Top 25 Quotes & Sayings by George Shearing

Explore popular quotes and sayings by a British musician George Shearing.
Last updated on December 21, 2024.
George Shearing

Sir George Albert Shearing, was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and "Conception", and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91.

Having a set, popular formula does inhibit you.
I think in certain areas the demand is greater than it has ever been, and my business is better than it's been in 30 years. The music business is so precarious, as you know-you've got to make it while you can make it, and that's exactly what we're doing.
In Braille you write your flat sign first and then your note. — © George Shearing
In Braille you write your flat sign first and then your note.
Can anybody be given a great degree of creativity? No. They can be given the equipment to develop it-if they have it in them in the first place.
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.
The way it works: The orchestra plays a few selections of its own and I terminate the first part of the programme on piano, usually with a movement from a Mozart concerto.
Perfect retention. I don't think I could do that-I've never disciplined myself to do it. I suppose a lot of it is a question of discipline. Which improvisation is not.
My affiliation with England is borne out by the fact that I do come back for periodic visits.
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
I studied with a blind teacher from about 5 until I was 16, at two different schools. From the age of 12 until 16, I was in a boarding school-which, I believe, at that time was compulsory for blind children.
I was born in London in 1919. I first went to America in 1946 for a three-month holiday. Then I came back, worked here for almost a year sold up my home and went back on immigration in 1947.
We're travelling for about nine-and-a-half months a year.
I don't think you can contrive any sound.
I don't like freedom jazz - I think it's void of roots and void of foundation.
You know, when you've established a certain thing, what can you do? You're stuck with it.
When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.
Teddy Wilson, I think, said a little while ago that it's much easier to come in and play whatever comes into your mind, without obeying any of the laws of bass line and harmony and so on.
All my musical foundations go back to the age of 3. My family tell me that I used to listen to the old crystal set, then go to the piano and pick out the tune that I just heard.
Can anybody be given creativity? No. Only equipment to develop it if it's in them in the first place.
Learn the rules and then break them in such a way as to exercise good taste.
When people ask me how is it I was a musician, I facetiously say that I'm a firm believer in reincarnation and in a previous life I was Johann Sebastian Bach's guide dog.
If you establish an identity, you build a monster-and thats right, youve got to live with it. Of course, you can enjoy it, too. — © George Shearing
If you establish an identity, you build a monster-and thats right, youve got to live with it. Of course, you can enjoy it, too.
Teddy Wilson, I think, said a little while ago that its much easier to come in and play whatever comes into your mind, without obeying any of the laws of bass line and harmony and so on.
I always tell people, it took me 10 minutes and 35 years in the business. I get tired of playing it ["Lullaby of Birdland"], but not of collecting the royalties.
Perfect retention. I dont think I could do that-Ive never disciplined myself to do it.I suppose a lot of it is a question of discipline. Which improvisation is not.
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