Top 32 Quotes & Sayings by George Cukor

Explore popular quotes and sayings by an American producer George Cukor.
Last updated on September 19, 2024.
George Cukor

George Dewey Cukor was an American film director and film producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.

We've all been tired and thought we wanted a long vacation when all we needed was a few days off, but didn't know it.
It never occurred to me that I could live in California. Now I can't imagine living anywhere else.
Women's director! Well, I'm very pleased to be considered a master of anything, but remember, for every Jill there was a Jack. People like to pigeonhole you - it's a shortcut, I guess, but once they do, you're stuck with it.
I was a stage-struck kid. — © George Cukor
I was a stage-struck kid.
Looking for love is tricky business, like whipping a carousel horse.
You can always land on your feet if you know where the ground is.
If there is such a thing as 'a Cukor style,' I guess it arises out of two principal factors: my own personalized perception of the world and my ability to deal professionally with actors. As far as perception is concerned, I always try to imagine settings through the best possible eyes.
It is reassuring for people to feel they have a boss, someone who knows the answers and has charted the course.
I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
So many directors say nothing beautifully, and so many others say great and profound things but have no idea how to read a light meter or arrange a shot.
As a professional, it pains me to watch a movie that is botched and amateurish. I prefer directors who have control of both their craft and their ideas.
Give me a good script, and I'll be a hundred times better as a director.
If she was a victim of any kind, she was a victim of her friends.
You're just poor cornball provincial people, you critics; you just don't know what the hell you're talking about.
When one deals with stars, he is dealing with intelligent people. If they weren't intelligent, they wouldn't have arrived at the star pinnacle.
I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.
If I were very handsome, maybe I'd have been an actor.
The truth is, a director wins an Oscar for a writer's script and actors' performances.
You can't have any successes unless you can accept failure.
Anyone who looked at something special, in a very original way, makes you see it that way forever.
Unless the story line carries the scenes, the scenes don't really mean anything.
I work through the actors, and the more successful I am, the less my work is apparent.
I don't think you can teach people how to be funny. You can make suggestions about how to speak a line or get a laugh, but it has to be in them.
People who aren't complicated in real life come through as pretty bland on the screen. Most great performers are not very happy and well adjusted. Perhaps that's the price they pay for being originals.
From the director's point of view, it's infinitely easier to do violence than to do a good dramatic scene. — © George Cukor
From the director's point of view, it's infinitely easier to do violence than to do a good dramatic scene.
I know people who say Hollywood broke her heart, and all that, but I dont believe it. She was very observant and tough minded and appealing, but she adored and trusted the wrong people. She was very courageous-you know the book Twelve Against the Gods? Marilyn was like that, she had to challenge the gods at every turn.
Real talent is a mystery, and people who've got it, know it.
Don't let a kick in the ass stop you. It's how you cope that says what you are.
I suppose they call me a womans director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
You learn out of bitter experience, trial and error. Life teaches you that. As sincere as you all are, you can't learn it all in school.
When it goes wrong, you feel like cutting your throat, but you go on. You don't let anything get you down so much that it beats you or stops you.
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