leyner is one of them. So treasure him already, you bastards!
I wish I were stronger and more secure in myself so that I could really spend my life with a guy like Lenny. Because he has a different kind of strength than Joshie. He has the strength of his sweet tuna arms. He has the strength of putting his nose in my hair and calling it home. He has the strength to cry when I go down on him. Who IS Lenny? Who DOES that? Who will ever open up to me like that again? No one. Because it's too dangerous. Lenny is a dangerous man. Joshie is more powerful, but Lenny is much more dangerous.
If you're not fascinated by Korea yet, you damn well should be. The most innovative country on earth deserves a hilarious and poignant account on the order of Euny Hong's The Birth of Korean Cool. Her phat beats got Gangnam Style and then some.
I love librarians more than any other people in the world. When I was an immigrant kid, they’ve made me feel like a human being and they gave me books that taught me English.
We're people of the Orient. We know everything. And what we don't know, we can sense.
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