Top 87 Quotes & Sayings by George Hamilton

Explore popular quotes and sayings by an American actor George Hamilton.
Last updated on December 22, 2024.
George Hamilton

George Stevens Hamilton is an American film and television actor. His notable films include Home from the Hill (1960), By Love Possessed (1961), Light in the Piazza (1962), Your Cheatin' Heart (1964), Once Is Not Enough (1975), Love at First Bite (1979), Zorro, The Gay Blade (1981), The Godfather Part III (1990), Doc Hollywood (1991), 8 Heads in a Duffel Bag (1997), Hollywood Ending (2002) and The Congressman (2016). For his debut performance in Crime and Punishment U.S.A. (1959), Hamilton won a Golden Globe Award and was nominated for a BAFTA Award. He has received one additional BAFTA nomination and two additional Golden Globe nominations.

The truth of it is that women are far more logical than men.
Democracy, if it meant what our forefathers said, that would be great, but unfortunately it's been corrupted by this funding and funding of campaigns. There's a much better way to do it. There could be a small amount of money given by every taxpayer to be dedicated to candidates.
I don't use the phrase 'I love you' very often, but I say it every time I talk to my children. — © George Hamilton
I don't use the phrase 'I love you' very often, but I say it every time I talk to my children.
I always adored Cary Grant. I was fascinated by him. But I could never get too close to him.
I can tan quickly. What takes people hours to do, I can tan in half an hour.
While I put forth the suntan and the teeth and the cavalier attitude, I've survived under the worst of eras and times, and I've always had a good time doing it, because I never really took myself seriously, nor did I take life seriously because it is already terribly serious.
A world-class playboy once told me that the key to mesmerising women is to listen to them and look deeply into their eyes.
I'm my own doctor. I have a group of people who call me up on a weekly basis. I'm a 'doctor' without a license.
It's my personal opinion, and I'm not espousing it to anybody else, I think your immune system and how healthy you are determines how you react to any excess of any kind.
Basically, I'm a shy human being. Very introverted.
I consume an enormous number of books, but they're always on a particular subject because I'm obsessive.
It's hard for people to get their hands around fame, because it's heady stuff, and you have to look at it as being dangerous explosives, and you have to handle it with care.
I'm kind of like a relic from another era.
I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
Women don't like men who know they're good looking. They'd much prefer a man who doesn't know he's good looking.
I doubt anyone in Hollywood has had more 'dates' than me. — © George Hamilton
I doubt anyone in Hollywood has had more 'dates' than me.
Acting has always been something for me that's been a romp. I just show up and I have a good time, and I hope that I get through the day and I can have lunch in the sun.
Women love romance, but they're not as romantic as men.
Once, as an experiment, I travelled around the world with a single suit. Before I left, I went to a tailor in Savile Row and asked him to make me a suit that I could wear in any climate and which I could use as a tuxedo, a dinner jacket, a lounge suit and a blazer.
I've developed a self-discipline since the time I was a child.
Women want honesty but sometimes get upset if you are honest, so you need to know when to be honest.
I've never turned down an autograph request. I've never not taken a picture with someone.
My mother was a star-struck girl from a little town in Arkansas who had gone to finishing school in New York, and whose mother had given her anything she ever wanted.
I'm not somebody who runs from the press. I'm not coy. I appreciate the press I've had over the years.
A lot of actors flame out.
When people realize you're not the stuffed shirt they think you are it's such a relief and you have people who really like to be around you.
One works in this business - if one works. You do different types of movies.
A woman beautiful facially can negate all her beauty by no longer being feminine.
There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".
I'm not saying it's safe to go sit out in the sun all day but I don't believe that sun is bad for you.
I always felt people who took themselves seriously were kind of boring.
The first thing my agent told me in 1959 was he said you have to have something recognizable that people will remember. “What are you? Do you have cleft in your chin? You have a Jimmy Stewart kind of talk?” And I thought I don’t know what I can give them that will be different.
Entertainment was transportation. You were supposed to take somebody out of their seat and bring them back in. You’re not supposed to impose your values or your supposed knowledge to manipulate or control people. That was not your job. You were not supposed to use the bully pulpit of Hollywood to pound people with ideas. You’re there to entertain.
I never took the work less than serious, my work ethic is ingrained in me. But I've always had a sense of humor about myself.
Woody [Allen] is a fascinating character to be around. You don't really know what he's going to want. You're on your toes, but you're on your heels too, if you know what I mean.
We don't really know what Iran are capable of when the gun is put to their head
I look at scripts as good or bad. If it's bad, it better pay a lot of money.
Cary Grant was on the back lot one time doing a movie called "North by Northwest." I would see Cary outside the stage, and he would sit on a set chair and had one of those reflectors. He wanted this tan so he didn't have to use makeup.
One day when I was working on a movie, I stayed at the beach a little too long, and they said, “You are going to ruin a whole day of shooting because you’re so dark. Two days ago you weren’t like this!” So I started putting that in the character; I made him suntanned all the time.
I've been in the sun most of my life. I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
It's always amazing to me the idiosyncrasies people end up disliking others for. — © George Hamilton
It's always amazing to me the idiosyncrasies people end up disliking others for.
What that situation really needed was a little eyebrows.
I've always had good friends and people know that I've got no ax to grind.
I thought, better to get out while I'm still alive.
John Milius and Francis Ford Coppola and Oliver Stone - those guys are consummate filmmakers. They believe that you don't talk it, you show it. So when I find a role now, I try to find a visual way to tell what the character is about rather than trying to speak about it.
I realized that the studios didn't really understand their own system.
You asked me my favorite question: What happened and what did you learn from being under contract to MGM? And the answer is I know how to make movies. I understand how to do that. I've been doing that my whole life. It's just easier to raise the money yourself and then hire yourself. It's possible if you reduce your own budget a little.
I did a movie with Woody Allen [“Hollywood Ending” in 2002]. I only had a few days with Treat on that film. I immediately liked Treat. Treat and I had a sense of humor about the whole thing.
You do a movie [where] you like the script [and] it has something to say that you care about. And there are certain people in this industry that you kind of stick with. Guys like [“The Congressman” producer] Fred Roos. They call you, and if you’re not working, that’s what you do.
There are two schools of thought. A manager would tell you that must make them realize you're a dedicated actor and I took a totally different route than that. I never ever took myself seriously.
To my mind, there are no unattractive women; only those who haven't been awakened by love . . . A woman is often like a strip of film-obliterated, insignificant-until a man puts the light behind her.
There's no telling what the score will be if this one goes in — © George Hamilton
There's no telling what the score will be if this one goes in
There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
Democracy if it meant what our forefathers said, that would be great but unfortunately it's been corrupted by this funding and funding of campaigns. There's a much better way to do it. There could be a small amount of money given by every taxpayer to be dedicated to candidates.
After I got out of the studio system, I was completely [broke] for the 30th time; they said I’d never work again. So I’m going to go and produce those movies that they wouldn’t let me do.
I went in to play the most corrupt politician I could possibly think of [in "The Congressman"] and to do it with a certain kind of charm.
This is a business that I have always had the last laugh in.It has nothing to do with acting, it has to do with good karma.
I found a movie called “Light in the Piazza.” I finally made the movie with Olivia de Havilland and myself, but initially there was no way I could make that movie, so I went to work on becoming that character. They told me they had an Italian [actor], and I said, “That’s a Cuban boy!” His name was Tomas Milan. I thought that’s the craziest thing I’d ever heard: They have a Cuban who’s going to play an Italian, and I can’t play it because I’m an American.
Democracy has now become corrupted by the nature of the funders.
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