Explore popular quotes and sayings by an American musician Gerry Mulligan.
Last updated on December 21, 2024.
Gerald Joseph Mulligan, also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as "Walkin' Shoes" and "Five Brothers", have become standards.
The other saxophones, except as solo instruments, really don't have much point in the orchestra.
Then, of course, I played alto and tenor, wherever there were jobs.
In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.
The recording industry has changed; they're enjoying such incredible success in the pop field.
I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
I like what I hear other guys doing, but the thing that really attracts me is melodic playing.
So I played alto for quite a while until I saved up the money for the baritone.
This life of being a transient human being has gotten to a point when it's very hard to bear.
You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.
The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing.
Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.
Because if you've got the wit, you can make anything into a melody, ultimately.
If you've only got one horn playing, I still want the sense of ensemble.
Actually, it is a fact that I've been doing more writing than playing in recent years.
In a way, I started out to be a baritone player.
Eliminating the piano means that I've always worked closer with the bass than most players.
Miles Davis is one who writes songs when he plays.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
New York is still where I live most of the time.
I'm fascinated with the electronic devices that we can mess around with.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy.
It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time.
You can make a saxophone into an electric organ; you can do everything with it.
I've appeared on some other people's albums.
When I began listening to saxophones, I was first attracted to Coleman Hawkins.
Only the French, I guess, really use tenor and alto to any great extent in the orchestra.
When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.
The first reason for starting to do the symphony concerts was to play this new piece of mine.
The recording industry has changed; they're enjoying such incredible success in the pop field
Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones
The other saxophones, except as solo instruments, really don't have much point in the orchestra
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
When I began listening to saxophones, I was first attracted to Coleman Hawkins
People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time
A very talented player and all around excellent musician. I love hearing his records on radio!
So I played alto for quite a while until I saved up the money for the baritone
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
You can make a saxophone into an electric organ; you can do everything with it
This life of being a transient human being has gotten to a point when it's very hard to bear
The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing
Actually, when I was very young, first starting to play, I think I probably listened more to clarinet players than to saxophones.
What I came back to is that jazz is a music to be played and not to be intellectualized on.
When [Billy] Strayhorn came on the scene, he just blew us away.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy
Only the French, I guess, really use tenor and alto to any great extent in the orchestra
Life on the road is murder. It's as though life begins and ends when you have your horn in your mouth.