Top 12 Quotes & Sayings by Greg Daniels

Explore popular quotes and sayings by an American writer Greg Daniels.
Last updated on November 8, 2024.
Greg Daniels

Gregory Martin Daniels is an American screenwriter, television producer, and director. He has worked on several television series, including Saturday Night Live and The Simpsons, adapted The Office for the United States, and co-created Parks and Recreation and King of the Hill. Daniels attended Harvard University where he became friends and started writing with Conan O'Brien. His first writing credit was for Not Necessarily the News, before he was laid off due to budget cuts.

On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
I'm like a slow starter. Everything I've done has built, or has taken a while.
I would encourage people that, if you are waiting for the end of 'The Office,' to re-tune in right away. It is the beginning of the end, where we start to break down what's going on with this documentary and see behind the scenes with who is involved.
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was. — © Greg Daniels
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was.
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
It happened to me on 'King of the Hill,' where I'd left it before the end and didn't really participate in the ending, and I always felt a little bit like I wanted to try a different version of that story.
Whenever the boss has 'fun' activities, there's got to be a parable or a lesson. Employees feel like they're supposed to be taking notes.
When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's no additional cost incurred to hire an animated character.
When you do something unusual, the audience doesn't 100 percent know what you're up to in the beginning. And if you're doing a character comedy, they haven't learned the characters yet.
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of are these weird reads that he does - just the way he's interacting with other people.
I love 'The Office' format so much that I wanted to close it out.
I feel responsible for everybody, and I couldn't imagine a scenario where I wouldn't be directing what was happening, at the end.
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