Top 822 Quotes & Sayings by George R. R. Martin
Explore popular quotes and sayings by an American novelist George R. R. Martin.
Last updated on November 22, 2024.
My characters who come back from death are worse for wear. In some ways, they're not even the same characters anymore. The body may be moving, but some aspect of the spirit is changed or transformed, and they've lost something.
Nothing bores me more than books where you read two pages and you know exactly how it's going to come out. I want twists and turns that surprise me, characters that have a difficult time and that I don't know if they're going to live or die.
Start with short stories. After all, if you were taking up rock climbing, you wouldn't start with Mount Everest. So if you're starting fantasy, don't start with a nine-book series.
I have always been a dark writer.
I don't know if I have any particular views about women in positions of power, though I do think it's more difficult for women, particularly in a Medieval setting. They have the additional problem that they're a woman and people don't want them in a position of power in an essentially patriarchal society.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.
I find religion and spirituality fascinating. I would like to believe this isn't the end and there's something more, but I can't convince the rational part of me that that makes any sense whatsoever.
The success that the Tolkien books had redefined modern fantasy.
One of the things I love, and I'm a voracious reader as well as a writer, is books that surprise me, that are not predictable.
I know some writers can write on the road, but I'm not one of them.
I suppose I'm a lapsed Catholic. You would consider me an atheist or agnostic.
I have always regarded historical fiction and fantasy as sisters under the skin, two genres separated at birth.
There is magic in my universe, but it's pretty low magic compared to other fantasies.
I have many books that I want to write; I'd like to think that I'll be around for another 20 years or so and write another dozen novels, probably some sort of imaginative literature... Never again another seven-volume saga.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
I tend to write one character at a time. But I don't write the entirety of one character at a time.
The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.
There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.
When I am writing best, I really am lost in my world. I lose track of the outside world. I have a difficult time balancing between my real world and the artificial world.
With a book I am the writer and I am also the director and I'm all of the actors and I'm the special effects guy and the lighting technician: I'm all of that. So if it's good or bad, it's all up to me.
I wrote six pilots, none of which ever got picked up. When you stop trying, it then it falls in your lap.
'Rome' was one of my favourite shows, and I wish HBO had given it three more seasons 'cause I would have loved to continue watching it.
There has to be a level of joy of what you're doing.
I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
If you're going to write about war, which my books are about, wars are nasty things. I think it's sort of a cheap, easy way out to write a war story in which no one ultimately dies.
I have files, I have computer files and, you know, files on paper. But most of it is really in my head. So God help me if anything ever happens to my head!
If I was a soldier going to war, I'd be pretty scared the night before a battle. It's a scary thing. And I want my readers to feel that fear as they turn the page.
Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.
In my 10 years that I spent out in TV and film, I had my shares of frustrations and annoyances and disappointments, but also I think it was, in the long run, it was very good for me in a whole bunch of ways.
I have an instinctual distrust of conventional happy endings.
It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.
I like grey characters; fantasy for too long has been focused on very stereotypical heroes and villains.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
An awful lot of fantasy, and even some great fantasy, falls into the mistake of assuming that a good man will be a good king, that all that is necessary is to be a decent human being and when you're king everything will go swimmingly.
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
I do get invitations all of the time to play actual fantasy football, by the way, but I get the feeling that I'd like it too much. I have enough demands on my time. My fans would kill me.
I have idea files of books that I want to write one of these days, stories I want to write one of these days, but I'll probably never get to them.
I can see a scene in my head, and when I try to get it down in words on paper, the words are clunky; the scene is not coming across right. So frustrating. And there are days where it keeps flowing. Open the floodgates, and there it is. Pages and pages coming. Where the hell does this all come from? I don't know.
I've never been good with deadlines. My early novels, I wrote by myself. No one knew I was writing a novel; I didn't have a contract.
I was a novelist first. But in the mid-'80s, I did work in television for ten years. And yes, that was frequently the reaction to my scripts. People would say, 'You know, George, this is great. We love it, a terrific script, but it would cost five times our budget to shoot this.'
I knew that, when writing a book, you're not constrained by a budget. You're not constrained by what you can do, in terms of the special effects technology. You're not limited to any particular running time.
Don't write outlines; I hate outlines.
You can have the power to destroy, but it doesn't give you the power to reform, or improve, or build.
I prefer to work with grey characters rather than black and white.
Of course it's not enough to be a good man to be an effective ruler and it never has been.
I work for two years on a book and it comes out and two days later I've got my first e-mail: When is the next one coming out?
I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.
I have a huge emotional attachment to characters I've created, especially the viewpoint characters.
Boy, there are days where I get up and say 'Where the hell did my talent go? Look at this crap that I'm producing here. This is terrible. Look, I wrote this yesterday. I hate this, I hate this.'
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
I had a couple of friends, but I was mostly the kid with his nose in a book.
I'm one of those writers who say, 'I've enjoy having written.'
Writing is hard. I mean, I sit there and work at it.
Nobody is a villain in their own story. We're all the heroes of our own stories.
I've always preferred writing about grey characters and human characters. Whether they are giants or elves or dwarves, or whatever they are, they're still human, and the human heart is still in conflict with the self.
I've said in many interviews that I like my fiction to be unpredictable. I like there to be considerable suspense.
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
There are some examples of medieval kings who were terrible human beings but were nevertheless good kings.
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